Paintings for Sand Walls (page 8)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 337 to 384 of 1,948.

Pine Grove of the Barberini Villa, George Inness, 1876, oil on canvas

George Inness Pine Grove of the Barberini Villa, 1876 The Met

Madonna and Child, Benvenuto di Giovanni, ca. 1475–85, tempera on wood, gold ground

Benvenuto di Giovanni Madonna and Child, ca. 1475–85 The Met

Garden View, Brooklyn, Fidelia Bridges, ca. 1867, watercolor and gouache, with traces of graphite underdrawing, on tan hot-pressed wove paper

Fidelia Bridges Garden View, Brooklyn, ca. 1867 The Met

A row of about a dozen men and women sit, stand, or stroll along a sandy beach beneath a pale blue sky in this horizontal landscape painting. The scene is loosely painted so many of the facial features and other details are indistinct.

Eugène Boudin The Beach, 1877 National Gallery of Art

The Smoker, Frans Hals, ca. 1623–25, oil on wood

Frans Hals The Smoker, ca. 1623–25 The Met

This painting shows a harbor with sailing ships displaying countless colorful flags. The ships stretch across the painting horizontally, floating on clear, reflective water.

Eugène Boudin Yacht Basin at Trouville-Deauville, probably 1895/1896 National Gallery of Art

Wyoming Valley, Pennsylvania, Jasper Francis Cropsey, 1864, oil on canvas

Jasper Francis Cropsey Wyoming Valley, Pennsylvania, 1864 The Met

Christ Taking Leave of His Mother, Gerard David, ca. 1500, oil on wood

Gerard David Christ Taking Leave of His Mother, ca. 1500 The Met

For the Little One, William Merritt Chase, ca. 1896, oil on canvas

William Merritt Chase For the Little One, ca. 1896 The Met

The Mower, Georges Seurat, 1881–82, oil on wood

Georges Seurat The Mower, 1881–82 The Met

This painting shows a woman seated on a wooden chair, facing the right with her head slightly tilted down. She is focused on the thin silver needles she holds in her hands.

Edmund Charles Tarbell Josephine Knitting, 1916 National Gallery of Art

Shown from the knees up, a young pale-skinned woman sits looking at us in this vertical portrait painting. Her body is angled to our right, but she turns her face to gaze out with large brown eyes under dark brows.

Henri Fantin-Latour Portrait of Sonia, 1890 National Gallery of Art

Saint Anthony the Abbot in the Wilderness, Sano di Pietro, ca. 1440, tempera and gold on wood

Sano di Pietro Saint Anthony the Abbot in the Wilderness, ca. 1440 The Met

Adoration of the Magi, Titian, 1500s, oil on canvas

Titian Adoration of the Magi, 1500s Cleveland Museum of Art

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and the Magus of Ascalon, c. 1742–45 Art Institute of Chicago

A nearly nude, muscular man with pale, peachy skin sits in an underground cave among seven male and two female lions in this horizontal painting.

Peter Paul Rubens Daniel in the Lions' Den, c. 1614/1616 National Gallery of Art

Women Working in a Field, Winslow Homer, 1867, oil on wood

Winslow Homer Women Working in a Field, 1867 Cleveland Museum of Art

Figures and a Dog in a Landscape, Narcisse Virgilio Díaz de la Peña, 1852, oil on wood

Narcisse Virgilio Díaz de la Peña Figures and a Dog in a Landscape, 1852 The Met

The image shows a riverside scene with various activities. The horizon has green hills with trees. Villagers and tipis are on both sides of the riverbanks. Canoes filled with people are on the water, some docked near the sandy shore.

George Catlin La Salle and Party Arrive at the Village of the Illinois. January 1, 1680, 1847/1848 National Gallery of Art

This painting shows a woman sitting at a round table. She has fair skin, sharp cheekbones, thick eyebrows, and pale lips with one side of her mouth raised in a partial smile. She has short brown hair with bangs across her forehead.

Henri de Toulouse-Lautrec A la Bastille (Jeanne Wenz), 1888 National Gallery of Art

The painting shows a cityscape with a large cylindrical reddish-brown fortress on the right. In the center, a wide river winds through the city, with people by the riverbank and more people walking along a winding road on the left.

Francesco Guardi Fanciful View of the Castel Sant'Angelo, Rome, c. 1785 National Gallery of Art

George Capel, Viscount Malden (1757–1839), and Lady Elizabeth Capel (1755–1834), Joshua Reynolds, 1768, oil on canvas

Joshua Reynolds George Capel, Viscount Malden (1757–1839), and Lady Elizabeth Capel (1755–1834), 1768 The Met

Joseph Rodefer DeCamp The Seamstress, 1916 National Gallery of Art

The image shows three individuals against a natural background. On the left, a man is seated on the ground, his body wrapped in a beige cloth. He has long, dark hair and a solemn expression, holding a long pipe.

