Paintings for Sand Walls (page 30)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,393 to 1,440 of 1,948.

This vertical portrait painting shows the head and shoulders of a person with pale peach skin and an auburn, cheek-length bob hairstyle. The person has high cheek bones, deep pink lips, and an angular, pointed chin.

Amedeo Modigliani Madame Kisling, c. 1917 National Gallery of Art

Portrait of a Woman, Amedeo Modigliani, c. 1917–18, oil on canvas

Amedeo Modigliani Portrait of a Woman, c. 1917–18 Cleveland Museum of Art

Wheat Fields, Jacob van Ruisdael, ca. 1670, oil on canvas

Jacob van Ruisdael Wheat Fields, ca. 1670 The Met

We look across a stream and through a loose screen of shadowy trees at a sunlit farm under a powder-blue sky with towering, puffy clouds in this vertical landscape painting.

Meindert Hobbema A Farm in the Sunlight, 1668 National Gallery of Art

Self-Portrait, Anthony van Dyck, ca. 1620–21, oil on canvas

Anthony van Dyck Self-Portrait, ca. 1620–21 The Met

Poplars, Eragny, Camille Pissarro, 1895, oil on canvas

Camille Pissarro Poplars, Eragny, 1895 The Met

Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519, oil on linden

Albrecht Dürer Virgin and Child with Saint Anne, probably 1519 The Met

A man and woman stand in a sunny field near a line of cone-shaped haystacks under a massive blue sky in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes throughout.

Camille Pissarro Landscape, Ile-de-France, 1873 National Gallery of Art

The Annunciation, Hans Memling, ca. 1465–70, oil on wood

Hans Memling The Annunciation, ca. 1465–70 The Met

Madame Roulin Rocking the Cradle (La berceuse), Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Madame Roulin Rocking the Cradle (La berceuse), 1889 Art Institute of Chicago

Virgin and Child with Four Angels, Gerard David, ca. 1510–15, oil on wood

Gerard David Virgin and Child with Four Angels, ca. 1510–15 The Met

The artwork depicts a peaceful landscape viewed from an elevated perspective. The horizon divides the sky from the land below, with distant blue hills visible. The sky shows soft blues and gray clouds.

George Catlin Halsey's Bluff - Sioux Indians on the March, 1861/1869 National Gallery of Art

Herman Doomer (ca. 1595–1650), Rembrandt van Rijn, 1640, oil on wood

Rembrandt van Rijn Herman Doomer (ca. 1595–1650), 1640 The Met

Honfleur, Johan Barthold Jongkind, 1865, oil on canvas

Johan Barthold Jongkind Honfleur, 1865 The Met

From a distance, we look down onto and across a lush park filled with elegantly dressed, light-skinned adults and children gathered in small groups as one woman swings from tall trees in this vertical painting.

Jean-Honoré Fragonard The Swing, c. 1775/1780 National Gallery of Art

Three women stand on or next to a ladder picking olives in an orchard in this horizontal landscape painting. The women, trees, ground, and sky are all painted with long, parallel brushstrokes that curve and swirl over the canvas.

Vincent van Gogh The Olive Orchard, 1889 National Gallery of Art

This painting depicts three individuals in a colorful interior. A man on the left is standing on steps that are coming up from below. He wears a green suit with a white shirt underneath it and holds a hat.

Ernst Ludwig Kirchner The Visit - Couple and Newcomer, 1922 National Gallery of Art

A row of spire-like structures of different heights is silhouetted in azure blue against a soft pink, yellow, peach, and lavender-purple sunset and reflected in a rippling river in this nearly square landscape painting.

Claude Monet The Houses of Parliament, Sunset, 1903 National Gallery of Art

The Dreamer (La Rêveuse), Antoine Watteau, 1712–14, oil on panel

Antoine Watteau The Dreamer (La Rêveuse), 1712–14 Art Institute of Chicago

Sunset near Arbonne, Théodore Rousseau, ca. 1860–65, oil on wood

Théodore Rousseau Sunset near Arbonne, ca. 1860–65 The Met

Lieutenant Colonel Paul Pechell (1724–1800), Thomas Gainsborough, 1768, oil on canvas

Thomas Gainsborough Lieutenant Colonel Paul Pechell (1724–1800), 1768 The Met

This is a painting of a cherub with small wings hovering in the sky amidst swirling clouds. The sky is a soft blue with streaks of darker blue tones and a section of gray on the right.

Giovanni Battista Tiepolo Study for a Ceiling with the Personification of Counsel, before c. 1762 National Gallery of Art

The Seine: Morning, Charles-François Daubigny, 1874, oil on wood

Charles-François Daubigny The Seine: Morning, 1874 The Met

From behind a low stone wall, on which a young woman with pale skin sits, we look across a wide, shimmering blue waterway toward a town along the opposite shore, under a pale blue sky with wispy white clouds in this horizontal landscape…

Berthe Morisot The Harbor at Lorient, 1869 National Gallery of Art

Shown from the hips up, a pale-skinned woman holds an open, gold-colored fan in her lap in this vertical, loosely painted portrait.

