Paintings for Teal Walls (page 11)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 481 to 528 of 860.

The Last Supper, Ugolino da Siena, ca. 1325, tempera and gold on wood

Ugolino da Siena The Last Supper, ca. 1325 The Met

This painting is a portrait of a man standing, seen from the knees up, his torso and head slightly turned to the left.

Thomas Gainsborough Francis Basset, Lord de Dunstanville, c. 1786 National Gallery of Art

Apple Blossoms, Martin Johnson Heade, 1873, oil on canvas

Martin Johnson Heade Apple Blossoms, 1873 Cleveland Museum of Art

Painting of a vast autumn scene with two very small figures in Indigenous clothing standing on a cliff overlooking a massive waterfall in the distance.

Thomas Cole Distant View of Niagara Falls, 1830 Art Institute of Chicago

This painting shows four individuals - three women and one child - in an indoor setting. One woman is seated on a chair on the left, wearing a purple and blue dress under a black coat, with white gloves and a gray hat.

William Glackens Family Group, 1910/1911 National Gallery of Art

This painting shows the upper body of a woman seated in a chair. She is wearing a white bonnet with ruffled edges, covering her wavy, light brown hair. Her facial features include fair skin, thin lips, a long nose, and a pointed chin.

Gilbert Stuart Sarah Homes Tappan (Mrs. Benjamin Tappan), 1814 National Gallery of Art

Jupiter, in the Guise of Diana, and Callisto, François Boucher, 1763, oil on canvas

François Boucher Jupiter, in the Guise of Diana, and Callisto, 1763 The Met

In the center of this painting is a blue vase filled with a variety of flowers in different sizes and colors. The flowers are in shades of orange, pink, yellow, and blue, with green leaves surrounding the blossoms.

Odilon Redon Large Vase with Flowers, c. 1912 National Gallery of Art

A lone wheat stack, in shadow, rests on a snow-covered field that is rendered in shades of white, blue, yellow, and purple. A house can be seen in the distance on the right against the blue hills beyond.

Claude Monet Stack of Wheat (Snow Effect, Overcast Day), 1890–91 Art Institute of Chicago

Egyptians Raising Water from the Nile, John Singer Sargent, 1890–91, oil on canvas

John Singer Sargent Egyptians Raising Water from the Nile, 1890–91 The Met

Saint John the Baptist in the Wilderness, Diego Velázquez, c. 1622, oil on canvas

Diego Velázquez Saint John the Baptist in the Wilderness, c. 1622 Art Institute of Chicago

A young woman peers out to the right from from a Dutch door whose bottom half is closed. She wears a brown dress with a corset and a red beaded necklace.

Rembrandt van Rijn Young Woman at an Open Half-Door, 1645 Art Institute of Chicago

Alice Gerson in Prospect Park, William Merritt Chase, 1886, oil on panel

William Merritt Chase Alice Gerson in Prospect Park, 1886 The Met

Newport Rocks, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Newport Rocks, 1872 The Met

Peaceable Kingdom, Edward Hicks, ca. 1830–32, oil on canvas

Edward Hicks Peaceable Kingdom, ca. 1830–32 The Met

This is a painting of an outdoor scene with a group of people gathered in front of a blue-gray wooden building with a dark door and two windows. Sunflowers grow on either side of the entrance, stretching up to the windows.

Winslow Homer Sketch of a Cottage Yard, c. 1876 National Gallery of Art

Young Woman, Jean-François Millet, 1844–45, oil on canvas

Jean-François Millet Young Woman, 1844–45 Art Institute of Chicago

Colonel Francis James Scott, Henry Raeburn, 1796/1811, oil on canvas

Henry Raeburn Colonel Francis James Scott, 1796/1811 National Gallery of Art

This painting shows the upper half of a woman's body, focusing on her face, head, and large hat. The woman's body is slightly turned toward the right, but she is looking directly at us.

Édouard Vuillard Madame Bonnard, 1895/1900 National Gallery of Art

The Agony in the Garden, Raphael, ca. 1504, oil on wood

Raphael The Agony in the Garden, ca. 1504 The Met

Two groups of people face off in front of a hilly landscape in this loosely painted, vertical scene. On our left, a pale young man in a white tunic looks with eyes wide and lips parted at a group of three people on our right.

