Paintings for Teal Walls (page 7)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 289 to 336 of 860.

The Grand Canal above the Rialto, Francesco Guardi, late 1760s, oil on canvas

Francesco Guardi The Grand Canal above the Rialto, late 1760s The Met

Virgin and Child in a Niche, Jan van Eyck, ca. 1440–50, oil on wood

Jan van Eyck Virgin and Child in a Niche, ca. 1440–50 The Met

Johann (1498–1537), Duke of Saxony, Lucas Cranach the Elder, ca. 1534–37, oil on beech

Lucas Cranach the Elder Johann (1498–1537), Duke of Saxony, ca. 1534–37 The Met

Mrs. Charles Gifford Dyer (Mary Anthony), John Singer Sargent, 1880, oil on canvas

John Singer Sargent Mrs. Charles Gifford Dyer (Mary Anthony), 1880 Art Institute of Chicago

The Third-Class Carriage, Honoré Daumier, 1864, oil on canvas

Honoré Daumier The Third-Class Carriage, 1864 The Met

The image depicts a man from the waist up, positioned in a three-quarter view as he looks to his left. He has a fair complexion, a reddish-brown close-cropped beard, and medium brown hair cut at ear length.

Barthel Bruyn the Elder Portrait of a Man, c. 1530/1540 National Gallery of Art

Still Life with Herrings, Jean-Baptiste-Siméon Chardin, c. 1735, oil on canvas

Jean-Baptiste-Siméon Chardin Still Life with Herrings, c. 1735 Cleveland Museum of Art

Carmelita Requena, Thomas Eakins, 1869, oil on canvas

Thomas Eakins Carmelita Requena, 1869 The Met

This painting shows two women seated on yellow-gold chairs in a room. The woman on the left appears young, with short brown hair and light skin.

Édouard Vuillard Women Sewing, c. 1912 National Gallery of Art

The Holy Family with Saint Mary Magdalen, Andrea Mantegna, ca. 1495–1500, distemper on canvas

Andrea Mantegna The Holy Family with Saint Mary Magdalen, ca. 1495–1500 The Met

A bearded man with wrinkled, peachy skin and reddened cheeks sits and smokes a pipe on a wooden box in a landscape in this vertical painting. The man’s body faces us, and he peers at us with dark eyes under heavy, bushy white brows.

George Caleb Bingham Mississippi Boatman, 1850 National Gallery of Art

A woman wearing a pale yellow silk dress sits playing a lute in front of a table while a man, wearing a black suit and hat, stands behind her in this vertical painting. Both have light skin.

Gerard ter Borch The Music Lesson, c. 1670 National Gallery of Art

Two Young Girls at the Piano, Pierre-Auguste Renoir, 1892, oil on canvas

Pierre-Auguste Renoir Two Young Girls at the Piano, 1892 The Met

Queen Henrietta Maria, Anthony van Dyck, 1636, oil on canvas

Anthony van Dyck Queen Henrietta Maria, 1636 The Met

In a space almost entirely shrouded in shadow, light falls across a bearded man kneeling in front of a woman cradling an infant, as about a dozen people to our left look on in this horizontal painting.

Rembrandt van Rijn The Circumcision, 1661 National Gallery of Art

Madam Pompadour, Amedeo Modigliani, 1915, oil on canvas

Amedeo Modigliani Madam Pompadour, 1915 Art Institute of Chicago

View of Saint-Valéry-sur-Somme, Edgar Degas, 1896–98, oil on canvas

Edgar Degas View of Saint-Valéry-sur-Somme, 1896–98 The Met

Doge Andrea Gritti (1455–1538), Titian, 1542, oil on canvas

Titian Doge Andrea Gritti (1455–1538), 1542 The Met

Toussaint Lemaistre (1807/8–1888), Camille Corot, 1833, oil on canvas

Camille Corot Toussaint Lemaistre (1807/8–1888), 1833 The Met

Henri Fantin-Latour Duchess de Fitz-James, 1867 National Gallery of Art

Portrait of a Woman in Gray, Edgar Degas, ca. 1865, oil on canvas

Edgar Degas Portrait of a Woman in Gray, ca. 1865 The Met

John Gray (1731–1811) of Newholm, Henry Raeburn, 1800, oil on canvas

Henry Raeburn John Gray (1731–1811) of Newholm, 1800 The Met

Thomas Willing, Charles Willson Peale, 1782, oil on canvas

Charles Willson Peale Thomas Willing, 1782 The Met

Apples, Henri Matisse, 1916, oil on canvas

Henri Matisse Apples, 1916 Art Institute of Chicago

This painting shows a man depicted from two angles; on the left, he faces us, while on the right, his back is to us. In both views he wears the same clothes and is in the same position.