Mary Cassatt Woman with a Fan, c. 1878/1879 National Gallery of Art

Very dark painting of a light-skinned, mostly clean-shaven young man in dark suit and dark full-length coat, holding a rolled-up paper and gloves.

James McNeill Whistler Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 Art Institute of Chicago

We hover over a flax-yellow body of water lined with ships to our left and right, which are silhouetted against a moonlit, cloud-veiled sky in this horizontal landscape painting.

Joseph Mallord William Turner Keelmen Heaving in Coals by Moonlight, 1835 National Gallery of Art

Polynesian Woman with Children, Paul Gauguin, 1901, oil on linen canvas

Paul Gauguin Polynesian Woman with Children, 1901 Art Institute of Chicago

Sunset Sky, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset Sky, 1872 The Met

This painting shows an expansive green and yellow grassland under a textured blue and white sky. The horizon line is high, separating the fields and clouds with a thin line of dark trees and small white buildings.

Georges Seurat A Summer Landscape, 1883 National Gallery of Art

Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant), Gustave Courbet, 1865, oil on canvas

Gustave Courbet Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant), 1865 Art Institute of Chicago

Portrait of a Woman, Jean-Léon Gérôme, 1851, oil on canvas

Jean-Léon Gérôme Portrait of a Woman, 1851 Art Institute of Chicago

Shown from the chest up, a pale-skinned, clean-shaven man looks off to our left against a moss-green background in this vertical portrait painting.

Albrecht Dürer Portrait of a Clergyman (Johann Dorsch?), 1516 National Gallery of Art

Portrait of a woman in white with a bonnet perched on an architectural feature painting something to her right, a spouting water fountain, greenery, and a an ornate, low white fence behind her.

John Singer Sargent The Fountain, Villa Torlonia, Frascati, Italy, 1907 Art Institute of Chicago

Cosimo I de' Medici (1519–1574), Agnolo Bronzino, 1548, oil on wood

Agnolo Bronzino Cosimo I de' Medici (1519–1574), 1548 The Met

Shown from about the ankles up, a woman with ashen, pale skin, wearing a full, silvery-white dress with gray dots, sits on a low-backed white sofa against a pale peach background in this horizontal portrait painting.

Edgar Degas Madame René de Gas, 1872/1873 National Gallery of Art

Bellona, Rembrandt van Rijn, 1633, oil on canvas

Rembrandt van Rijn Bellona, 1633 The Met

The image shows a portrait of a man with a soft, round face, a slightly double chin, small eyes, and a neutral expression. He has gray, voluminous hair styled in the fashion of the 18th century.

Joseph Wright of Derby Portrait of a Gentleman, c. 1760 National Gallery of Art

An older man with ruddy, peachy skin stands in the lower right of this vertical painting holding a large, green, leafy cabbage. He is shown from the hips up and faces our left with his body angled slightly toward us.

Camille Pissarro The Gardener - Old Peasant with Cabbage, 1883-1895 National Gallery of Art

A plate of oysters, a halved lemon, an oyster fork and shells, and a dish of salt are arranged on a wooden tabletop in front of a gray wall in this horizontal still life painting.

Édouard Manet Oysters, 1862 National Gallery of Art

Arleux-Palluel, The Bridge of Trysts, Camille Corot, 1871–72, oil on canvas

Camille Corot Arleux-Palluel, The Bridge of Trysts, 1871–72 Art Institute of Chicago

From Jerusalem, John Singer Sargent, 1905–6, watercolor, gouache, and graphite on off-white wove paper

John Singer Sargent From Jerusalem, 1905–6 The Met

Dawn—Early Spring, Dwight William Tryon, 1894, oil on wood

Dwight William Tryon Dawn—Early Spring, 1894 The Met

Lucas van Uffel (died 1637), Anthony van Dyck, ca. 1622, oil on canvas

Anthony van Dyck Lucas van Uffel (died 1637), ca. 1622 The Met

Alfred Dedreux (1810–1860) as a Child, Théodore Géricault, ca. 1819–20, oil on canvas

Théodore Géricault Alfred Dedreux (1810–1860) as a Child, ca. 1819–20 The Met

Passing off of the Storm, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Passing off of the Storm, 1872 The Met

Landscape with a Church by a Torrent, Jacob van Ruisdael, c. 1670, oil on canvas

Jacob van Ruisdael Landscape with a Church by a Torrent, c. 1670 Cleveland Museum of Art

No te aha oe riri (Why Are You Angry?), Paul Gauguin, 1896, oil on jute canvas

Paul Gauguin No te aha oe riri (Why Are You Angry?), 1896 Art Institute of Chicago

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