Paintings for Sand Walls (page 32)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,489 to 1,536 of 1,948.

Retreat from the Storm, Jean-François Millet, ca. 1846, oil on canvas

Jean-François Millet Retreat from the Storm, ca. 1846 The Met

The Troubadour, Honoré Daumier, 1868–73, oil on fabric

Honoré Daumier The Troubadour, 1868–73 Cleveland Museum of Art

Winter Scene, Francisco de Goya, c. 1786, oil on canvas

Francisco de Goya Winter Scene, c. 1786 Art Institute of Chicago

A woman with pale, peachy skin wearing elegant gold and ink-black garments sits in front of a stone portico in this vertical portrait painting. Her red armchair is angled to our right, but the woman turns to look at us under cocked brows.

Anthony van Dyck Isabella Brant, 1621 National Gallery of Art

The Old Pine, Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett The Old Pine, Darien, Connecticut, 1872 The Met

Himself, Robert Henri, 1913, oil on canvas

Robert Henri Himself, 1913 Art Institute of Chicago

This painting is a portrait of a man from his chest up. He is positioned slightly angled to the left and looks directly at us.

Gilbert Stuart George Washington, c. 1803 National Gallery of Art

Landscape with a Village in the Distance, Jacob van Ruisdael, 1646, oil on wood

Jacob van Ruisdael Landscape with a Village in the Distance, 1646 The Met

This nearly square, sketchy painting shows the interior of an empty courtyard, created in milky tones of oatmeal brown, ivory, muted brick red, eucalyptus green, and slate blue.

John Singer Sargent Pavement, Cairo, 1891 National Gallery of Art

Twenty men, women, and children sit, stand, or stroll along a sandy beach beneath a bright, cloud-filled sky in this horizontal landscape painting.

Eugène Boudin Figures on the Beach, c. 1867/1870 National Gallery of Art

Herself, Robert Henri, 1913, oil on canvas

Robert Henri Herself, 1913 Art Institute of Chicago

In this painting, a pile of cherries is displayed on a grassy ground. The cherries are in different shades of red, orange, and light yellow, set against a dark green background. Some cherries are scattered in the grass around the pile.

William Mason Brown Mound of Cherries, n.d. National Gallery of Art

Four light-skinned ballerinas with russet-orange hair tied back in buns adjust the straps of their bodices as they gather close together, their bodies and wide, knee-length tutus taking up the left half of this horizontal painting.

Edgar Degas Four Dancers, c. 1899 National Gallery of Art

Aristotle with a Bust of Homer, Rembrandt van Rijn, 1653, oil on canvas

Rembrandt van Rijn Aristotle with a Bust of Homer, 1653 The Met

Richard Dana, John Singleton Copley, ca. 1770, oil on canvas

John Singleton Copley Richard Dana, ca. 1770 The Met

Study of Beeches, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Study of Beeches, 1872 The Met

The Old Road to the Sea, William Merritt Chase, c. 1893, oil on canvas

William Merritt Chase The Old Road to the Sea, c. 1893 Cleveland Museum of Art

Towering, pale, celery-green trees frame a view of a lush park with about a dozen elegantly dressed, light-skinned men and women in this vertical landscape painting.

Jean-Honoré Fragonard A Game of Hot Cockles, c. 1775/1780 National Gallery of Art

La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930), Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930), 1889 The Met

Egyptian Woman, John Singer Sargent, 1890–91, oil on canvas

John Singer Sargent Egyptian Woman, 1890–91 The Met

Mrs. Gideon Tucker, William Sidney Mount, 1830, oil on canvas

William Sidney Mount Mrs. Gideon Tucker, 1830 The Met

Trees and Houses Near the Jas de Bouffan, Paul Cézanne, 1885–86, oil on canvas

Paul Cézanne Trees and Houses Near the Jas de Bouffan, 1885–86 The Met

This painting shows a coastal scene with a rocky tan cliff on the left side extending down to the blue sea. The horizon is in the middle of the painting, with a bright, slightly cloudy blue sky above the sea.

Eugène Boudin Washerwomen on the Beach of Etretat, 1894 National Gallery of Art

From a sandy beach, we look across a sun-drenched body of water enclosed by a long, sand-colored, crenelated wall in this horizontal landscape painting.

