Paintings for Teal Walls (page 9)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 385 to 432 of 860.

Self-Portrait, Rembrandt van Rijn, 1660, oil on canvas

Rembrandt van Rijn Self-Portrait, 1660 The Met

A woman holding a baby stands near a young boy who perches in the tipped-up end of a rowboat that has been pulled onto a sandy beach in this horizontal painting. All the people have light skin.

Winslow Homer Dad's Coming!, 1873 National Gallery of Art

Painting of a placid-looking, light-skinned woman in a maroon dress, seated in a chair with yellow upholstery, hands folded.

Paul Cézanne Madame Cezanne in a Yellow Chair, 1888–90 Art Institute of Chicago

A smiling young child holds the latch of an open wooden door as she looks toward a woman to our right in this almost square painting. The woman and child both have pale skin and stand in a bedroom.

Pieter de Hooch The Bedroom, 1658/1660 National Gallery of Art

André Bénac, Édouard Vuillard, 1936, oil on fabric

Édouard Vuillard André Bénac, 1936 Cleveland Museum of Art

St. Albert of Louvain, Peter Paul Rubens, 1620, oil on panel

Peter Paul Rubens St. Albert of Louvain, 1620 Art Institute of Chicago

Shown from the knees up, a woman with smooth, pale skin and rosy cheeks wears a satin gown and densely pleated, wide collar in this vertical portrait painting.

Peter Paul Rubens Marchesa Brigida Spinola Doria, 1606 National Gallery of Art

Jacques-Louis Leblanc (1774–1846), Jean-Auguste-Dominique Ingres, 1823, oil on canvas

Jean-Auguste-Dominique Ingres Jacques-Louis Leblanc (1774–1846), 1823 The Met

Anna Dummer Powell, John Singleton Copley, 1764, oil on canvas

John Singleton Copley Anna Dummer Powell, 1764 Cleveland Museum of Art

A flatboat with eight light-skinned men floats toward us down a wide river in this horizontal painting. The boat nearly spans the width of the composition and has low sides and a shallowly arched, low cabin upon which the men gather.

George Caleb Bingham The Jolly Flatboatmen, 1846 National Gallery of Art

The Holy Family with Saint John the Baptist, Nicolas Poussin, ca. 1627, oil on canvas

Nicolas Poussin The Holy Family with Saint John the Baptist, ca. 1627 The Met

Two ships and two sailboats, all with full sails, float on a gently rippling body of water in front of a pale pastel-shaded sky in this horizontal painting.

Fitz Henry Lane Becalmed off Halfway Rock, 1860 National Gallery of Art

A Maid Asleep, Johannes Vermeer, ca. 1656–57, oil on canvas

Johannes Vermeer A Maid Asleep, ca. 1656–57 The Met

This vertical portrait painting shows the head and shoulders of a person with pale peach skin and an auburn, cheek-length bob hairstyle. The person has high cheek bones, deep pink lips, and an angular, pointed chin.

Amedeo Modigliani Madame Kisling, c. 1917 National Gallery of Art

The Baptism of Christ, Jacopo Bassano, ca. 1590, oil on canvas

Jacopo Bassano The Baptism of Christ, ca. 1590 The Met

King Anushirwan and the Owls, from the Khamsa of Nizami, Islamic, Safavid dynasty (1501–1722), c.1535, ink, opaque watercolor, and gold on paper

Islamic King Anushirwan and the Owls, from the Khamsa of Nizami, Safavid dynasty (1501–1722), c.1535 Art Institute of Chicago

Wrestlers in a Circus, Ernst Ludwig Kirchner, 1909, oil on canvas

Ernst Ludwig Kirchner Wrestlers in a Circus, 1909 Cleveland Museum of Art

Shown from about the knees up, a young woman sits in a chair angled to our right but she turns her face to look at us in this loosely painted, vertical portrait.

Vincent van Gogh La Mousmé, 1888 National Gallery of Art

Shown from the waist up, a woman with light, peachy-yellow skin sits with her body facing us as she looks over her shoulder to our right in this loosely painted, vertical portrait.

Henri de Toulouse-Lautrec Carmen Gaudin, 1885 National Gallery of Art

A cleanshaven man wearing a black and red diamond-patterned costume and holding a white wooden sword tucked under one arm stands in a room with a blue background in this vertical painting.

Paul Cézanne Harlequin, 1888-1890 National Gallery of Art

Impressionist painting of woman wearing green dress trying on hats.

Edgar Degas The Millinery Shop, 1879-86 Art Institute of Chicago

A woman with pale, peachy skin wearing elegant gold and ink-black garments sits in front of a stone portico in this vertical portrait painting. Her red armchair is angled to our right, but the woman turns to look at us under cocked brows.

Anthony van Dyck Isabella Brant, 1621 National Gallery of Art

A tall woman with pale white skin and a shorter man with brown skin stand on a terrace in this vertical, full-length portrait.

Anthony van Dyck Marchesa Elena Grimaldi Cattaneo, 1623 National Gallery of Art

Madonna and Child, Giovanni Bellini, late 1480s, oil on wood

Giovanni Bellini Madonna and Child, late 1480s The Met

Against a distant, hazy, verdant forest, a petal-pink and amethyst-purple orchid grows from a mossy branch close to us, to our left, while three jewel-toned hummingbirds gather around a nest to our right in this horizontal painting.

