Paintings for Sand Walls (page 7)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 289 to 336 of 1,948.

Set in a valley carpeted in sage green, about a dozen armed men, on foot and horseback, close to us, line up and face off against an attack advancing from the back left in this vertical painting.

Eugène Delacroix Arabs Skirmishing in the Mountains, 1863 National Gallery of Art

A woman with pale skin and dark brown hair is swathed in silky fabric as she reclines along a gray couch in this horizontal painting. Her head rests along the backrest of the sofa to our left, so her body extends to our right.

John Singer Sargent Nonchaloir (Repose), 1911 National Gallery of Art

Young Girl Meditating, Thomas Eakins, 1877, watercolor and gouache on off-white wove paper

Thomas Eakins Young Girl Meditating, 1877 The Met

Landscape, George Inness, 1888, oil on canvas

George Inness Landscape, 1888 Cleveland Museum of Art

Two men with pale skin, wearing white sleeveless shirts and royal-blue caps, row in unison in a long, narrow boat on a placid blue river in this horizontal landscape painting.

Thomas Eakins The Biglin Brothers Racing, 1872 National Gallery of Art

Landscape (The Lock), John Constable, c. 1820–25, oil on canvas

John Constable Landscape (The Lock), c. 1820–25 Art Institute of Chicago

George Moore (1852–1933) at the Café, Édouard Manet, 1878 or 1879, oil on canvas

Édouard Manet George Moore (1852–1933) at the Café, 1878 or 1879 The Met

We look out onto a sweeping, panoramic view with trees, their leaves fiery orange and red, framing a view of a distant body of water under a sun-streaked sky in this long, horizontal landscape painting.

Jasper Francis Cropsey Autumn - On the Hudson River, 1860 National Gallery of Art

Haystacks: Autumn, Jean-François Millet, ca. 1874, oil on canvas

Jean-François Millet Haystacks: Autumn, ca. 1874 The Met

Peasants Bringing Home a Calf Born in the Fields, Jean-François Millet, 1864, oil on canvas

Jean-François Millet Peasants Bringing Home a Calf Born in the Fields, 1864 Art Institute of Chicago

The painting depicts a landscape with waterfalls, a river, trees, and hills in the distance. In the foreground, a group of people are near a canoe on a grassy patch. The painting features distinct brushstrokes showing texture and movement.

George Catlin Father Hennepin and Companions at the Falls of St. Anthony. May 1, 1680, 1847/1848 National Gallery of Art

Isola Bella in Lago Maggiore, Sanford Robinson Gifford, 1871, oil on canvas

Sanford Robinson Gifford Isola Bella in Lago Maggiore, 1871 The Met

Pierre-Auguste Renoir Suzanne Valadon, c. 1885 National Gallery of Art

A flatboat with eight light-skinned men floats toward us down a wide river in this horizontal painting. The boat nearly spans the width of the composition and has low sides and a shallowly arched, low cabin upon which the men gather.

George Caleb Bingham The Jolly Flatboatmen, 1846 National Gallery of Art

Saints Bartholomew and Simon, Master of Saint Francis, ca. 1272, tempera on wood, gold ground

Master of Saint Francis Saints Bartholomew and Simon, ca. 1272 The Met

Pierre-Auguste Renoir Young Girl Reading, c. 1888 National Gallery of Art

Painting of several light-skinned people gathered around a table in front of a gilded mirror, playing instruments. At left, seated next to a woman in an off-the-shoulder gown, a man in a plumed hat plays a lute.

Jan Steen The Family Concert, 1666 Art Institute of Chicago

Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow), Thomas Cole, 1836, oil and pencil on composition board

Thomas Cole Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow), 1836 The Met

A rocky shoreline juts into a vivid, aquamarine-blue body of water in this loosely painted, nearly square landscape.

Childe Hassam A North East Headland, 1901 National Gallery of Art

The Muse: History, Camille Corot, ca. 1865, oil on canvas

Camille Corot The Muse: History, ca. 1865 The Met

Thistles, John Singer Sargent, 1883–89, oil on canvas

John Singer Sargent Thistles, 1883–89 Art Institute of Chicago

A narrow strip of beach and then a vivid turquoise stretch of water give way to a towering, hazy sky in this square landscape painting.

Gustave Courbet Calm Sea, 1866 National Gallery of Art

A jumble of pewter plates and a pitcher, glass goblets, a gold chalice, a brass candlestick, and other vessels along with lemons, olives, and the remains of a mince pie are arranged on a cream-white tablecloth bunched on a dark green…

Willem Claesz Heda Banquet Piece with Mince Pie, 1635 National Gallery of Art

Saint Andrew, Simone Martini, ca. 1326, tempera on wood, gold ground

Simone Martini Saint Andrew, ca. 1326 The Met

The Burning of Sodom (formerly "The Destruction of Sodom"), Camille Corot, 1843 and 1857, oil on canvas

Camille Corot The Burning of Sodom (formerly "The Destruction of Sodom"), 1843 and 1857 The Met

From far below, we look up at an older man with standing on a cliff edge or rocky ledge with his arms raised as he turns his head to gaze up to a second man and winged, child-like angels surrounded by clouds in the sky above in this square…

Titian Saint John the Evangelist on Patmos, c. 1553/1555 National Gallery of Art

A tired-looking brown and white cow lies down on a patch of dry earth, a dark-brown bull and cow standing behind her against an overcast sky.

