Paintings for Teal Walls (page 10)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 433 to 480 of 860.

Lucia, Frederic Leighton, possibly late 1870s, oil on canvas

Frederic Leighton Lucia, possibly late 1870s The Met

Honey-gold sunlight from low along the horizon to our left falls across the copper and bronze-colored canopies of trees that frame our view of a stone church with stained glass windows and ornate spires in this horizontal landscape…

Thomas Cole The Return, 1837 National Gallery of Art

An October Day in the White Mountains, John Frederick Kensett, 1854, oil on canvas

John Frederick Kensett An October Day in the White Mountains, 1854 Cleveland Museum of Art

Samuel Verplanck, John Singleton Copley, 1771, oil on canvas

John Singleton Copley Samuel Verplanck, 1771 The Met

Four elegantly dressed men and women, plus a brown and white dog, gather around a rug-covered table in a shadowy room in this vertical painting. The people all have pale skin and are lit from our left.

Pieter de Hooch The Greeting, c. 1675 National Gallery of Art

Mount Vesuvius at Midnight, Albert Bierstadt, 1868, oil on canvas

Albert Bierstadt Mount Vesuvius at Midnight, 1868 Cleveland Museum of Art

The Raffle (Raffling for the Goose), William Sidney Mount, 1837, oil on mahogany

William Sidney Mount The Raffle (Raffling for the Goose), 1837 The Met

October in the Marshes, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett October in the Marshes, 1872 The Met

Shown from the lap up, a man wearing an ash-brown suit and top hat sits turned mostly away from us, next to a round table, facing a group of at least three women farther back in the room in this vertical painting.

Henri de Toulouse-Lautrec Maxime Dethomas, 1896 National Gallery of Art

Weaning the Calves, Rosa Bonheur, 1879, oil on canvas

Rosa Bonheur Weaning the Calves, 1879 The Met

Three small children with pale pink skin sit and stand among a group of animals to our right as a group of eight indigenous people with light brown skin gather with eight white-skinned men near a riverbank in the distance to our left in…

Edward Hicks Peaceable Kingdom, c. 1834 National Gallery of Art

In this painting, a pile of cherries is displayed on a grassy ground. The cherries are in different shades of red, orange, and light yellow, set against a dark green background. Some cherries are scattered in the grass around the pile.

William Mason Brown Mound of Cherries, n.d. National Gallery of Art

Shown from the hips up, a light-skinned woman with deeply flushed cheeks sits in an armchair, looking at us from under raised and pointed eyebrows in this vertical portrait painting.

Gilbert Stuart Abigail Smith Adams (Mrs. John Adams), 1800/1815 National Gallery of Art

In this painting, abstract shapes and bright colors give the impression of two tall people standing outdoors.

August Macke People by the Blue Lake, 1913 National Gallery of Art

Sheer, vertical, cliffs, brightly lit in cream white and rust orange by the low sun, tower over a band of people riding horses into the distance in this long, horizontal landscape painting.

Thomas Moran Green River Cliffs, Wyoming, 1881 National Gallery of Art

We look down at the end of a narrow table at a white plate, pot, knife, and spoon set on the white tablecloth in this horizontal still life painting.

Henri Fantin-Latour Still Life with Mustard Pot, 1860 National Gallery of Art

Édouard Vuillard Woman Sitting by the Fireside, c. 1894 National Gallery of Art

A Man Leaning on a Parapet, Georges Seurat, ca. 1881, oil on wood

Georges Seurat A Man Leaning on a Parapet, ca. 1881 The Met

A rustic, arched, stone bridge spanning a shallow river nearly fills this horizontal landscape.

Hubert Robert The Ponte Salario, c. 1775 National Gallery of Art

Shown from the knees up, a pale-skinned woman wearing a voluminous, gold-trimmed, white satin gown and a black overdress stands holding a closed fan in this vertical portrait painting.

Anthony van Dyck Lady with a Fan, c. 1628 National Gallery of Art

Florentine Poet, Alexandre Cabanel, 1861, oil on wood

Alexandre Cabanel Florentine Poet, 1861 The Met

Saint Alexander, Fra Angelico, ca. 1425, tempera on wood, gold ground

Fra Angelico Saint Alexander, ca. 1425 The Met

Grapes, Lemons, Pears, and Apples, Vincent van Gogh, 1887, oil on canvas

Vincent van Gogh Grapes, Lemons, Pears, and Apples, 1887 Art Institute of Chicago

Sarah Ursula Rose, Benjamin West, 1756, oil on canvas

Benjamin West Sarah Ursula Rose, 1756 The Met

Shown from the waist up, a bearded man with pale, peachy skin, wearing a black wide-brimmed hat and jacket, and a broad, layered, white collar, holds up a piece of rolled up paper in this vertical portrait painting.

