Paintings for Sand Walls (page 5)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 193 to 240 of 1,948.

Cool light filters through a thick, verdant forest in this vertical landscape painting. Most of the trees have high canopies with celery, matcha, and olive-green leaves.

Asher Brown Durand Forest in the Morning Light, c. 1855 National Gallery of Art

An Egyptian in a Doorway, Lawrence Alma-Tadema, 1865, oil on wood

Lawrence Alma-Tadema An Egyptian in a Doorway, 1865 The Met

This painting is a portrait of a seated woman looking off to the left with a composed expression. She has light skin with rosy cheeks, brown eyes, and slightly upturned pink lips.

Gilbert Stuart Eleanor Parke Custis Lewis (Mrs. Lawrence Lewis), 1804 National Gallery of Art

This painting shows a partial view of a dark wooden mantle. The mantle itself takes up the bottom right corner of the painting, and we see one side of it, but not the other.

Édouard Vuillard Vase of Flowers on a Mantelpiece, c. 1900 National Gallery of Art

About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting.

Sandro Botticelli The Adoration of the Magi, c. 1478/1482 National Gallery of Art

Two horses, one dark brown and one cream white, stand together to our right against a landscape with rolling, sage-green hills and a river or canal in this horizontal painting.

Edgar Degas Horses in a Meadow, 1871 National Gallery of Art

We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin.

Mary Cassatt Woman with a Sunflower, c. 1905 National Gallery of Art

A man stands on a rocky, tan-colored outcropping and gestures to two men in a rowboat, all against a gold background in this square painting. The men’s pale skin is tinged with gray but they have rosy cheeks, and all three have beards.

Duccio di Buoninsegna The Calling of the Apostles Peter and Andrew, 1308-1311 National Gallery of Art

Two groups of people face off in front of a hilly landscape in this loosely painted, vertical scene. On our left, a pale young man in a white tunic looks with eyes wide and lips parted at a group of three people on our right.

Edgar Degas Alexander and Bucephalus, 1861/1862 National Gallery of Art

Apple Blossoms, Martin Johnson Heade, 1873, oil on canvas

Martin Johnson Heade Apple Blossoms, 1873 Cleveland Museum of Art

Head of a Girl, Anthony van Dyck, c. 1618–c. 1620, oil on panel

Anthony van Dyck Head of a Girl, c. 1618–c. 1620 Art Institute of Chicago

Judith Leyster Young Boy in Profile, c. 1630 National Gallery of Art

Through a golden haze and across an expanse of gently rippling water dotted with boats, ghostly ivory and parchment-white buildings rise along a distant shore in this loosely painted horizontal landscape.

Joseph Mallord William Turner The Dogana and Santa Maria della Salute, Venice, 1843 National Gallery of Art

Imaginary Landscape with the Palatine Hill from Campo Vaccino, François Boucher, early 1730s, oil on canvas

François Boucher Imaginary Landscape with the Palatine Hill from Campo Vaccino, early 1730s The Met

A Calling, William-Adolphe Bouguereau, 1896, oil on fabric

William-Adolphe Bouguereau A Calling, 1896 Cleveland Museum of Art

This painting shows a slightly elevated viewpoint looking out across a green landscape towards a reflective body of water. In the green sky, the pale-yellow moon glows brightly, illuminating the scene.

Ralph Albert Blakelock Moonlight, 1886/1895 National Gallery of Art

Sunny Autumn Day, George Inness, 1892, oil on canvas

George Inness Sunny Autumn Day, 1892 Cleveland Museum of Art

A Monumental Portrait of a Monkey, India, c. 1705–1710, opaque watercolor and gold on paper

India A Monumental Portrait of a Monkey, c. 1705–1710 Art Institute of Chicago

We look slightly down onto and across a wide, boat-filled river under a cloudy sky at the far bank, which is lined with buildings, in this loosely painted, horizontal landscape.

James McNeill Whistler Battersea Reach, c. 1863 National Gallery of Art

In the Woods, George Inness, 1866, oil on board

George Inness In the Woods, 1866 Cleveland Museum of Art

Washington Allston, Gilbert Stuart, ca. 1819–20, oil on canvas

Gilbert Stuart Washington Allston, ca. 1819–20 The Met

Study for "The Destruction of Sodom", Camille Corot, 1843, oil on canvas

Camille Corot Study for "The Destruction of Sodom", 1843 The Met

Still Life with Herrings, Jean-Baptiste-Siméon Chardin, c. 1735, oil on canvas

Jean-Baptiste-Siméon Chardin Still Life with Herrings, c. 1735 Cleveland Museum of Art

This painting is a portrait of a woman. She has fair skin, a straight nose, and thin red lips, with her dark hair styled up with flowers.