Paulus Potter Two Cows and a Young Bull beside a Fence in a Meadow, 1647 Art Institute of Chicago

A woman supports a pudgy baby who sits on a stone ledge in this vertical painting. They both have pale skin, rosy cheeks, blond hair, and subtle halos made of gold dots. The woman’s body faces us, and her head tips to our left.

Fra Filippo Lippi Madonna and Child, c. 1440 National Gallery of Art

Pierre-Auguste Renoir Girl with a Basket of Fish, c. 1889 National Gallery of Art

Reverie, Camille Corot, 1857 or later, oil on wood

Camille Corot Reverie, 1857 or later The Met

Painting of four figures in blue, red, brown dresses playing croquet.

Winslow Homer Croquet Scene, 1866 Art Institute of Chicago

A pale-skinned woman with honey-blond hair reclines among wheat stalks and grape vines in this horizontal painting. She lies on her side with her head to our right and her body facing us. Her upper body is propped on her left elbow.

Jacopo Tintoretto Summer, c. 1546/1548 National Gallery of Art

In this painting, a wicker basket is filled with yellow pears and a few red cherries. The basket rests on a table, and more pears and cherries are scattered in front of it, casting shadows on the white tablecloth.

John F. Francis Basket of Pears and Crabapples, n.d. National Gallery of Art

Samson Captured by the Philistines, Guercino, 1619, oil on canvas

Guercino Samson Captured by the Philistines, 1619 The Met

Still Life with Oysters, a Silver Tazza, and Glassware, Willem Claesz Heda, 1635, oil on wood

Willem Claesz Heda Still Life with Oysters, a Silver Tazza, and Glassware, 1635 The Met

Berthe Morisot with a Muff, Édouard Manet, c. 1871–72, oil on canvas

Édouard Manet Berthe Morisot with a Muff, c. 1871–72 Cleveland Museum of Art

Woman Ironing, Édouard Vuillard, 1892, oil on board

Édouard Vuillard Woman Ironing, 1892 Cleveland Museum of Art

Portrait of My Daughter Alice, William Merritt Chase, c. 1895, oil on canvas

William Merritt Chase Portrait of My Daughter Alice, c. 1895 Cleveland Museum of Art

Light from the upper left falls across a glass, a pitcher, peaches in a basket, and other fruit arranged along a brown tabletop or ledge in this horizontal still life painting.

Jean-Baptiste-Siméon Chardin Fruit, Jug, and a Glass, c. 1726/1728 National Gallery of Art

Seven roses in full bloom are clustered in a wide bouquet set against a dark brown background in this horizontal still life painting. The blossom to our left is peach, and a bud dips down in front of that flower.

Henri Fantin-Latour _Roses de Nice_ on a Table, 1882 National Gallery of Art

Afternoon sunlight pours over a town crowded along the banks of a serene, glass-green river that runs through the middle of this horizontal painting. Several buildings cluster to our left on the riverbank close to us.

Bernardo Bellotto View of Munich, c. 1761 National Gallery of Art

Mlle. Alexandrine-Julie de la Boutraye, Eugène Delacroix, c. 1832–34, oil on fabric

Eugène Delacroix Mlle. Alexandrine-Julie de la Boutraye, c. 1832–34 Cleveland Museum of Art

This painting depicts a coastal scene with a large group of people with light skin dressed in draping fabric in shades of red, yellow, blue, and purple.

Benjamin West Telemachus and Calypso, c. 1809 National Gallery of Art

Shown from about the waist up, a woman with pale, peachy skin and dark hair holds a blond, light-skinned child on her lap at a table as they play with several small toys in this horizontal painting.

Pierre-Auguste Renoir Child with Toys - Gabrielle and the Artist's Son, Jean, 1895-1896 National Gallery of Art

The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi, ca. 1449, tempera, silver, and gold on wood

Giovanni di ser Giovanni Guidi The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, ca. 1449 The Met

This painting shows a landscape with several buildings near a body of water. Closest to us, near the bottom right corner, a person in red leans over a wooden fence to cast a fishing rod into the water.

Meindert Hobbema Village near a Pool, c. 1670 National Gallery of Art

Alice Gerson in Prospect Park, William Merritt Chase, 1886, oil on panel

William Merritt Chase Alice Gerson in Prospect Park, 1886 The Met

From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting.

John Constable The White Horse, 1818-1819 National Gallery of Art

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