Paintings for Sand Walls (page 4)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 145 to 192 of 1,948.

A young man with a peachy, ruddy complexion lies on his stomach in a wooden rowboat on a river, reaching forward to grasp the horn of a stag almost completely submerged in the rippling water with one hand.

Winslow Homer Hound and Hunter, 1892 National Gallery of Art

Two pale-skinned women sit facing each other on a long sofa centered on the wall across from us in a room warmly lit from the right in this horizontal painting. The scene is loosely painted so some details are indistinct.

William Merritt Chase A Friendly Call, 1895 National Gallery of Art

Beneath two tall, tower-like structures, thirteen men, women, and children gather to give or receive food and foodstuff, all against a shiny gold background in this vertical painting. All the people have light skin tinged with green.

Andrea di Bartolo Joachim and Anna Giving Food to the Poor and Offerings to the Temple, c. 1400/1405 National Gallery of Art

This painting shows a woodland scene with dense trees on the right side, their white and brown trunks twisting upwards and their leaves in shades of dark green, yellow ochre, and rusty orange.

Narcisse Virgilio Díaz de la Peña The Edge of the Forest at Les Monts-Girard, Fontainebleau, 1868 National Gallery of Art

The Power of Music, William Sidney Mount, 1847, oil on canvas

William Sidney Mount The Power of Music, 1847 Cleveland Museum of Art

Etruscan Vase with Flowers, Odilon Redon, 1900–1910, tempera on canvas

Odilon Redon Etruscan Vase with Flowers, 1900–1910 The Met

A man stands with one arm resting over the back of a chestnut-brown horse as two women approach the animal in this horizontal portrait painting set in a landscape. The people have pale skin, dark eyes, and ash-brown or gray hair.

George Stubbs Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances, 1769 National Gallery of Art

A young man and child, both with pale skin, are framed within the rectangular opening of a stone window in this vertical painting. At the center, the young man leans toward us over his forearms, which rest on the wide ledge.

Jean-Baptiste-Siméon Chardin Soap Bubbles, probably 1733/1734 National Gallery of Art

Study for "The Bear Hunt" (for the Alcázar, Madrid), Peter Paul Rubens, c. 1639, oil on wood

Peter Paul Rubens Study for "The Bear Hunt" (for the Alcázar, Madrid), c. 1639 Cleveland Museum of Art

The Last Supper, Ugolino da Siena, ca. 1325, tempera and gold on wood

Ugolino da Siena The Last Supper, ca. 1325 The Met

A group of four people gather around a person in a bed, seen through an open doorway to our left, while a man and woman stand near a second doorway of a beige building in this horizontal painting. All the people have pale skin.

Fra Angelico The Healing of Palladia by Saint Cosmas and Saint Damian, c. 1438/1440 National Gallery of Art

The Marsh, Charles-François Daubigny, 1871, oil on panel

Charles-François Daubigny The Marsh, 1871 Art Institute of Chicago

Roses in a Bowl, Henri Fantin-Latour, 1881, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1881 Art Institute of Chicago

Shown from about the knees up, a young woman with pale skin, wearing a long, flowing, peachy-pink satin dress, looks at us in this vertical portrait painting.

John Singer Sargent Miss Grace Woodhouse, 1890 National Gallery of Art

Sketch for The Copley Family, John Singleton Copley, 1776, oil on canvas

John Singleton Copley Sketch for The Copley Family, 1776 National Gallery of Art

Eight pale-skinned men and thirteen brown-skinned, indigenous Lenape men, women, and a baby gather on a grassy field close to us in this horizontal painting. The white men are cleanshaven and have puffy gray, shoulder-length hair.

Edward Hicks Penn's Treaty with the Indians, c. 1840/1844 National Gallery of Art

Hummingbird and Apple Blossoms, Martin Johnson Heade, 1875, oil on canvas

Martin Johnson Heade Hummingbird and Apple Blossoms, 1875 The Met

This painting depicts a young woman from the chest upwards, seated in a slightly turned position to the left.

Camille Corot Portrait of a Young Girl, 1850 or 1859 National Gallery of Art

Fur Traders Descending the Missouri, George Caleb Bingham, 1845, oil on canvas

George Caleb Bingham Fur Traders Descending the Missouri, 1845 The Met

Autumn Landscape, Sugar Loaf Mountain, Orange County, New York, Jasper Francis Cropsey, ca. 1870–75, oil on canvas

Jasper Francis Cropsey Autumn Landscape, Sugar Loaf Mountain, Orange County, New York, ca. 1870–75 The Met

Saltash with the Water Ferry, Cornwall, Joseph Mallord William Turner, 1811, oil on canvas

Joseph Mallord William Turner Saltash with the Water Ferry, Cornwall, 1811 The Met

Friar Pedro Binds El Maragato with a Rope, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Binds El Maragato with a Rope, c. 1806 Art Institute of Chicago

British Manufactory; A Sketch, Benjamin West, 1791, oil on paper mounted on wood

Benjamin West British Manufactory; A Sketch, 1791 Cleveland Museum of Art

Portrait of George Pitt, First Baron Rivers, Thomas Gainsborough, 1769, oil on canvas

Thomas Gainsborough Portrait of George Pitt, First Baron Rivers, 1769 Cleveland Museum of Art

Mrs. Richard Alexander Oswald (Louisa Johnston, ?born about 1760, died 1797), Henry Raeburn, ca. 1794, oil on canvas

Henry Raeburn Mrs. Richard Alexander Oswald (Louisa Johnston, ?born about 1760, died 1797), ca. 1794 The Met

This is a painting of a group of people, mostly men, engaged in laborious activities outdoors. The people are minimally clothed, with small pieces of cloth wrapped around their waists.

