Paintings for Powder Blue Walls (page 26)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,201 to 1,248 of 1,950.

Shown from the hips up in a room on the far side of a ledge, a young woman props up a naked baby so he stands on a cushion in this vertical painting.

Albrecht Dürer Madonna and Child [obverse], c. 1496/1499 National Gallery of Art

The image shows a wide expanse of land with a horizon featuring rolling hills or small mountains and sparse trees. In the foreground, a person in traditional indigenous attire is pulling on a rope tethered to a resisting horse.

George Catlin Catching Wild Horses - Pawnee, 1861/1869 National Gallery of Art

An Alpine Scene, Gustave Courbet, 1874, oil on canvas

Gustave Courbet An Alpine Scene, 1874 Art Institute of Chicago

The Baptism of Christ, Lucas Cranach the Elder, 1530s, oil on wood

Lucas Cranach the Elder The Baptism of Christ, 1530s Cleveland Museum of Art

This painting shows a busy marketplace scene at eye level with a crowd of people and cattle. Hills are in the distance under a cloudy gray sky, and in front of them we can see a line of rooftops and a tall church spire.

Eugène Boudin Fair in Brittany, 1874 National Gallery of Art

Painting mostly in soft yellow, green, purple, blue, and pink of two wheatstacks, the right nearer than the left, in a country landscape at sunset.

Claude Monet Stacks of Wheat (End of Day, Autumn), 1890–91 Art Institute of Chicago

We look slightly down onto a man riding a white horse away from us on a dirt road winding through a sun-drenched, rocky landscape in this horizontal painting.

Camille Corot A View near Volterra, 1838 National Gallery of Art

A multitude of vibrantly colored shapes interweave with one another.

Marsden Hartley Movement, 1913 Art Institute of Chicago

The image shows a large blue and grey bowl filled with various fruits, including grapes, peaches, and a pineapple. The color palette consists of blues, greens, yellows, oranges, and browns.

William Stearns Bowl of Fruit, c. 1830/1840 National Gallery of Art

No te aha oe riri (Why Are You Angry?), Paul Gauguin, 1896, oil on jute canvas

Paul Gauguin No te aha oe riri (Why Are You Angry?), 1896 Art Institute of Chicago

Shown from the knees up, a pale-skinned, bearded man dressed in black gazes at us in this vertical portrait painting. His body is angled to our left, and he looks at us from the corners of his hazel eyes under thick brows.

Jacopo Tintoretto Portrait of a Man with a Landscape View, 1552/1556 National Gallery of Art

A woman with pale skin, wearing a sheer, lace shawl over a high-necked, ink-black dress sits in an upholstered chair in front of a dark, cranberry-red curtain in this vertical portrait painting.

John Singer Sargent Ellen Peabody Endicott (Mrs. William Crowninshield Endicott), 1901 National Gallery of Art

This painting depicts a sandy beach under a vast, light blue sky. The horizon is in the center of the painting where the blue sky blends into the blue water.

Eugène Boudin Women on the Beach at Berck, 1881 National Gallery of Art

Shown from the lap up, two women with pale skin and dark hair pulled up and back, wearing white dresses with baby-blue polka dots, sit on a couch in this horizontal portrait painting.

Berthe Morisot The Sisters, 1869 National Gallery of Art

Mount Washington, Winslow Homer, 1869, oil on canvas

Winslow Homer Mount Washington, 1869 Art Institute of Chicago

Eagle Head, Manchester, Massachusetts (High Tide), Winslow Homer, 1870, oil on canvas

Winslow Homer Eagle Head, Manchester, Massachusetts (High Tide), 1870 The Met

The Italian Woman, Amedeo Modigliani, ca. 1918–19, oil on canvas

Amedeo Modigliani The Italian Woman, ca. 1918–19 The Met

The Virgin Adoring the Host, Jean-Auguste-Dominique Ingres, 1852, oil on canvas

Jean-Auguste-Dominique Ingres The Virgin Adoring the Host, 1852 The Met

A woman with pale, peachy skin wearing elegant gold and ink-black garments sits in front of a stone portico in this vertical portrait painting. Her red armchair is angled to our right, but the woman turns to look at us under cocked brows.

Anthony van Dyck Isabella Brant, 1621 National Gallery of Art

The Beeches, Asher Brown Durand, 1845, oil on canvas

Asher Brown Durand The Beeches, 1845 The Met

A young woman reclines and reads a book near a stream that winds through a wooded landscape in this horizontal painting. Painted with rich pine green, trees tower along the riverbanks and fill most of the painting.

