Paintings for Powder Blue Walls (page 5)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 193 to 240 of 1,950.

Saint Teresa of Avila Interceding for Souls in Purgatory, Peter Paul Rubens, 1619, oil on wood

Peter Paul Rubens Saint Teresa of Avila Interceding for Souls in Purgatory, 1619 The Met

The Raffle (Raffling for the Goose), William Sidney Mount, 1837, oil on mahogany

William Sidney Mount The Raffle (Raffling for the Goose), 1837 The Met

Pierre-Auguste Renoir Young Spanish Woman with a Guitar, 1898 National Gallery of Art

Three small children with pale pink skin sit and stand among a group of animals to our right as a group of eight indigenous people with light brown skin gather with eight white-skinned men near a riverbank in the distance to our left in…

Edward Hicks Peaceable Kingdom, c. 1834 National Gallery of Art

Roses in a Vase, Henri Fantin-Latour, 1878, oil on fabric

Henri Fantin-Latour Roses in a Vase, 1878 Cleveland Museum of Art

Both dressed in white, a little boy leans onto the lap of a woman sitting in front of a smooth, sunlit boulder with a landscape to the right in this vertical portrait painting. Both people have pale skin with rosy cheeks.

Thomas Lawrence Lady Mary Templetown and Her Eldest Son, 1802 National Gallery of Art

Saltash with the Water Ferry, Cornwall, Joseph Mallord William Turner, 1811, oil on canvas

Joseph Mallord William Turner Saltash with the Water Ferry, Cornwall, 1811 The Met

Annie C. Lochrey Husson (Mrs. Louis Husson), Thomas Eakins, c. 1905, oil on canvas

Thomas Eakins Annie C. Lochrey Husson (Mrs. Louis Husson), c. 1905 National Gallery of Art

A pink-toned sandy beach meets a placid body of pale blue water under a hazy sky in this horizontal landscape painting.

John Frederick Kensett Beach at Beverly, c. 1869/1872 National Gallery of Art

Imaginary View with a Tomb by the Lagoon, Canaletto, early 1740s, oil on canvas

Canaletto Imaginary View with a Tomb by the Lagoon, early 1740s The Met

King Anushirwan and the Owls, from the Khamsa of Nizami, Islamic, Safavid dynasty (1501–1722), c.1535, ink, opaque watercolor, and gold on paper

Islamic King Anushirwan and the Owls, from the Khamsa of Nizami, Safavid dynasty (1501–1722), c.1535 Art Institute of Chicago

A Calling, William-Adolphe Bouguereau, 1896, oil on fabric

William-Adolphe Bouguereau A Calling, 1896 Cleveland Museum of Art

Matthew Clarkson, Gilbert Stuart, ca. 1794, oil on canvas

Gilbert Stuart Matthew Clarkson, ca. 1794 The Met

Isabella of Bourbon, Wife of Philip IV of Spain, Diego Velázquez, c. 1632, oil on canvas

Diego Velázquez Isabella of Bourbon, Wife of Philip IV of Spain, c. 1632 Art Institute of Chicago

The Chariot of Aurora, Giovanni Battista Tiepolo, 1760s, oil on canvas

Giovanni Battista Tiepolo The Chariot of Aurora, 1760s The Met

Pierre Puvis de Chavannes The Prodigal Son, probably c. 1879 National Gallery of Art

The Harvesters, Pieter Bruegel the Elder, 1565, oil on oak

Pieter Bruegel the Elder The Harvesters, 1565 The Met

This painting shows two women seated on yellow-gold chairs in a room. The woman on the left appears young, with short brown hair and light skin.

Édouard Vuillard Women Sewing, c. 1912 National Gallery of Art

Shown from the knees up, a seated woman is surrounded by an arch of disembodied, winged baby heads as she gazes down at an infant lying across her lap in this vertical painting.

Jacopo Tintoretto The Madonna of the Stars, c. 1575/1585 National Gallery of Art

An orange and the bodies of a large fowl and two rabbits on a brown ledge nearly span the width of this square still life painting. The face of the ledge takes up the bottom quarter of the composition.

Jean-Baptiste-Siméon Chardin Still Life with Game, probably 1750s National Gallery of Art

The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo, ca. 1745–47, oil on canvas

Giovanni Battista Tiepolo The Meeting of Antony and Cleopatra, ca. 1745–47 The Met

Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782, Francesco Guardi, c. 1783, oil on canvas

Francesco Guardi Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782, c. 1783 Cleveland Museum of Art

The Last Supper, Ugolino da Siena, ca. 1325, tempera and gold on wood

Ugolino da Siena The Last Supper, ca. 1325 The Met

Marshland, Jules Dupré, 1860s-1870s, oil on fabric

Jules Dupré Marshland, 1860s-1870s Cleveland Museum of Art

Portrait of Dr. William McNeill Whistler, James McNeill Whistler, 1871–73, oil on panel

James McNeill Whistler Portrait of Dr. William McNeill Whistler, 1871–73 Art Institute of Chicago

A bearded man, a young man, and five monks stand in a cream-white hall hung with a map and paintings in this horizontal painting. The people all have pale, peachy skin.

