Paintings for Sand Walls (page 3)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 97 to 144 of 1,948.

The image shows three full-body figures standing together. On the left is a female figure holding a feather, in a decorated dress. In the center is a male figure with long, ornamented hair and a beaded robe, holding a fur piece and shield.

George Catlin Three Minatarree Indians, 1861 National Gallery of Art

The Chariot of Aurora, Giovanni Battista Tiepolo, 1760s, oil on canvas

Giovanni Battista Tiepolo The Chariot of Aurora, 1760s The Met

Annie C. Lochrey Husson (Mrs. Louis Husson), Thomas Eakins, c. 1905, oil on canvas

Thomas Eakins Annie C. Lochrey Husson (Mrs. Louis Husson), c. 1905 National Gallery of Art

A pink-toned sandy beach meets a placid body of pale blue water under a hazy sky in this horizontal landscape painting.

John Frederick Kensett Beach at Beverly, c. 1869/1872 National Gallery of Art

We look across an expanse of a flat, grassy lawn at the towering spire of a stone church outlined against billowing clouds in this horizontal landscape painting.

John Constable Salisbury Cathedral from Lower Marsh Close, 1820 National Gallery of Art

This painting depicts a pastoral scene with grassy marshland dotted with several yellow haystacks. A river winds through the flat green landscape, and on the right side a shallow boat sits next to the edge of the water.

Martin Johnson Heade View of Marshfield, c. 1866/1876 National Gallery of Art

Both dressed in white, a little boy leans onto the lap of a woman sitting in front of a smooth, sunlit boulder with a landscape to the right in this vertical portrait painting. Both people have pale skin with rosy cheeks.

Thomas Lawrence Lady Mary Templetown and Her Eldest Son, 1802 National Gallery of Art

Pierre-Auguste Renoir Young Spanish Woman with a Guitar, 1898 National Gallery of Art

Camouflaged Field in France, John Singer Sargent, 1918, watercolor, gouache, graphite, and wax crayon on white wove paper

John Singer Sargent Camouflaged Field in France, 1918 The Met

Whalers, Joseph Mallord William Turner, ca. 1845, oil on canvas

Joseph Mallord William Turner Whalers, ca. 1845 The Met

Peaceable Kingdom, Edward Hicks, ca. 1830–32, oil on canvas

Edward Hicks Peaceable Kingdom, ca. 1830–32 The Met

Long scroll drawing, upper half is script; lower half depicts people in courtyard.

Ike Taiga Group Pilgrimage to the Jizo Nun, 1755/65 Art Institute of Chicago

Shown from about the hips up against a sable-brown background, a pale-skinned woman stands cradling an apple with both hands at her waist in this vertical portrait painting.

Titian Woman Holding an Apple, c. 1550 National Gallery of Art

Cows, horses, sheep, and pigs stand closely together in a band across the bottom edge of this horizontal painting. Rolling hills open onto grassy lawns, farms, and fields beyond.

Edward Hicks The Cornell Farm, 1848 National Gallery of Art

Shown from the knees up, a seated woman is surrounded by an arch of disembodied, winged baby heads as she gazes down at an infant lying across her lap in this vertical painting.

Jacopo Tintoretto The Madonna of the Stars, c. 1575/1585 National Gallery of Art

The Capture of Samson, Peter Paul Rubens, 1609–10, oil on panel

Peter Paul Rubens The Capture of Samson, 1609–10 Art Institute of Chicago

The Windmill, Jules Dupré, late 1850s, oil on fabric

Jules Dupré The Windmill, late 1850s Cleveland Museum of Art

This painting shows a person seated at a table in a bright yellow chair, facing the right. The person has pale skin and gray hair, and they are wearing a loose-fitting light brown garment, similar to a long coat or dress.

Édouard Vuillard Breakfast, 1894 National Gallery of Art

Friar Pedro Clubs El Maragato with the Butt of the Gun, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806 Art Institute of Chicago

Corn Husking at Nantucket, Eastman Johnson, ca. 1875, oil on canvas

Eastman Johnson Corn Husking at Nantucket, ca. 1875 The Met

Gold folded tall screen with red flowers, green maize plants.

Unknown artist Maize and Cockscombs, mid 17th century Art Institute of Chicago

The Titan's Goblet, Thomas Cole, 1833, oil on canvas

Thomas Cole The Titan's Goblet, 1833 The Met

A bearded man, a young man, and five monks stand in a cream-white hall hung with a map and paintings in this horizontal painting. The people all have pale, peachy skin.

Eugène Delacroix Christopher Columbus and His Son at La Rábida, 1838 National Gallery of Art

A screen made up of five tall, rectangular panels, set side by side and each surrounded by a gold frame, is painted as a single scene showing a tree-lined sidewalk curving around a park in a city.

