Paintings for Sand Walls (page 9)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 385 to 432 of 1,948.

Forest Stream with Vista, Asher Brown Durand, 1872, oil on canvas

Asher Brown Durand Forest Stream with Vista, 1872 Cleveland Museum of Art

We look up through an opening surrounded by a stone ledge, with clusters of people and clouds swirling into a blue sky up and away from us in this vertical, rectangular painting.

Giovanni Battista Tiepolo Wealth and Benefits of the Spanish Monarchy under Charles III, 1762 National Gallery of Art

The Adoration of the Magi, Giovanni Battista Tiepolo, late 1750s, oil on canvas

Giovanni Battista Tiepolo The Adoration of the Magi, late 1750s The Met

Study of Palm Trees, Jean-Léon Gérôme, 1855/56, oil on canvas, laid down on board

Jean-Léon Gérôme Study of Palm Trees, 1855/56 The Met

A woman with pale, peachy skin and dark brown hair, wearing a long sleeved, floor-length white satin dress, stands facing and looking out at us in a room hung with shimmering, ivory-white drapery in this vertical portrait.

John Singer Sargent Margaret Stuyvesant Rutherfurd White (Mrs. Henry White), 1883 National Gallery of Art

Chrysanthemum, Piet Mondrian, 1906–42, oil on canvas

Piet Mondrian Chrysanthemum, 1906–42 Cleveland Museum of Art

We look across a palm-tree lined river winding into the distance before a monumental, snow-covered mountain at the center of the composition in this horizontal landscape.

Frederic Edwin Church Tamaca Palms, 1854 National Gallery of Art

This oval painting depicts a cherubic child in a garden setting. The child is standing with one foot in front of the other and has small wings on their back. The child has light skin, curly blond hair, rosy cheeks, and a playful expression.

Jean-Honoré Fragonard Love the Sentinel, c. 1773/1776 National Gallery of Art

The Thinker: Portrait of Louis N. Kenton, Thomas Eakins, 1900, oil on canvas

Thomas Eakins The Thinker: Portrait of Louis N. Kenton, 1900 The Met

This painting image depicts a cherubic child in a garden setting. The child is standing with one foot in front of the other and has small wings on their back.

Jean-Honoré Fragonard Love the Sentinel, c. 1773/1776 National Gallery of Art

Two people are depicted in this painting. The person on the left is standing with their hands on a wooden chair. They have light skin, close-cut hair, and wear a long, black, high-necked dress.

Édouard Vuillard The Conversation, 1891 National Gallery of Art

Heart of the Andes, Frederic Edwin Church, 1859, oil on canvas

Frederic Edwin Church Heart of the Andes, 1859 The Met

This painting is a portrait of a person with dark hair styled neatly in an updo with soft waves over their forehead.

Thomas Eakins Harriet Husson Carville (Mrs. James G. Carville), 1904 National Gallery of Art

This painting shows a young boy sitting on a wooden rocking chair next to a dark metal stove. He is leaning forward with one arm extended towards the stove door, which is partially open, revealing bright orange light.

Eastman Johnson The Early Scholar, c. 1865 National Gallery of Art

Painting of three light-skinned girls in a woodland setting. A dog in the foreground faces a girl with a puppy in her lap.

Narcisse Virgilio Díaz de la Peña Three Little Girls, c. 1870 Art Institute of Chicago

An older man with a tanned skin and a white beard is shown from the waist up against a dark brown background in this vertical portrait painting. His body is angled to our right but he turns his head to look to our left.

Titian Doge Andrea Gritti, c. 1546/1550 National Gallery of Art

Still Life with a Glass and Oysters, Jan Davidsz de Heem, ca. 1640, oil on wood

Jan Davidsz de Heem Still Life with a Glass and Oysters, ca. 1640 The Met

The Natchez, Eugène Delacroix, 1823–24 and 1835, oil on canvas

Eugène Delacroix The Natchez, 1823–24 and 1835 The Met

Shown from the chest up, a young, pale-skinned boy dressed in black turns to face us in this vertical portrait painting.

Edgar Degas René de Gas, 1855 National Gallery of Art

This is a painting of an outdoor scene with a group of people gathered in front of a blue-gray wooden building with a dark door and two windows. Sunflowers grow on either side of the entrance, stretching up to the windows.

Winslow Homer Sketch of a Cottage Yard, c. 1876 National Gallery of Art

The painting shows a woman's figure from the waist up, seated, and her body is turned slightly to our left. Her head is turned to face the viewer.

Charles Willson Peale Rebecca Bryan White (Mrs. John White), 1788 National Gallery of Art

Two Men Contemplating the Moon, Caspar David Friedrich, ca. 1825–30, oil on canvas

Caspar David Friedrich Two Men Contemplating the Moon, ca. 1825–30 The Met

Ovid among the Scythians, Eugène Delacroix, 1862, oil on paper, laid down on wood

Eugène Delacroix Ovid among the Scythians, 1862 The Met

Roman Landscape, Arnold Böcklin, ca. 1850–52, oil on canvas, several pieces joined

Arnold Böcklin Roman Landscape, ca. 1850–52 The Met

Autumn Meadows, George Inness, 1869, oil on canvas

George Inness Autumn Meadows, 1869 The Met

Dozens of people line up around a shed-like structure and around stone ruins to kneel before a woman and baby at the lower center of this circular painting. All the people have pale skin.

