Paintings for Sand Walls (page 2)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 49 to 96 of 1,948.

The Glorification of the Eucharist, Peter Paul Rubens, ca. 1630–32, oil on wood

Peter Paul Rubens The Glorification of the Eucharist, ca. 1630–32 The Met

Three people gather around the doorway of a small cottage set in a sun-warmed yard in this almost square painting.

George Caleb Bingham Cottage Scenery, 1845 National Gallery of Art

Matsuchiyama on the Sumida River, Utagawa Hiroshige, Edo period, 1856, hanging scroll; Ink and color on silk

Utagawa Hiroshige Matsuchiyama on the Sumida River, Edo period, 1856 Art Institute of Chicago

Nine people are gathered in a landscape around the gaunt body of a young man being carried on a cloth in the lower half of this vertical painting. All the people have pale skin tinged with yellow, and all but one have shiny gold halos.

Fra Angelico The Entombment of Christ, c. 1450 National Gallery of Art

We look across the tops of trees down onto the roofs of a cluster of buildings and then a grassy expanse, a body of water, and rolling hills in this notably wide landscape painting. The trees are painted with shades of pine and olive green.

Théodore Rousseau Panoramic Landscape near the River Moselle, c. 1830 National Gallery of Art

A path enclosed almost entirely with trees stretches into a dense, sun-dappled forest before us in this horizontal landscape painting.

Narcisse Virgilio Díaz de la Peña In the Forest, 1874 National Gallery of Art

Three Pears and an Apple, Eastman Johnson, 1857, oil on board

Eastman Johnson Three Pears and an Apple, 1857 National Gallery of Art

A crouching tiger to our left bares its fangs at a hissing snake wound around a tree to our right in this nearly square painting.

Eugène Delacroix Tiger and Snake, 1862 National Gallery of Art

The painting depicts a serene village scene near a body of water with trees and thatched structures on the horizon.

George Catlin Painting the Lengua Chief, 1854/1869 National Gallery of Art

We look across churning waves at four sailing ships and a wooden rowboat with four men aboard in this horizontal painting. Dark, iron-gray and tawny-brown clouds approaching from the right fill the top two-thirds of the composition.

Joseph Mallord William Turner The Junction of the Thames and the Medway, 1807 National Gallery of Art

Painted in golden tones of butter and harvest yellow, tawny brown, and olive green, this horizontal landscape painting has a low wall stretching diagonally from the lower right corner off to our left, dividing a river to our right from a…

Joseph Mallord William Turner Mortlake Terrace, 1827 National Gallery of Art

Shown from the waist up, a smiling, light-skinned young man wears a voluminous, dark hat and a brown suit in this vertical portrait painting.

Frans Hals A Young Man in a Large Hat, 1626/1629 National Gallery of Art

The Falls of Niagara, Edward Hicks, ca. 1825, oil on canvas

Edward Hicks The Falls of Niagara, ca. 1825 The Met

Child with Blond Hair, Pierre-Auguste Renoir, 1895/1900, oil on canvas

Pierre-Auguste Renoir Child with Blond Hair, 1895/1900 National Gallery of Art

The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo, 1760s, oil on canvas

Giovanni Battista Tiepolo The Apotheosis of the Spanish Monarchy, 1760s The Met

Boy Fishing, Eastman Johnson, 1860s, oil on canvas

Eastman Johnson Boy Fishing, 1860s Cleveland Museum of Art

A sand-colored riverbank stretches in front of us to meet an arched bridge that spans a pale blue river to our right in this horizontal landscape painting. The scene is loosely painted so many details are indistinct.

Camille Corot Bridge on the Saône River at Mâcon, 1834 National Gallery of Art

Cows Crossing a Ford, Jules Dupré, 1836, oil on canvas

Jules Dupré Cows Crossing a Ford, 1836 The Met

Peace and Plenty, George Inness, 1865, oil on canvas

George Inness Peace and Plenty, 1865 The Met

This is a painting of an auction scene featuring an auctioneer and an audience. The painting shows a group of people watching an auctioneer gesturing towards a framed artwork displayed on an easel.

Honoré Daumier At the Gallery Drouot, after 1863-before 1873 National Gallery of Art

Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin), Edgar Degas, 1879, distemper, metallic paint, and pastel, on canvas

Edgar Degas Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin), 1879 Art Institute of Chicago

An older girl and a younger child, both with pale skin, bend toward each other as they look at a book spread open on a wooden cupboard in this nearly square painting.

Jean-Baptiste-Siméon Chardin The Little Schoolmistress, after 1740 National Gallery of Art

An elegantly dressed young woman, a little boy, girl, and a dog are gathered on a veranda in front of a sun-dappled landscape in this vertical portrait painting. All three people have pale skin with rosy cheeks.