Édouard Vuillard Place Vintimille, 1911 National Gallery of Art

Still Life with Roses and Fruit, Henri Fantin-Latour, 1863, oil on canvas

Henri Fantin-Latour Still Life with Roses and Fruit, 1863 The Met

Gnarled, ash-brown roots woven through a muddy, rocky bank and sprays of dark green leaves fill this loosely painted, horizontal landscape. Touches of spring green in the lower right corner suggest ground cover.

John Singer Sargent Wild Olive Tree Roots, Valldemosa, Majorca, 1908 National Gallery of Art

Portrait of Philip IV, Diego Velázquez, c. 1632, oil on canvas

Diego Velázquez Portrait of Philip IV, c. 1632 Art Institute of Chicago

Cremorne Gardens, No. 2, James McNeill Whistler, ca. 1870–80, oil on canvas

James McNeill Whistler Cremorne Gardens, No. 2, ca. 1870–80 The Met

The Drinkers, Honoré Daumier, by 1861, oil on wood

Honoré Daumier The Drinkers, by 1861 The Met

The Coronation of the Virgin, Niccolò di Buonaccorso, ca. 1380, tempera on wood, gold ground

Niccolò di Buonaccorso The Coronation of the Virgin, ca. 1380 The Met

St. George on white horse, piercing green, gold dragon

Bernat Martorell Saint George and the Dragon, 1434–35 Art Institute of Chicago

Julie Le Brun (1780–1819) Looking in a Mirror, Élisabeth Louise Vigée Le Brun, 1787, oil on canvas

Élisabeth Louise Vigée Le Brun Julie Le Brun (1780–1819) Looking in a Mirror, 1787 The Met

This painting depicts a rural landscape with a shepherdess tending to a flock of sheep on a tree-lined dirt path. She is facing away from us and wears a blue skirt with a white shirt and a white bonnet covering her hair.

George Inness Hillside at Étretat, 1876 National Gallery of Art

More than a dozen light-skinned men, women, and children eat, drink, talk, and make music around a dancing couple under an arbor in this horizontal painting. Most of the people are dressed in muted tones of green, gray, and black.

Jan Steen The Dancing Couple, 1663 National Gallery of Art

Hudson River Scene, John Frederick Kensett, 1857, oil on canvas

John Frederick Kensett Hudson River Scene, 1857 The Met

Three small children with pale pink skin sit and stand among a group of animals to our right as a group of eight indigenous people with light brown skin gather with eight white-skinned men near a riverbank in the distance to our left in…

Edward Hicks Peaceable Kingdom, c. 1834 National Gallery of Art

Painted with wide strokes in almost geometric areas of mottled color, a woman wearing a long black dress stands at the side of a table in this stylized, vertical composition.

Édouard Vuillard Woman in Black, c. 1891 National Gallery of Art

Roses and Lilies, Henri Fantin-Latour, 1888, oil on canvas

Henri Fantin-Latour Roses and Lilies, 1888 The Met

Shown from the chest up, a young, pale-skinned woman faces and looks out at us with a slight smile on her lips in this vertical portrait painting.

Henri Fantin-Latour Mademoiselle de Fitz-James, 1867 National Gallery of Art

This painting shows a seaside view with a low horizon. A sandy beach is on the left, with ships and sailboats sailing on the water in the distance on the right.

John Constable Yarmouth Jetty, 1822 National Gallery of Art

Shoes, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh Shoes, 1888 The Met

The Coronation of the Virgin, Peter Paul Rubens, ca. 1632–33, oil on wood

Peter Paul Rubens The Coronation of the Virgin, ca. 1632–33 The Met

Isabella of Bourbon, Wife of Philip IV of Spain, Diego Velázquez, c. 1632, oil on canvas

Diego Velázquez Isabella of Bourbon, Wife of Philip IV of Spain, c. 1632 Art Institute of Chicago

Papers with Japanese text hang from a tree bearing red and gold leaves.

Tosa Mitsuoki Autumn Maples with Poem Slips, c. 1675 Art Institute of Chicago

A bearded man with copper-blond hair and flushed, peachy skin stands on a stone-gray pedestal and gestures toward a group of five more men gathered before him in this square painting. Some of the men are light-skinned, others are tan.

Peter Paul Rubens Decius Mus Addressing the Legions, probably 1616 National Gallery of Art

This painting shows a landscape with a wide river on the right flowing through green hills.

John Frederick Kensett View on the Genesee near Mount Morris, 1857 National Gallery of Art

Children and a Cow, Aelbert Cuyp, 1635–39, oil on wood

Aelbert Cuyp Children and a Cow, 1635–39 The Met

This is a painting of a woman reaching to pick a water lily from a pond. She is crouching atop a fallen log, leaning over to submerge her right hand in the water.

Eastman Johnson Gathering Lilies, 1865 National Gallery of Art

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