Fra Angelico The Adoration of the Magi, c. 1440/1460 National Gallery of Art

Young Woman, Jean-François Millet, 1844–45, oil on canvas

Jean-François Millet Young Woman, 1844–45 Art Institute of Chicago

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo, ca. 1455–60, tempera and gold on wood

Giovanni di Paolo The Annunciation to Zacharias; (verso) The Angel of the Annunciation, ca. 1455–60 The Met

This painting shows a person in an agricultural setting. The background is made of horizontal bands of browns and greens, painted in short, overlapping strokes.

Georges Seurat Peasant with a Hoe, c. 1882 National Gallery of Art

Honey-gold sunlight from low along the horizon to our left falls across the copper and bronze-colored canopies of trees that frame our view of a stone church with stained glass windows and ornate spires in this horizontal landscape…

Thomas Cole The Return, 1837 National Gallery of Art

Landscape, George Inness, 1884 or 1889, oil on canvas

George Inness Landscape, 1884 or 1889 The Met

Jean-Honoré Fragonard Young Girl Reading, c. 1769 National Gallery of Art

This painting features a woman from the waist up, her body angled slightly to the right, looking out at us. She has pale skin with rosy cheeks, blue eyes, arched gray eyebrows, and pink lips that are slightly upturned.

Gilbert Stuart Henrietta Marchant Liston (Mrs. Robert Liston), 1800 National Gallery of Art

The Woodchopper, Jean-François Millet, c. 1858–66, oil on canvas

Jean-François Millet The Woodchopper, c. 1858–66 Art Institute of Chicago

New England Scenery, Thomas Cole, 1839, oil on canvas

Thomas Cole New England Scenery, 1839 Art Institute of Chicago

The Old Mill, George Inness, 1849, oil on canvas

George Inness The Old Mill, 1849 Art Institute of Chicago

The dark, forest-green canopies of trees to our right are silhouetted against a sky that warms from pale blue along the top edge of the composition to butter yellow along the horizon, which comes about a quarter of the way up this…

Jean-Honoré Fragonard Mountain Landscape at Sunset, c. 1765 National Gallery of Art

Shown from the hips up, a pale-skinned, heavy-set, elegantly dressed man sits at the corner of a table, looking at us in this vertical portrait painting.

Francisco de Goya Don Antonio Noriega, 1801 National Gallery of Art

In this painting, thick, overlapping strokes of paint create the blurred image of people standing and sitting on grass. In the center, two people in pink and dark purple appear to sit on the green ground, facing the left.

Georges Seurat Study of Figures for "La Grande Jatte", 1884/1885 National Gallery of Art

Three whole, green pears against a caramel-brown background fill this horizontal still life painting. The painting was created with long, parallel, visible brushstrokes throughout, and a strip of unpainted canvas lines the top edge.

Paul Cézanne Three Pears, 1878/1879 National Gallery of Art

Painting of a vast autumn scene with two very small figures in Indigenous clothing standing on a cliff overlooking a massive waterfall in the distance.

Thomas Cole Distant View of Niagara Falls, 1830 Art Institute of Chicago

A Goldsmith in his Shop, Petrus Christus, 1449, oil on oak panel

Petrus Christus A Goldsmith in his Shop, 1449 The Met

Allegory of Lyric Poetry, François Boucher, 1753, oil on canvas

François Boucher Allegory of Lyric Poetry, 1753 The Met

Virgin and Child with Two Angels, Sandro Botticelli, 1485–95, tempera on panel

Sandro Botticelli Virgin and Child with Two Angels, 1485–95 Art Institute of Chicago

The image shows a winter scene with an icy river and activity on the shore. A rocky cliff partially covered in snow is on the right, with evergreen trees.

George Catlin The Expedition Encamped below the Falls of Niagara. January 20, 1679, 1847/1848 National Gallery of Art

Towering, sheer cliffs loom to our left, over a sunny beach scattered with boats in this horizontal landscape painting.

Gustave Courbet Beach in Normandy, c. 1872/1875 National Gallery of Art

Three light-skinned men, one with his head and knee bandaged, sit and stand around a rusty, free-standing stove in a room with wide plank floors in this horizontal painting.

William Sidney Mount The Tough Story - Scene in a Country Tavern, 1837 National Gallery of Art

Francesco d'Este (born ca. 1429, died after 1486), Rogier van der Weyden, ca. 1460, oil on wood

Rogier van der Weyden Francesco d'Este (born ca. 1429, died after 1486), ca. 1460 The Met

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