Paintings for Teal Walls (page 12)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 529 to 576 of 860.

An Egyptian in a Doorway, Lawrence Alma-Tadema, 1865, oil on wood

Lawrence Alma-Tadema An Egyptian in a Doorway, 1865 The Met

José Costa y Bonells (died l870), Called Pepito, Francisco de Goya, ca. 1810, oil on canvas

Francisco de Goya José Costa y Bonells (died l870), Called Pepito, ca. 1810 The Met

Orchard, Édouard Vuillard, 1897, oil on board

Édouard Vuillard Orchard, 1897 Cleveland Museum of Art

Portrait of a Woman, Agnolo Bronzino, c. 1550, oil on wood

Agnolo Bronzino Portrait of a Woman, c. 1550 Cleveland Museum of Art

This painting shows a man from the waist up, his body turned slightly to the right. He stands upright, looking at the viewer, holding a golf club or cane horizontally with both hands.

George Bellows Chester Dale, 1922 National Gallery of Art

Head of Saint John the Evangelist, Jean-Auguste-Dominique Ingres, probably ca. 1818–20, oil on canvas, laid down on wood

Jean-Auguste-Dominique Ingres Head of Saint John the Evangelist, probably ca. 1818–20 The Met

This painting shows a landscape with tall, blue, snow-capped mountains in the distance. There are blue and purple clouds in the yellow sky.

Jasper Francis Cropsey View of Mt. Washington, 1881 National Gallery of Art

From high above the earth, we look onto a dramatically lit scene with a man falling from a horse-drawn chariot in midair, surrounded by eleven women against a bank of clouds in this horizontal painting.

Peter Paul Rubens The Fall of Phaeton, c. 1604/1605, probably reworked c. 1606/1608 National Gallery of Art

Shown from the knees up, a pale-skinned man wears a tall, black hat, wide white ruffs at the neck and cuffs, and a voluminous black garment in this vertical portrait painting.

Anthony van Dyck Giovanni Vincenzo Imperiale, 1626 National Gallery of Art

Shown from the hips up, a pale-skinned, heavy-set, elegantly dressed man sits at the corner of a table, looking at us in this vertical portrait painting.

Francisco de Goya Don Antonio Noriega, 1801 National Gallery of Art

Soap Bubbles, Jean-Baptiste-Siméon Chardin, ca. 1733–34, oil on canvas

Jean-Baptiste-Siméon Chardin Soap Bubbles, ca. 1733–34 The Met

Rinaldo and Armida in Her Garden, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and Armida in Her Garden, c. 1742–45 Art Institute of Chicago

Mrs. Robert Blencowe, Thomas Lawrence, c. 1792, oil on canvas

Thomas Lawrence Mrs. Robert Blencowe, c. 1792 National Gallery of Art

This painting shows a seascape with large sailing ships and smaller vessels. To the right of center is a large ship with several tall masts and many billowing white sails.

Fitz Henry Lane New York Harbor, 1852 National Gallery of Art

John Barker (1707–1787), Joshua Reynolds, 1786, oil on canvas

Joshua Reynolds John Barker (1707–1787), 1786 The Met

A band of indigenous Americans ride horses toward and through a herd of buffalo, which spreads along a river that winds through plains to mountains in the deep distance in this horizontal landscape painting.

Albert Bierstadt The Last of the Buffalo, 1888-1889 National Gallery of Art

Portrait of George Pitt, First Baron Rivers, Thomas Gainsborough, 1769, oil on canvas

Thomas Gainsborough Portrait of George Pitt, First Baron Rivers, 1769 Cleveland Museum of Art

A woman floats among billowing clouds over a rectangular stone coffin in this vertical painting.

Nicolas Poussin The Assumption of the Virgin, c. 1630/1632 National Gallery of Art

The Windmill, Jules Dupré, late 1850s, oil on fabric

Jules Dupré The Windmill, late 1850s Cleveland Museum of Art

A view across a wide, brightly lit field scattered with broken pieces of stone is framed to the left and right by crumbling stone temples in this horizontal painting.

Sanford Robinson Gifford Ruins of the Parthenon, 1880 National Gallery of Art

This painting is a close-up portrait of a man's head and shoulders. He has pale skin and light, slightly disheveled brown hair with a strong widow's peak, and a short brown beard.

Henri Fantin-Latour Self-Portrait, 1861 National Gallery of Art

The Two Sisters, Jean-Honoré Fragonard, ca. 1769–70, oil on canvas

Jean-Honoré Fragonard The Two Sisters, ca. 1769–70 The Met

The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera, 1648, oil on canvas

Jusepe de Ribera The Holy Family with Saints Anne and Catherine of Alexandria, 1648 The Met

Study for "The Dancing Lesson": The Boy, Thomas Eakins, probably 1877, oil on canvas

Thomas Eakins Study for "The Dancing Lesson": The Boy, probably 1877 National Gallery of Art

Abstract painting in various bright colors—yellow, blue, red, green, orange, pink—with lines indicating building-like structures as well as canons in the lower right corner.