Pierre Puvis de Chavannes Work, c. 1863 National Gallery of Art

Fête champêtre (Pastoral Gathering), Antoine Watteau, 1718–21, oil on panel

Antoine Watteau Fête champêtre (Pastoral Gathering), 1718–21 Art Institute of Chicago

The image shows a group of five individuals - four standing and one seated in the foreground. The standing individuals have varied hand positions; two hold long pipes, and one appears to hold a bow and arrow.

George Catlin Chief and Members of the Konza Tribe, 1861/1869 National Gallery of Art

This oval painting shows a cherubic figure floating in mid-air with one leg bent and arms outstretched. The cherub has curly hair, a round face, and rosy cheeks, and they are smiling gently.

Jean-Honoré Fragonard Love as Folly, c. 1773/1776 National Gallery of Art

Two dark-skinned women stand facing each other on a dirt path that runs beside a body of water in this horizontal painting. One woman faces us and balances a flat tray loaded with white cloths on her head.

Camille Pissarro Two Women Chatting by the Sea, St. Thomas, 1856 National Gallery of Art

Moon, Pine and Maple, Katsushika Hokusai, c. 1764–81, hanging scroll, ink, colors and gold on silk

Katsushika Hokusai Moon, Pine and Maple, c. 1764–81 Art Institute of Chicago

Florentine Poet, Alexandre Cabanel, 1861, oil on wood

Alexandre Cabanel Florentine Poet, 1861 The Met

A golden yellow melon painted with thick strokes of straw and butter yellow with touches of camel brown sits at the center of a wooden table with a blue top in this almost square still life painting.

Édouard Manet The Melon, c. 1880 National Gallery of Art

Woman Feeding Chickens, Jean-François Millet, 1846-48, oil on canvas

Jean-François Millet Woman Feeding Chickens, 1846-48 Art Institute of Chicago

The Adoration of the Eucharist, Peter Paul Rubens, c. 1626, oil on panel

Peter Paul Rubens The Adoration of the Eucharist, c. 1626 Art Institute of Chicago

The head and floppy ears of a dog with a delicate muzzle are loosely painted in this vertical portrait. The dog’s head is cocked to our left, and it looks at us with large, glistening black eyes.

Pierre-Auguste Renoir Head of a Dog, 1870 National Gallery of Art

The Forest in Winter at Sunset, Théodore Rousseau, ca. 1846–67, oil on canvas

Théodore Rousseau The Forest in Winter at Sunset, ca. 1846–67 The Met

A man wearing armor, sitting astride a cream-white horse, drives a long lance down at a lizard-like dragon as a woman kneels with her hands in prayer in the landscape beyond in this vertical painting.

Raphael Saint George and the Dragon, c. 1506 National Gallery of Art

The Cascade, Jean-Honoré Fragonard, ca. 1775, oil on wood

Jean-Honoré Fragonard The Cascade, ca. 1775 The Met

Landscape with Fisherman and Washerwoman, John Rathbone, 1790–1800, oil on panel

John Rathbone Landscape with Fisherman and Washerwoman, 1790–1800 Art Institute of Chicago

The image depicts a group of individuals engaged in a dance. They are in a tightly-knit, curved line, with dynamic poses suggestive of movement and rhythm.

George Catlin Dog Dance - Sioux, 1861 National Gallery of Art

Boy with Pitcher (La Régalade), Édouard Manet, 1862–72, oil on canvas

Édouard Manet Boy with Pitcher (La Régalade), 1862–72 Art Institute of Chicago

In a beige room, a group of light-skinned men of various ages and a young boy clap as a figure in tattered clothing at center, his back to the viewer, dances and holds a tin cup in the air.

William Sidney Mount Bar-room Scene, 1835 Art Institute of Chicago

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, c. 1806 Art Institute of Chicago

The painting features a scene showing men in a boat landing on a shore. The horizon is low, with larger sailing ships seen in the distance on the right, floating on the dark green water.

Edward Hicks The Landing of Columbus, c. 1837 National Gallery of Art

This horizontal painting shows a tapestry being unfurled and held up by winged, baby-like putti against a structure with gray and gold columns, seen at the edges of the composition.

Peter Paul Rubens The Meeting of Abraham and Melchizedek, c. 1626 National Gallery of Art

Lion, Unknown artist, after 1200, fresco, mounted on canvas

Unknown artist Lion, after 1200 The Met

A person at the center of this loosely painted horizontal landscape rides a dark horse across a field as a man to the left works the field behind a horse-drawn plow.

Camille Corot View near Epernon, 1850/1860 National Gallery of Art

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