Paintings for Sand Walls (page 31)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,441 to 1,488 of 1,948.

An elegantly dressed man and woman ride horses toward us and to our right in a landscape with low, rolling hills, stone buildings, and trees in this horizontal painting. The two horses and riders take up the right half of the composition.

Aelbert Cuyp Lady and Gentleman on Horseback, c. 1655, reworked 1660/1665 National Gallery of Art

We look down onto nine pieces of fruit, a pitcher, a goblet, and a dish arranged on a rustic wood table in front of a floral curtain in this nearly square, loosely painted still life.

Paul Cézanne Still Life with Milk Jug and Fruit, c. 1900 National Gallery of Art

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

Sellar Alp, Dolomites, John Singer Sargent, ca. 1913–14, watercolor and gouache on white wove paper

John Singer Sargent Sellar Alp, Dolomites, ca. 1913–14 The Met

Two Men, Edgar Degas, ca. 1865–69, oil on wood

Edgar Degas Two Men, ca. 1865–69 The Met

Two men wearing brief-like shorts, shoes, and boxing gloves curl toward each other as they grapple in the middle of a boxing ring in this horizontal painting. We look at the ring from across the heads of the crowd below and around us.

George Bellows Club Night, 1907 National Gallery of Art

James DeLancey, Gilbert Stuart, ca. 1785, oil on canvas

Gilbert Stuart James DeLancey, ca. 1785 The Met

Shown from the lap up, an older woman with pale, slightly sagging skin and frosty gray hair sits facing us in this loosely painted vertical portrait.

Mary Cassatt Portrait of a Lady, c. 1887 National Gallery of Art

Spanish Landscape, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Spanish Landscape, 1879–80 The Met

At seascape rendered in pastel tones. At right, boats line a pink shore underneath a tall cliff. At left, a single red sailboat floats in blue water.

Claude Monet Étretat: The Beach and the Falaise d'Amont, 1885 Art Institute of Chicago

Painted portrait of woman in green dress and cloud backdrop.

John Singleton Copley Mrs. Daniel Hubbard (Mary Greene), c. 1764 Art Institute of Chicago

The Pool (Memory of the Forest of Chambord), Théodore Rousseau, 1839, oil on wood

Théodore Rousseau The Pool (Memory of the Forest of Chambord), 1839 The Met

Hendrickje Stoffels (1626–1663), Rembrandt van Rijn, mid-1650s, oil on canvas

Rembrandt van Rijn Hendrickje Stoffels (1626–1663), mid-1650s The Met

The Visit, Pieter de Hooch, ca. 1657, oil on wood

Pieter de Hooch The Visit, ca. 1657 The Met

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Francisco de Goya, 1804, oil on canvas

Francisco de Goya Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), 1804 The Met

Pastoral Landscape: The Roman Campagna, Claude Lorrain, ca. 1639, oil on canvas

Claude Lorrain Pastoral Landscape: The Roman Campagna, ca. 1639 The Met

A woman with light skin sits facing us across a marble-topped table in a café in this vertical painting. Her body is angled slightly to our right, and she rests her right elbow, on our left, on the table.

Édouard Manet Plum Brandy, c. 1877 National Gallery of Art

Portrait of Jean-Baptiste Lemoyne the Younger, Élisabeth Louise Vigée Le Brun, 1774, oil on canvas

Élisabeth Louise Vigée Le Brun Portrait of Jean-Baptiste Lemoyne the Younger, 1774 Cleveland Museum of Art

Copy after Delacroix's "Bark of Dante", Édouard Manet, ca. 1859, oil on canvas

Édouard Manet Copy after Delacroix's "Bark of Dante", ca. 1859 The Met

A multitude of vibrantly colored shapes interweave with one another.

Marsden Hartley Movement, 1913 Art Institute of Chicago

This painting shows a person bent over, working the land outdoors. The person is in the center of the painting, surrounded by green grass and dark trees. The sky is not visible. In the bottom left corner, there is a section of brown earth.

Georges Seurat Man with a Hoe, c. 1882 National Gallery of Art

This painting depicts a coastal scene overlooking a quiet shore. At the bottom of the painting, an open sandy expanse leads to blue waters.

Odilon Redon Village by the Sea in Brittany, c. 1880 National Gallery of Art

A woman with pale, smooth skin stands wearing a loosely draped, champagne-peach dress in this vertical portrait painting. Her body faces us but she turns her head to look down and off to our right with brown eyes.

Thomas Gainsborough Georgiana, Duchess of Devonshire, 1783 National Gallery of Art

A profusion of flowers in shades of white, orange, blue, and deep pink, with earthy-green leaves, burst from the narrow opening of a glass vase in this vertical still life painting.