Wassily Kandinsky Improvisation No. 30 (Cannons), 1913 Art Institute of Chicago

Shown from the hips up, a pale-skinned young girl wearing an ink-black garment with a cream-white collar and a coral-red sash and necklaces holds a terrier dog as she looks at us in this vertical portrait painting.

John Singer Sargent Miss Beatrice Townsend, 1882 National Gallery of Art

Sunset, John Singer Sargent, 1905–6, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Sunset, 1905–6 The Met

A young girl wearing a rust-red dress with a tight bodice and full, voluminous skirt sits in a hazy, garden-like setting in this vertical portrait painting. Her skin is pale with a greenish cast, but her cheeks are slightly flushed.

Joshua Reynolds Lady Elizabeth Hamilton, 1758 National Gallery of Art

Young Man in the Costume of a Majo, Édouard Manet, 1863, oil on canvas

Édouard Manet Young Man in the Costume of a Majo, 1863 The Met

Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees.

Giovanni Bellini The Feast of the Gods, 1514/1529 National Gallery of Art

Breton Brother and Sister, William-Adolphe Bouguereau, 1871, oil on canvas

William-Adolphe Bouguereau Breton Brother and Sister, 1871 The Met

Captain George K. H. Coussmaker (1759–1801), Joshua Reynolds, 1782, oil on canvas

Joshua Reynolds Captain George K. H. Coussmaker (1759–1801), 1782 The Met

Dozens of figures in a brown field filled with discarded corn silks form two rows and sit across from each other husking corn, a farm in the background.

Eastman Johnson Husking Bee, Island of Nantucket, 1876 Art Institute of Chicago

A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B.

Camille Pissarro A Creek in St. Thomas (Virgin Islands), 1856 National Gallery of Art

Prayer in the Mosque, Jean-Léon Gérôme, by 1874, oil on canvas

Jean-Léon Gérôme Prayer in the Mosque, by 1874 The Met

Edward VI (1537–1553), When Duke of Cornwall, Hans Holbein the Younger, ca. 1545; reworked 1547 or later, oil and gold on oak

Hans Holbein the Younger Edward VI (1537–1553), When Duke of Cornwall, ca. 1545; reworked 1547 or later The Met

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques-Louis David, 1788, oil on canvas

Jacques-Louis David Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), 1788 The Met

Woman with a Pink, Rembrandt van Rijn, early 1660s, oil on canvas

Rembrandt van Rijn Woman with a Pink, early 1660s The Met

Saint Lawrence Enthroned with Saints and Donors, Fra Filippo Lippi, 1440s, tempera on wood, gold ground

Fra Filippo Lippi Saint Lawrence Enthroned with Saints and Donors, 1440s The Met

British Manufactory; A Sketch, Benjamin West, 1791, oil on paper mounted on wood

Benjamin West British Manufactory; A Sketch, 1791 Cleveland Museum of Art

Woman Feeding Chickens, Jean-François Millet, 1846-48, oil on canvas

Jean-François Millet Woman Feeding Chickens, 1846-48 Art Institute of Chicago

A Monumental Portrait of a Monkey, India, c. 1705–1710, opaque watercolor and gold on paper

India A Monumental Portrait of a Monkey, c. 1705–1710 Art Institute of Chicago

Virgin and Child with Four Angels, Gerard David, ca. 1510–15, oil on wood

Gerard David Virgin and Child with Four Angels, ca. 1510–15 The Met

The dark, forest-green canopies of trees to our right are silhouetted against a sky that warms from pale blue along the top edge of the composition to butter yellow along the horizon, which comes about a quarter of the way up this…

Jean-Honoré Fragonard Mountain Landscape at Sunset, c. 1765 National Gallery of Art

Peonies, Édouard Manet, 1864–65, oil on canvas

Édouard Manet Peonies, 1864–65 The Met

At the Café, Édouard Vuillard, c. 1897–99, oil on board, laid on cradled panel

Édouard Vuillard At the Café, c. 1897–99 Cleveland Museum of Art

Portrait of a light-skinned man in a long white wig and red-orange coat, holding a folded piece of paper and standing next to a desk, a large sailing ship off his left shoulder.

John Smibert Richard Bill, 1733 Art Institute of Chicago

Irregular, geometric shapes in burnt orange, pale peach, light blue, forest and mint green, brown, taupe, gray, and black are layered and spread across this horizontal, abstract painting. They are mostly flat planes of color.

Juan Gris Glass and Checkerboard, c. 1917 National Gallery of Art

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