John Singleton Copley Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis), c. 1764 National Gallery of Art

The Two Disciples at the Tomb, Henry Ossawa Tanner, c. 1906, oil on canvas

Henry Ossawa Tanner The Two Disciples at the Tomb, c. 1906 Art Institute of Chicago

Landscape, George Inness, c. 1852, oil on canvas

George Inness Landscape, c. 1852 National Gallery of Art

Matthew Clarkson, Gilbert Stuart, ca. 1794, oil on canvas

Gilbert Stuart Matthew Clarkson, ca. 1794 The Met

Golden sunlight pours across a landscape with three people on horseback and two more people near a flock of sheep, a cow, and a mule in this horizontal painting. The people all have pale, peachy skin.

Aelbert Cuyp Horsemen and Herdsmen with Cattle, 1655/1660 National Gallery of Art

Near Squam Lake, New Hampshire, Eastman Johnson, 1856, oil on canvas

Eastman Johnson Near Squam Lake, New Hampshire, 1856 The Met

This is a painting of various people gathered in a pastoral setting. The scene features a group of nude and partially-clothed people of different ages, including an elderly man who is seated on the left, gesturing to the others around him.

Pierre Puvis de Chavannes Rest, c. 1863 National Gallery of Art

The Antechamber of the Sala del Maggior Consiglio, Francesco Guardi, ca. 1765–68, oil on canvas

Francesco Guardi The Antechamber of the Sala del Maggior Consiglio, ca. 1765–68 The Met

The Nativity, Lorenzo Monaco, ca. 1406–10, tempera and gold on wood

Lorenzo Monaco The Nativity, ca. 1406–10 The Met

The Trotter, Charles S. Humphreys, c. 1860, oil on canvas

Charles S. Humphreys The Trotter, c. 1860 National Gallery of Art

Summer Flowers, Henri Fantin-Latour, 1880, oil on canvas

Henri Fantin-Latour Summer Flowers, 1880 The Met

Summer Day on Conesus Lake, John Frederick Kensett, 1870, oil on canvas

John Frederick Kensett Summer Day on Conesus Lake, 1870 The Met

The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo, 1760s, oil on canvas

Giovanni Battista Tiepolo The Apotheosis of the Spanish Monarchy, 1760s The Met

This painting displays soft, rounded shapes and fragmented lines, creating an abstract portrayal of two people seated at a dark yellow table.

Édouard Vuillard Two Women Drinking Coffee, c. 1893 National Gallery of Art

A young man sets out in a golden boat on a river that winds from the bottom right corner of this horizontal painting across a lush landscape and into the distance before disappearing beyond two rocky outcroppings far off to our right.

Thomas Cole The Voyage of Life: Youth, 1842 National Gallery of Art

Weaning the Calves, Rosa Bonheur, 1879, oil on canvas

Rosa Bonheur Weaning the Calves, 1879 The Met

Dense green vegetation surrounds a band of sun-dappled boulders that arc shallowly across this horizontal landscape painting. Just to our left of center and on our side of the boulders are several slender tree trunks.

Camille Corot Rocks in the Forest of Fontainebleau, 1860/1865 National Gallery of Art

Two ships and two sailboats, all with full sails, float on a gently rippling body of water in front of a pale pastel-shaded sky in this horizontal painting.

Fitz Henry Lane Becalmed off Halfway Rock, 1860 National Gallery of Art

The Ridotto Pubblico at Palazzo Dandolo, Francesco Guardi, ca. 1765–68, oil on canvas

Francesco Guardi The Ridotto Pubblico at Palazzo Dandolo, ca. 1765–68 The Met

This painting depicts a snowy forest scene with a path running through tall, leafless trees.

Eastman Johnson On Their Way to Camp, 1873 National Gallery of Art

A dirt path winds through a field of gold-green grass back to a town built on low hills in this horizontal, densely hazy landscape painting. Several minuscule people walk on the path and at least one person rides a horse.

Sanford Robinson Gifford Siout, Egypt, 1874 National Gallery of Art

The image shows a landscape with trees, hills, and mountains under a partly cloudy sky. In the foreground, there is a tipi surrounded by figures dressed in traditional attire interacting with a horse.

George Catlin The Cheyenne Brothers Starting on Their Fall Hunt, 1861/1869 National Gallery of Art

In the Auvergne, Jean-François Millet, c. 1866–69, oil on canvas

Jean-François Millet In the Auvergne, c. 1866–69 Art Institute of Chicago

Study for "The Dancing Lesson": The Boy, Thomas Eakins, probably 1877, oil on canvas

Thomas Eakins Study for "The Dancing Lesson": The Boy, probably 1877 National Gallery of Art

Vase of Flowers (Pink Background), Odilon Redon, ca. 1906, oil on canvas

Odilon Redon Vase of Flowers (Pink Background), ca. 1906 The Met

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