Rembrandt van Rijn Man with a Sheet of Music, 1633 National Gallery of Art

James McNeill Whistler Mother of Pearl and Silver: The Andalusian, 1888(?)-1900 National Gallery of Art

A Vista through Trees: Fontainebleau, Narcisse Virgilio Díaz de la Peña, 1873, oil on wood

Narcisse Virgilio Díaz de la Peña A Vista through Trees: Fontainebleau, 1873 The Met

Corn Husking at Nantucket, Eastman Johnson, ca. 1875, oil on canvas

Eastman Johnson Corn Husking at Nantucket, ca. 1875 The Met

Untitled (Cracked Watermelon), Charles Ethan Porter, ca. 1890, oil on canvas

Charles Ethan Porter Untitled (Cracked Watermelon), ca. 1890 The Met

Painting of the Annunciation, dove flying above Mary with angel.

Jean Hey, The Annunciation, 1490–95 Art Institute of Chicago

Portrait of Franklin H. Delano, Eastman Johnson, c. 1881, oil on board

Eastman Johnson Portrait of Franklin H. Delano, c. 1881 Cleveland Museum of Art

After the Bullfight, Mary Cassatt, 1873, oil on canvas

Mary Cassatt After the Bullfight, 1873 Art Institute of Chicago

The Adoration of the Magi, Bartolo di Fredi, ca. 1390, tempera and gold on wood

Bartolo di Fredi The Adoration of the Magi, ca. 1390 The Met

A woman with pale, smooth skin stands wearing a loosely draped, champagne-peach dress in this vertical portrait painting. Her body faces us but she turns her head to look down and off to our right with brown eyes.

Thomas Gainsborough Georgiana, Duchess of Devonshire, 1783 National Gallery of Art

The Standard Bearer (probably Floris Soop, 1604–1657), Rembrandt van Rijn, 1654, oil on canvas

Rembrandt van Rijn The Standard Bearer (probably Floris Soop, 1604–1657), 1654 The Met

Autumn Landscape, Sugar Loaf Mountain, Orange County, New York, Jasper Francis Cropsey, ca. 1870–75, oil on canvas

Jasper Francis Cropsey Autumn Landscape, Sugar Loaf Mountain, Orange County, New York, ca. 1870–75 The Met

Joseph Sherburne, John Singleton Copley, ca. 1767–70, oil on canvas

John Singleton Copley Joseph Sherburne, ca. 1767–70 The Met

Matilda Stoughton de Jaudenes, Gilbert Stuart, 1794, oil on canvas

Gilbert Stuart Matilda Stoughton de Jaudenes, 1794 The Met

This painting depicts a young woman from the chest upwards, seated in a slightly turned position to the left.

Camille Corot Portrait of a Young Girl, 1850 or 1859 National Gallery of Art

Shown from the hips up, a young man with pale skin and wearing black clothing sits with his body angled to our right as he turns to look at us in this vertical portrait painting. He looks out with green eyes under hooded lids.

Rembrandt van Rijn A Young Man Seated at a Table (possibly Govaert Flinck), c. 1660 National Gallery of Art

Saint Peter Repentant, Georges de La Tour, 1645, oil on canvas

Georges de La Tour Saint Peter Repentant, 1645 Cleveland Museum of Art

This painting depicts the upper half of a woman's body. She is turned slightly to the left and faces us, with pale skin, soft, rosy cheeks, dark brown eyes, and a neutral expression.

Gilbert Stuart Ann Calvert Stuart Robinson (Mrs. William Robinson), c. 1804 National Gallery of Art

This painting shows a woman standing outdoors, facing the left. She has pale skin, and her face is in shadow, obscured by a wide-brimmed flat white hat with a red stripe around the edge, tied with a black bow behind her head.

Eastman Johnson Lambs, Nantucket, 1874 National Gallery of Art

Painted dark colored portrait of man, hands in prayer.

Rogier van der Weyden Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso), 1460–64 Art Institute of Chicago

Bullfight, Édouard Manet, 1865–66, oil on canvas

Édouard Manet Bullfight, 1865–66 Art Institute of Chicago

A heronǳ silhouette sits amongst the brush in a golden hued forest.

George Inness The Home of the Heron, 1893 Art Institute of Chicago

Portrait of Gerard de Lairesse, Rembrandt van Rijn, 1665–67, oil on canvas

Rembrandt van Rijn Portrait of Gerard de Lairesse, 1665–67 The Met

Lachrymae, Frederic Leighton, 1894–95, oil on canvas

Frederic Leighton Lachrymae, 1894–95 The Met

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