Martin Johnson Heade Cattleya Orchid and Three Hummingbirds, 1871 National Gallery of Art

A Woman Ironing, Edgar Degas, 1873, oil on canvas

Edgar Degas A Woman Ironing, 1873 The Met

Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats.

Henri de Toulouse-Lautrec At the Moulin Rouge, 1892–95 Art Institute of Chicago

A young man and child, both with pale skin, are framed within the rectangular opening of a stone window in this vertical painting. At the center, the young man leans toward us over his forearms, which rest on the wide ledge.

Jean-Baptiste-Siméon Chardin Soap Bubbles, probably 1733/1734 National Gallery of Art

Shown from about the hips up against a sable-brown background, a pale-skinned woman stands cradling an apple with both hands at her waist in this vertical portrait painting.

Titian Woman Holding an Apple, c. 1550 National Gallery of Art

This painting shows a seated woman, her head turned slightly to the right. She has fair skin with rosy cheeks, pale eyebrows, a long nose, and thin pink lips in a neutral expression.

Benjamin West Maria Hamilton Beckford (Mrs. William Beckford), 1799 National Gallery of Art

Vibrant yellow, red, blue, and green painting of landscape with trees and mountains.

Wassily Kandinsky Landscape with Two Poplars, 1912 Art Institute of Chicago

A Bouquet of Flowers, Clara Peeters, ca. 1612, oil on wood

Clara Peeters A Bouquet of Flowers, ca. 1612 The Met

Two women with pale skin look out at us from the other side of a rectangular window opening with a shadowy interior behind them in this vertical painting.

Bartolomé Esteban Murillo Two Women at a Window, c. 1655/1660 National Gallery of Art

A jumble of pewter plates and a pitcher, glass goblets, a gold chalice, a brass candlestick, and other vessels along with lemons, olives, and the remains of a mince pie are arranged on a cream-white tablecloth bunched on a dark green…

Willem Claesz Heda Banquet Piece with Mince Pie, 1635 National Gallery of Art

Saint Teresa of Avila Interceding for Souls in Purgatory, Peter Paul Rubens, 1619, oil on wood

Peter Paul Rubens Saint Teresa of Avila Interceding for Souls in Purgatory, 1619 The Met

Madonna and Child, Filippino Lippi, ca. 1483–84, tempera, oil, and gold on wood

Filippino Lippi Madonna and Child, ca. 1483–84 The Met

This painting depicts a vast landscape with a horizon line in the lower third of the painting. A range of dark brown and purple mountains or hills stretches across the width of the image.

Thomas Cole Study for "Catskill Creek", c. 1844/1845 National Gallery of Art

Marie Emilie Coignet de Courson (1716–1806) with a Dog, Jean-Honoré Fragonard, ca. 1769, oil on canvas

Jean-Honoré Fragonard Marie Emilie Coignet de Courson (1716–1806) with a Dog, ca. 1769 The Met

The Italian Woman, Amedeo Modigliani, ca. 1918–19, oil on canvas

Amedeo Modigliani The Italian Woman, ca. 1918–19 The Met

Saltash with the Water Ferry, Cornwall, Joseph Mallord William Turner, 1811, oil on canvas

Joseph Mallord William Turner Saltash with the Water Ferry, Cornwall, 1811 The Met

Shown from the hips up, a young boy with pale, peachy skin wears a voluminous, black cloak that nearly falls off his shoulders over a rose-pink tunic, with a sword hanging from one hip in this vertical portrait painting.

Titian Ranuccio Farnese, 1541-1542 National Gallery of Art

This is a landscape painting depicting a body of water surrounded by greenery, with tall green and purple mountains in the background under a sky full of dark pink clouds and a strip of bright blue-green.

John La Farge The Entrance to the Tautira River, Tahiti. Fisherman Spearing a Fish, c. 1895 National Gallery of Art

A snowy street with a horse and carriage is flanked to each side by tall buildings in this vertical painting. The overcast scene is loosely painted with visible brushstrokes throughout, so some details are difficult to make out.

Robert Henri Snow in New York, 1902 National Gallery of Art

A young woman with pale, peachy skin, wearing a long, silvery blue dress with a rose-pink train looks out at us in this vertical portrait painting.

John Singer Sargent Miss Mathilde Townsend, 1907 National Gallery of Art

The Meditation on the Passion, Vittore Carpaccio, ca. 1490, oil and tempera on wood

Vittore Carpaccio The Meditation on the Passion, ca. 1490 The Met

Charles Rousseau Burney (1747–1819), Thomas Gainsborough, ca. 1780, oil on canvas

Thomas Gainsborough Charles Rousseau Burney (1747–1819), ca. 1780 The Met

Roman Interior, Jean-Honoré Fragonard, ca. 1760, oil on canvas

Jean-Honoré Fragonard Roman Interior, ca. 1760 The Met

We look slightly down onto a wooden table or buffet with a basket of fruit, a vase of pink and white flowers, a book, and a small tray holding a teacup, saucer, and two oranges in this horizontal still life painting.

Henri Fantin-Latour Still Life, 1866 National Gallery of Art

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