Camille Corot Forest of Fontainebleau, 1834 National Gallery of Art

A Winter Sky, George Inness, 1866, oil on canvas

George Inness A Winter Sky, 1866 Cleveland Museum of Art

Allegorical Figure Representing Prudence, Giovanni Battista Tiepolo, 1760, fresco, transferred to canvas

Giovanni Battista Tiepolo Allegorical Figure Representing Prudence, 1760 The Met

Madam Pompadour, Amedeo Modigliani, 1915, oil on canvas

Amedeo Modigliani Madam Pompadour, 1915 Art Institute of Chicago

On the Beach at Trouville, Eugène Boudin, 1863, oil on wood

Eugène Boudin On the Beach at Trouville, 1863 The Met

Portrait of a Man, Possibly an Architect or Geographer, Peter Paul Rubens, 1597, oil on copper

Peter Paul Rubens Portrait of a Man, Possibly an Architect or Geographer, 1597 The Met

The Music Lesson, Gerard ter Borch, c. 1670, oil on canvas

Gerard ter Borch The Music Lesson, c. 1670 Art Institute of Chicago

Portrait of the Ladies Amabel and Mary Jemima Yorke, Joshua Reynolds, c. 1761, oil on canvas

Joshua Reynolds Portrait of the Ladies Amabel and Mary Jemima Yorke, c. 1761 Cleveland Museum of Art

Still life painting of dead waterfowl and vegetables in windowsill.

Juan Sánchez Cotán Still Life with Game Fowl, c. 1600–3 Art Institute of Chicago

The Peaceable Kingdom, Edward Hicks, c. 1816–18, oil on canvas

Edward Hicks The Peaceable Kingdom, c. 1816–18 Cleveland Museum of Art

Painting of vibrantly colored shapes and lines intersecting and overlapping.

Wassily Kandinsky Painting with Green Center, 1913 Art Institute of Chicago

A nude woman with brown skin and long black hair stands to our right against a landscape swirling with jewel-toned greens, pinks, and purples while a man, also with brown skin, sits under a tree behind her in this stylized vertical…

Paul Gauguin Parau na te Varua ino (Words of the Devil), 1892 National Gallery of Art

A long-haired, small white dog with tawny-brown ears and spots sits on a garnet-red cushion in this loosely painted vertical portrait. The dog looks just to our left with large, round, black eyes under perked eyebrows.

Édouard Manet A King Charles Spaniel, c. 1866 National Gallery of Art

Saint Jerome as Scholar, El Greco, ca. 1610, oil on canvas

El Greco Saint Jerome as Scholar, ca. 1610 The Met

Warm light pours onto white stone and brown brick buildings in a grassy landscape in this horizontal painting. Tiny people walk, stand, sit, and work across the turf, among the buildings, and over a bridge spanning a canal to our right.

Canaletto The Porta Portello, Padua, c. 1741/1742 National Gallery of Art

This painting shows a scene with several people spaced out across a grassy expanse. The horizon is high in the painting, lined with white structures with red roofs and green trees.

Georges Seurat Figures in a Landscape, c. 1883 National Gallery of Art

Portrait of a Young Woman, Called Miss Sparrow, Thomas Gainsborough, 1770s, oil on canvas

Thomas Gainsborough Portrait of a Young Woman, Called Miss Sparrow, 1770s The Met

This painting depicts a while villa partially hidden by greenery. The villa has several buildings on different levels with small windows and reddish-brown roofs. The brushstrokes are loose and broad, giving the image a blurred effect.

Pierre-Auguste Renoir Maison de la Poste, Cagnes, 1906/1907 National Gallery of Art

Two Women, Paul Gauguin, 1901 or 1902, oil on canvas

Paul Gauguin Two Women, 1901 or 1902 The Met

The Colonnade of Saint Peter's, Rome, during the Conclave, Hubert Robert, c.1769, oil on canvas

Hubert Robert The Colonnade of Saint Peter's, Rome, during the Conclave, c.1769 Cleveland Museum of Art

Archangel Gabriel; The Virgin Annunciate, Gerard David, ca. 1510, oil on oak panel

Gerard David Archangel Gabriel; The Virgin Annunciate, ca. 1510 The Met

Louis-Marie, Vicomte de Noailles, Gilbert Stuart, 1798, oil on canvas

Gilbert Stuart Louis-Marie, Vicomte de Noailles, 1798 The Met

The painting features a large slice of yellow cake, a halved lemon, a glass of pale-yellow liquid with a slice of lemon and a straw in it, and a white plate filled with red raspberries.

John Frederick Peto Still Life with Cake, Lemon, Strawberries, and Glass, 1890 National Gallery of Art

American Pasturage - Prairies of the Platte, George Catlin, 1861/1869, oil on card mounted on paperboard

George Catlin American Pasturage - Prairies of the Platte, 1861/1869 National Gallery of Art

Portrait of a Woman, Amedeo Modigliani, c. 1917/19, oil on cardboard

Amedeo Modigliani Portrait of a Woman, c. 1917/19 Art Institute of Chicago

Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle", James McNeill Whistler, 1872–73, oil on canvas

James McNeill Whistler Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle", 1872–73 Art Institute of Chicago

Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, Jean-Baptiste Greuze, 1763, oil on canvas

Jean-Baptiste Greuze Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, 1763 The Met

James Stuart (1612–1655), Duke of Richmond and Lennox, Anthony van Dyck, ca. 1633–35, oil on canvas

Anthony van Dyck James Stuart (1612–1655), Duke of Richmond and Lennox, ca. 1633–35 The Met

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