Eugène Delacroix Christopher Columbus and His Son at La Rábida, 1838 National Gallery of Art

A Gorge in the Mountains (Kauterskill Clove), Sanford Robinson Gifford, 1862, oil on canvas

Sanford Robinson Gifford A Gorge in the Mountains (Kauterskill Clove), 1862 The Met

Light pours over a woman and a dozen children of different ages standing in small groups near a boxy, red schoolhouse in this horizontal painting.

Winslow Homer School Time, c. 1874 National Gallery of Art

From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting.

John Constable The White Horse, 1818-1819 National Gallery of Art

This painting depicts a vast landscape with a horizon line in the lower third of the painting. A range of dark brown and purple mountains or hills stretches across the width of the image.

Thomas Cole Study for "Catskill Creek", c. 1844/1845 National Gallery of Art

This painting depicts a snowy forest scene with a path running through tall, leafless trees.

Eastman Johnson On Their Way to Camp, 1873 National Gallery of Art

This painting shows two large pears on a white tablecloth. The pear on the left is a pinkish color and sits directly on the cloth. The pear on the right is yellow, and it rests on a white plate next to a small knife.

Sanford Robinson Gifford Two Pears on a Tabletop, c. 1866 National Gallery of Art

Wild Boars in the Snow, Rosa Bonheur, c. 1872–77, oil on wood panel

Rosa Bonheur Wild Boars in the Snow, c. 1872–77 Cleveland Museum of Art

Venetian Passageway, John Singer Sargent, ca. 1905, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Venetian Passageway, ca. 1905 The Met

This painting is a portrait of a person with dark hair styled neatly in an updo with soft waves over their forehead.

Thomas Eakins Harriet Husson Carville (Mrs. James G. Carville), 1904 National Gallery of Art

A woman with a pale, peachy skin stands wearing a voluminous rose-pink, silk dress and holding a wreath of pink and white roses and greenery in this vertical portrait painting.

Anthony van Dyck Catherine Howard, Lady d'Aubigny, c. 1638 National Gallery of Art

An older girl and a younger child, both with pale skin, bend toward each other as they look at a book spread open on a wooden cupboard in this nearly square painting.

Jean-Baptiste-Siméon Chardin The Little Schoolmistress, after 1740 National Gallery of Art

This is a painting of an auction scene featuring an auctioneer and an audience. The painting shows a group of people watching an auctioneer gesturing towards a framed artwork displayed on an easel.

Honoré Daumier At the Gallery Drouot, after 1863-before 1873 National Gallery of Art

This painting depicts a coastal scene with a perspective from the water. There are dark, billowing gray clouds above the horizon, and the sky is pale orange.

Thomas Chambers Threatening Sky, Bay of New York, mid 19th century National Gallery of Art

Boy Fishing, Eastman Johnson, 1860s, oil on canvas

Eastman Johnson Boy Fishing, 1860s Cleveland Museum of Art

Lieutenant General Duncan Campbell, Henry Raeburn, c. 1810, oil on canvas

Henry Raeburn Lieutenant General Duncan Campbell, c. 1810 Cleveland Museum of Art

The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo, 1760s, oil on canvas

Giovanni Battista Tiepolo The Apotheosis of the Spanish Monarchy, 1760s The Met

Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887, oil on canvas

Vincent van Gogh Self-Portrait with a Straw Hat (obverse: The Potato Peeler), 1887 The Met

Ovid among the Scythians, Eugène Delacroix, 1862, oil on paper, laid down on wood

Eugène Delacroix Ovid among the Scythians, 1862 The Met

Shown from the waist up, a smiling, light-skinned young man wears a voluminous, dark hat and a brown suit in this vertical portrait painting.

Frans Hals A Young Man in a Large Hat, 1626/1629 National Gallery of Art

Corn Husking at Nantucket, Eastman Johnson, ca. 1875, oil on canvas

Eastman Johnson Corn Husking at Nantucket, ca. 1875 The Met

A man stands with one arm resting over the back of a chestnut-brown horse as two women approach the animal in this horizontal portrait painting set in a landscape. The people have pale skin, dark eyes, and ash-brown or gray hair.

George Stubbs Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances, 1769 National Gallery of Art

The Studio, Winslow Homer, 1867, oil on canvas

Winslow Homer The Studio, 1867 The Met

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