Eugène Delacroix Two Studies of a Standing Indian from Calcutta, c. 1823/1824 National Gallery of Art

A woman with pale skin, wearing a sheer, lace shawl over a high-necked, ink-black dress sits in an upholstered chair in front of a dark, cranberry-red curtain in this vertical portrait painting.

John Singer Sargent Ellen Peabody Endicott (Mrs. William Crowninshield Endicott), 1901 National Gallery of Art

Bashi-Bazouk, Jean-Léon Gérôme, 1868–69, oil on canvas

Jean-Léon Gérôme Bashi-Bazouk, 1868–69 The Met

George Harley Drummond (1783–1855), Henry Raeburn, ca. 1808–9, oil on canvas

Henry Raeburn George Harley Drummond (1783–1855), ca. 1808–9 The Met

Portrait of Renoir, Frédéric Bazille, 1867, oil on canvas

Frédéric Bazille Portrait of Renoir, 1867 Cleveland Museum of Art

Merrymakers at Shrovetide, Frans Hals, ca. 1616–17, oil on canvas

Frans Hals Merrymakers at Shrovetide, ca. 1616–17 The Met

The Sofa, Henri de Toulouse-Lautrec, ca. 1894–96, oil on cardboard

Henri de Toulouse-Lautrec The Sofa, ca. 1894–96 The Met

Mariana of Austria (1634–1696), Queen of Spain, Diego Velázquez, 1640, oil on canvas

Diego Velázquez Mariana of Austria (1634–1696), Queen of Spain, 1640 The Met

Head of Jean-Baptiste Faure (1830–1914), Édouard Manet, 1882–83, oil on canvas

Édouard Manet Head of Jean-Baptiste Faure (1830–1914), 1882–83 The Met

A pale-skinned child wearing a short-sleeved red dress and a white bonnet stands before a shadowy green forest under dark clouds in this vertical portrait painting. The child’s over-large head is out of scale with the rest of her body.

Edward Hicks Portrait of a Child, c. 1840 National Gallery of Art

Saint Andrew, Simone Martini, ca. 1326, tempera on wood, gold ground

Simone Martini Saint Andrew, ca. 1326 The Met

Peter Paul Rubens Agrippina and Germanicus, c. 1614 National Gallery of Art

Sketch for a Ceiling, Giovanni Battista Tiepolo, 1750s, oil on canvas

Giovanni Battista Tiepolo Sketch for a Ceiling, 1750s Cleveland Museum of Art

Shown from the lap up, a woman with peachy skin, wearing a white silk dress and feathered headpiece, sits facing and looking at us in a harvest-yellow, upholstered chair in this vertical portrait painting.

Jacques-Louis David Madame David, 1813 National Gallery of Art

The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist, Peter Paul Rubens, early or mid-1630s, oil on canvas

Peter Paul Rubens The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist, early or mid-1630s The Met

Portrait of a Family Playing Music, Pieter de Hooch, 1663, oil on canvas

Pieter de Hooch Portrait of a Family Playing Music, 1663 Cleveland Museum of Art

The Love Song, Edward Burne-Jones, 1868–77, oil on canvas

Edward Burne-Jones The Love Song, 1868–77 The Met

In this painting, a collection of large, ripe peaches sits on a light green plate with a white rim. The peaches are painted in shades of orange, yellow, and red, with some areas of dark red and black.

Pierre-Auguste Renoir Peaches on a Plate, 1902/1905 National Gallery of Art

Herself, Robert Henri, 1913, oil on canvas

Robert Henri Herself, 1913 Art Institute of Chicago

Pierre-Auguste Renoir Head of a Young Girl, c. 1890 National Gallery of Art

Camp Fire, Winslow Homer, 1880, oil on canvas

Winslow Homer Camp Fire, 1880 The Met

From far below, we look up at an older man with standing on a cliff edge or rocky ledge with his arms raised as he turns his head to gaze up to a second man and winged, child-like angels surrounded by clouds in the sky above in this square…

Titian Saint John the Evangelist on Patmos, c. 1553/1555 National Gallery of Art

Lukas Spielhausen, Lucas Cranach the Elder, 1532, oil and gold on beech

Lucas Cranach the Elder Lukas Spielhausen, 1532 The Met

Pierre-Auguste Renoir Young Girl Reading, c. 1888 National Gallery of Art

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