Jan Davidsz de Heem Vase of Flowers, c. 1660 National Gallery of Art

Barbara Claes (died 1663, called “Malle Babbe”), Frans Hals, 1637, oil on canvas

Frans Hals Barbara Claes (died 1663, called “Malle Babbe”), 1637 The Met

The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera, 1648, oil on canvas

Jusepe de Ribera The Holy Family with Saints Anne and Catherine of Alexandria, 1648 The Met

Shown from the knees up, a woman with smooth, pale skin and rosy cheeks wears a satin gown and densely pleated, wide collar in this vertical portrait painting.

Peter Paul Rubens Marchesa Brigida Spinola Doria, 1606 National Gallery of Art

A row of structures and a massive weeping willow tree line the clay-orange riverbank opposite us in this horizontal landscape painting. The scene is painted loosely with long, visible brushstrokes.

Paul Cézanne Banks of the Seine at Médan, c. 1885/1890 National Gallery of Art

The Hatch Family, Eastman Johnson, 1870–71, oil on canvas

Eastman Johnson The Hatch Family, 1870–71 The Met

This painting is a portrait showing a man from the chest up.

Amedeo Modigliani Léon Bakst, 1917 National Gallery of Art

A woman wearing flowing, pastel-colored robes and two, winged, child-like putti gather on a bank of clouds among musical instruments and sheet music in this horizontal painting. The people all have pale, pink-tinged skin.

François Boucher Allegory of Music, 1764 National Gallery of Art

A pale-skinned young girl with blond hair, wearing a blue dress, stands in a garden in this vertical painting. The girl and background are painted with blended strokes, giving the scene and especially the girl a soft look.

Pierre-Auguste Renoir A Girl with a Watering Can, 1876 National Gallery of Art

Warwick Castle, Canaletto, 1748, oil on canvas

Canaletto Warwick Castle, 1748 The Met

Portrait of a Man, Gustave Courbet, probably ca. 1862, oil on canvas

Gustave Courbet Portrait of a Man, probably ca. 1862 The Met

Shown from the thighs up, an older, balding man with a long white beard stands wearing a full suit of armor draped in a burgundy-red cloak in this vertical portrait painting.

Titian Vincenzo Cappello, c. 1550/1560 National Gallery of Art

On the Unadilla, New York, Eastman Johnson, 1884, oil on canvas

Eastman Johnson On the Unadilla, New York, 1884 The Met

Shown from the waist-up, a pale-skinned woman wearing a gold-colored gown and a muted dark pink shawl stands before a hazy landscape in this vertical portrait painting.

Benjamin West Mary Bethel Boude (Mrs. Samuel Boude), 1755/1756 National Gallery of Art

Painting of the Annunciation, dove flying above Mary with angel.

Jean Hey, The Annunciation, 1490–95 Art Institute of Chicago

Shown under an ornately carved stone arch, a young woman holds a baby on her lap as she sits on a curving gold chair flanked by two kneeling angels in this vertical painting. All of the people have pale skin.

Hans Memling Madonna and Child with Angels, after 1479 National Gallery of Art

The Writing Master, Thomas Eakins, 1882, oil on canvas

Thomas Eakins The Writing Master, 1882 The Met

This painting shows a portrait of a man. His head is turned to the left. He has light skin, a straight nose, a soft jawline, and pale lips in a neutral expression. He has closely cropped brown hair mostly covered by a black cap.

Andrea Mantegna Portrait of a Man, c. 1470 National Gallery of Art

A pale-skinned young man with a carrot-red beard and hair faces us, straddling a green chair in a sunny outdoor setting in this vertical painting. The scene is loosely painted so his features are indistinct.

Édouard Manet George Moore in the Artist's Garden, c. 1879 National Gallery of Art

A pale-skinned woman sits on a red velvet chair, which is almost entirely hidden by her voluminous, dark emerald-green and gold gown, in this vertical portrait painting.

Anthony van Dyck Marchesa Balbi, c. 1623 National Gallery of Art

In this painting, there are two round, crusty rolls next to a cream-colored cup with a floral blue-and-yellow design on top of a saucer with a gold rim.

John Frederick Peto Breakfast, c. 1890s National Gallery of Art

Shown from the knees up, a pale-skinned woman wearing a muted, sapphire-blue gown sits ramrod straight in a chair and looks at us in this vertical portrait painting.

Francisco de Goya Thérèse Louise de Sureda, c. 1803/1804 National Gallery of Art

Portrait of a Woman, Frans Hals, ca. 1650, reworked probably 18th century, oil on canvas

Frans Hals Portrait of a Woman, ca. 1650, reworked probably 18th century The Met

Nevada Falls, Yosemite, Albert Bierstadt, 1872 or 1873, oil on canvas

Albert Bierstadt Nevada Falls, Yosemite, 1872 or 1873 The Met

Mrs. Henry Hill (Anna Barrett), John Singleton Copley, c. 1765–70, pastel on paper mounted on linen

John Singleton Copley Mrs. Henry Hill (Anna Barrett), c. 1765–70 Art Institute of Chicago

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