Joshua Reynolds Lady Elizabeth Delmé and Her Children, 1777-1779 National Gallery of Art

Venetian Passageway, John Singer Sargent, ca. 1905, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Venetian Passageway, ca. 1905 The Met

Boboli Garden, Florence, John Singer Sargent, ca. 1906–7, watercolor, gouache, and graphite on white wove paper, mounted on board

John Singer Sargent Boboli Garden, Florence, ca. 1906–7 The Met

This painting shows a group of potted pansies. There is a large basket filled with yellow pansies on the left, surrounded by at least four smaller terracotta pots on the right containing purple, white, blue, and orange pansies.

Henri Fantin-Latour Pansies, 1874 National Gallery of Art

Wild Boars in the Snow, Rosa Bonheur, c. 1872–77, oil on wood panel

Rosa Bonheur Wild Boars in the Snow, c. 1872–77 Cleveland Museum of Art

Broken Eggs, Jean-Baptiste Greuze, 1756, oil on canvas

Jean-Baptiste Greuze Broken Eggs, 1756 The Met

Still Life with Pansies, Henri Fantin-Latour, 1874, oil on canvas

Henri Fantin-Latour Still Life with Pansies, 1874 The Met

Dense and varied landscape with open fields, groves of bushy trees, and a row of thin conifers. A light-blue river tranverses the canvas, and a church steeple emerges from the trees at left of center.

Édouard Vuillard Landscape: Window Overlooking the Woods, 1899 Art Institute of Chicago

The image is a portrait of a young child shown from the waist up. The child is seated and facing forward. The child has dark hair that is styled smoothly and parted down the middle.

Sturtevant J. Hamblin Little Girl with Pet Rabbit, c. 1845 National Gallery of Art

This painting shows a man from the chest up, positioned facing the right, gazing into the distance. The male has pale skin, a long nose, and deep-set eyes. He has dark, wavy hair, a pointed beard, and a mustache that hides his mouth.

Thomas Eakins Louis Husson, 1899 National Gallery of Art

A Dog Feast - Sioux, George Catlin, 1861/1869, oil on card mounted on paperboard

George Catlin A Dog Feast - Sioux, 1861/1869 National Gallery of Art

Portrait of Dr. William McNeill Whistler, James McNeill Whistler, 1871–73, oil on panel

James McNeill Whistler Portrait of Dr. William McNeill Whistler, 1871–73 Art Institute of Chicago

The Keeper of the Flock, Jean-François Millet, 1871–74, oil on canvas

Jean-François Millet The Keeper of the Flock, 1871–74 Art Institute of Chicago

View of Niagara Falls, John Frederick Kensett, c. 1851–52, oil on canvas

John Frederick Kensett View of Niagara Falls, c. 1851–52 Cleveland Museum of Art

Marshland, Jules Dupré, 1860s-1870s, oil on fabric

Jules Dupré Marshland, 1860s-1870s Cleveland Museum of Art

Three figures stand side by side in an outdoor setting. The person on the left is facing forward, holding a shield. They have long dark hair with feathers and wear a fringed outfit.

George Catlin Two Nezperce Warriors and a Boy, 1855/1869 National Gallery of Art

Harvest Scene, Winslow Homer, ca. 1873, oil on canvas

Winslow Homer Harvest Scene, ca. 1873 The Met

Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782, Francesco Guardi, c. 1783, oil on canvas

Francesco Guardi Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782, c. 1783 Cleveland Museum of Art

Dense canopies enclose a forested interior along a stream in this horizontal landscape painting.

Gustave Courbet The Stream (Le Ruisseau du Puits-Noir; vallée de la Loue), 1855 National Gallery of Art

This is a painting of a pastoral scene with animals, a watermill, and a bridge. The artwork features a rural landscape with lush greenery and a serene setting.

Charles Georges Dufresne Judgment of Paris, 1925 National Gallery of Art

A woman wearing a white and pale pink robe and holding a sickle sits on billowing clouds flanked by a lion and two young people in this vertical, oval painting. All three people have pale skin with rosy cheeks and blond hair.

Antoine Watteau Ceres (Summer), c. 1717/1718 National Gallery of Art

In this painting, a person appears to pull a long brown-and-green canoe out of the water and onto a grassy stretch of land. The person wears a hat and a green shirt with brown trousers, and their face is indistinct.

Winslow Homer Sunset, c. 1875 National Gallery of Art

An orange and the bodies of a large fowl and two rabbits on a brown ledge nearly span the width of this square still life painting. The face of the ledge takes up the bottom quarter of the composition.

Jean-Baptiste-Siméon Chardin Still Life with Game, probably 1750s National Gallery of Art

This painting shows a busy scene at the edge of the water. The horizon is visible on the left, where blue-gray sky meets blue-gray water behind a line of tall masts.

Robert Henri Volendam Street Scene, 1910 National Gallery of Art

Sunset on the Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset on the Sea, 1872 The Met

Pierre Puvis de Chavannes The Prodigal Son, probably c. 1879 National Gallery of Art

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