Frédéric Bazille The Western Ramparts at Aigues-Mortes, 1867 National Gallery of Art

Portrait of Catherine Grey, Lady Manners, Thomas Lawrence, 1794, oil on canvas

Thomas Lawrence Portrait of Catherine Grey, Lady Manners, 1794 Cleveland Museum of Art

María Teresa (1638–1683), Infanta of Spain, Diego Velázquez, 1651–54, oil on canvas

Diego Velázquez María Teresa (1638–1683), Infanta of Spain, 1651–54 The Met

Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling, ca. 1470, oil on oak

Hans Memling Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), ca. 1470 The Met

Shown from the chest up, a pale-skinned man holds one hand to his chest as he looks at us in this vertical portrait painting.

Frans Hals Portrait of a Man, 1648/1650 National Gallery of Art

Portrait of Isabella Brant, Peter Paul Rubens, c. 1620–25, oil on wood

Peter Paul Rubens Portrait of Isabella Brant, c. 1620–25 Cleveland Museum of Art

Boy with a Lute, Frans Hals, ca. 1625, oil on canvas

Frans Hals Boy with a Lute, ca. 1625 The Met

Venice from the Bacino di San Marco, Francesco Guardi, ca. 1765–75, oil on canvas

Francesco Guardi Venice from the Bacino di San Marco, ca. 1765–75 The Met

Christmas-Time, The Blodgett Family, Eastman Johnson, 1864, oil on canvas

Eastman Johnson Christmas-Time, The Blodgett Family, 1864 The Met

The Valley of Les Puits-Noir, Gustave Courbet, 1868, oil on canvas

Gustave Courbet The Valley of Les Puits-Noir, 1868 Art Institute of Chicago

Wheat Field with Cypresses, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Wheat Field with Cypresses, 1889 The Met

Still Life: A Banqueting Scene, Jan Davidsz de Heem, ca. 1640–41, oil on canvas

Jan Davidsz de Heem Still Life: A Banqueting Scene, ca. 1640–41 The Met

Mrs. Jerathmael Bowers, John Singleton Copley, ca. 1763, oil on canvas

John Singleton Copley Mrs. Jerathmael Bowers, ca. 1763 The Met

This painting shows a dynamic scene of a green tennis court with a player in action near the bottom-right corner, their hand extended behind their head and one leg in the air.

George Bellows Tennis Tournament, 1920 National Gallery of Art

This is a painting of a woman who is depicted from the waist up. She is positioned sitting or leaning with her head turned to the right. She has pale-yellow skin, and her facial features include red lips and dark eyebrows.

Daniel Gardner The Hon. Mrs. Gray, c. 1785/1790 National Gallery of Art

Courtyard, Tétouan, Morocco, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Courtyard, Tétouan, Morocco, 1879–80 The Met

Burgomaster Jan van Duren (1613–1687), Gerard ter Borch, ca. 1666–67, oil on canvas

Gerard ter Borch Burgomaster Jan van Duren (1613–1687), ca. 1666–67 The Met

View of the Seacoast near Wargemont in Normandy, Pierre-Auguste Renoir, 1880, oil on canvas

Pierre-Auguste Renoir View of the Seacoast near Wargemont in Normandy, 1880 The Met

Ruined Archway, Francesco Guardi, 1775–93, oil on canvas

Francesco Guardi Ruined Archway, 1775–93 Art Institute of Chicago

Madame Henri François Riesener (Félicité Longrois, 1786–1847), Eugène Delacroix, 1835, oil on canvas

Eugène Delacroix Madame Henri François Riesener (Félicité Longrois, 1786–1847), 1835 The Met

A windmill stands on a promontory cutting into a waterway under a partially stormy sky in this square landcape painting.

Rembrandt van Rijn The Mill, 1645/1648 National Gallery of Art

A road or path curves away from us, past a tall formation, perhaps rocks, to our left, and into a valley filled with trees and a low hill beyond in this stylized, vertical landscape.

Paul Cézanne The Bend in the Road, 1900/1906 National Gallery of Art

A man with pale white skin sits and a man with light brown skin stands in front of a cave-like, rocky outcropping in this vertical portrait painting.

Benjamin West Colonel Guy Johnson and Karonghyontye (Captain David Hill), 1776 National Gallery of Art

Rear Admiral George W. Melville, Thomas Eakins, 1905, oil on canvas

Thomas Eakins Rear Admiral George W. Melville, 1905 National Gallery of Art

A cloud of canary-yellow flowers with pumpkin-orange centers on tall stems with emerald and pine-green leaves fills the top half of this vertical still life painting.

Claude Monet Jerusalem Artichoke Flowers, 1880 National Gallery of Art

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