George Catlin Old Menomonie Chief with Two Young Beaux, 1861/1869 National Gallery of Art

Sunset on the River Oise, Charles-François Daubigny, 1866, oil on wood panel

Charles-François Daubigny Sunset on the River Oise, 1866 Cleveland Museum of Art

Édouard Vuillard Woman Sitting by the Fireside, c. 1894 National Gallery of Art

Shepherdess Seated on a Rock, Jean-François Millet, 1856, oil on wood

Jean-François Millet Shepherdess Seated on a Rock, 1856 The Met

Boy Drinking, Annibale Carracci, 1582–83, oil on canvas

Annibale Carracci Boy Drinking, 1582–83 Cleveland Museum of Art

A man wearing loose, ivory-white clothing stands flanked by two groups of people in this horizontal painting. All the people have pale or peachy skin except for one person, who may have a brown mask.

Antoine Watteau The Italian Comedians, probably 1720 National Gallery of Art

We look across a lush landscape of olive-green forests lining a glimmering, silvery-blue lake with hills in the deep distance under a pale blue sky in this horizontal landscape painting.

Camille Corot The Moored Boatman: Souvenir of an Italian Lake, 1861 National Gallery of Art

Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head.

Edgar Degas Yellow Dancers (In the Wings), 1874–76 Art Institute of Chicago

A woman playing a lute sits next to a table, on which a man perches and leans toward her in this vertical painting. Two people look on from the background. All the people have pale skin.

Jan Steen Ascagnes and Lucelle (The Music Lesson), 1667 National Gallery of Art

The painting depicts a landscape scene with a body of water, trees, reflections, and a house in the distance. The composition shows a low horizon line with trees arching across the scene and soft reflections on the water's surface.

Charles-François Daubigny Sunset on the River, 1874 National Gallery of Art

This painting features a landscape with a calm body of water dominating the lower portion. The view is slightly elevated, overlooking the water that reflects the surrounding greenery and sky.

Jasper Francis Cropsey Warwick Castle, England, 1857 National Gallery of Art

George Stubbs White Poodle in a Punt, c. 1780 National Gallery of Art

This painting shows two women seated on yellow-gold chairs in a room. The woman on the left appears young, with short brown hair and light skin.

Édouard Vuillard Women Sewing, c. 1912 National Gallery of Art

Dozens of men, women, and a few children gather in groups amid a grassy landscape with a mountain in the distance in this horizontal painting. All of the people have pale or ruddy skin and wear flowing cloaks over long tunics or gowns.

Jacopo Tintoretto The Worship of the Golden Calf, c. 1594 National Gallery of Art

Painting of a small stream in the middle of the woods. In the center of the painting, there is a small waterfall over a large boulder.

Albert Bierstadt Mountain Brook, 1863 Art Institute of Chicago

Omnia Vincit Amor, or The Power of Love in the Three Elements, Benjamin West, 1809, oil on canvas

Benjamin West Omnia Vincit Amor, or The Power of Love in the Three Elements, 1809 The Met

A long, brightly lit room is filled with at least nine young ballerinas in robin’s egg-blue dance costumes and pale pink shoes in this wide, horizontal painting. They all have light skin and brown or dark blond hair.

Edgar Degas The Dance Lesson, c. 1879 National Gallery of Art

Shown from the waist up behind a stone ledge, a young woman nestles a nude baby against her chest in this vertical painting.

Giovanni Bellini Madonna and Child in a Landscape, c. 1480/1485 National Gallery of Art

Prayer in the Mosque, Jean-Léon Gérôme, by 1874, oil on canvas

Jean-Léon Gérôme Prayer in the Mosque, by 1874 The Met

Light pours over a woman and a dozen children of different ages standing in small groups near a boxy, red schoolhouse in this horizontal painting.

Winslow Homer School Time, c. 1874 National Gallery of Art

This painting is a close-up portrait of a man's head and shoulders. He has pale skin and light, slightly disheveled brown hair with a strong widow's peak, and a short brown beard.

Henri Fantin-Latour Self-Portrait, 1861 National Gallery of Art

Two Tritons at the Feast of Acheloüs, Anthony van Dyck, 1627, oil on canvas

Anthony van Dyck Two Tritons at the Feast of Acheloüs, 1627 The Met

We stand on a beach lined with black rocks and boulders looking out onto the water below a brick-red sky that dominates this nearly square landscape painting.

Gustave Courbet The Black Rocks at Trouville, 1865/1866 National Gallery of Art

This painting shows a bowl of red raspberries resting on a surface. The bowl is pale blue with blue details on the rim, and it is surrounded by a pile of pale peaches and pears, red plums, and green and purple grapes.

Charles V. Bond Still Life: Fruit, Bird, and Dwarf Pear Tree, 1856 National Gallery of Art

Shown from the hips up, a woman sits facing our left as she cradles a child in her lap in this vertical painting. A ginger-brown parapet spanning the lower edge of the composition separates them from us, and they have pale skin.

Giovanni Bellini Madonna and Child in a Landscape, c. 1490/1500 National Gallery of Art

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