Edgar Degas Alexander and Bucephalus, 1861/1862 National Gallery of Art

Shown from about the waist up, a woman with pale, peachy skin and dark hair holds a blond, light-skinned child on her lap at a table as they play with several small toys in this horizontal painting.

Pierre-Auguste Renoir Child with Toys - Gabrielle and the Artist's Son, Jean, 1895-1896 National Gallery of Art

A young, light-skinned, rosy-cheeked child stands against a landscape of trees and rolling hills in this vertical portrait painting. Some areas are loosely painted, especially in the background, giving the portrait a soft look.

Thomas Gainsborough Master John Heathcote, c. 1771/1772 National Gallery of Art

A dirt path winds through a field of gold-green grass back to a town built on low hills in this horizontal, densely hazy landscape painting. Several minuscule people walk on the path and at least one person rides a horse.

Sanford Robinson Gifford Siout, Egypt, 1874 National Gallery of Art

Café Wepler, Édouard Vuillard, c. 1908–10, reworked in 1912, oil on fabric

Édouard Vuillard Café Wepler, c. 1908–10, reworked in 1912 Cleveland Museum of Art

Sibylle, Camille Corot, ca. 1870, oil on canvas

Camille Corot Sibylle, ca. 1870 The Met

Shown from the hips up in a room on the far side of a ledge, a young woman props up a naked baby so he stands on a cushion in this vertical painting.

Albrecht Dürer Madonna and Child [obverse], c. 1496/1499 National Gallery of Art

The Ballet from "Robert le Diable", Edgar Degas, 1871, oil on canvas

Edgar Degas The Ballet from "Robert le Diable", 1871 The Met

Tivoli, Sanford Robinson Gifford, 1870, oil on canvas

Sanford Robinson Gifford Tivoli, 1870 The Met

Twilight in the Cedars at Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Twilight in the Cedars at Darien, Connecticut, 1872 The Met

An elegantly dressed young woman, a little boy, girl, and a dog are gathered on a veranda in front of a sun-dappled landscape in this vertical portrait painting. All three people have pale skin with rosy cheeks.

Joshua Reynolds Lady Elizabeth Delmé and Her Children, 1777-1779 National Gallery of Art

Warm sunlight bathes a scene with a herd of five golden tan, ivory, or chocolate-brown cows lying or standing on a low hill near four people on foot and on horseback in this horizontal landscape painting.

Aelbert Cuyp Landscape with Herdsmen, mid 1650s National Gallery of Art

The Champion Single Sculls (Max Schmitt in a Single Scull), Thomas Eakins, 1871, oil on canvas

Thomas Eakins The Champion Single Sculls (Max Schmitt in a Single Scull), 1871 The Met

The Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett The Sea, 1872 The Met

Landscape, George Inness, c. 1852, oil on canvas

George Inness Landscape, c. 1852 National Gallery of Art

Glaucus and Nydia, Lawrence Alma-Tadema, 1867, oil on wood panel

Lawrence Alma-Tadema Glaucus and Nydia, 1867 Cleveland Museum of Art

Summer Flowers, Henri Fantin-Latour, 1880, oil on canvas

Henri Fantin-Latour Summer Flowers, 1880 The Met

The Violin Player, James McNeill Whistler, c. 1890–94, oil on canvas

James McNeill Whistler The Violin Player, c. 1890–94 Cleveland Museum of Art

Catherine Brooks Hall, William Sidney Mount, ca. 1830, oil on canvas

William Sidney Mount Catherine Brooks Hall, ca. 1830 The Met

Midas Washing at the Source of the Pactolus, Nicolas Poussin, ca. 1627, oil on canvas

Nicolas Poussin Midas Washing at the Source of the Pactolus, ca. 1627 The Met

Mrs. Jerathmael Bowers, John Singleton Copley, ca. 1763, oil on canvas

John Singleton Copley Mrs. Jerathmael Bowers, ca. 1763 The Met

The painting shows a landscape with a calm body of water stretching across the center, beyond a brown bank of rocks and short green grass. A thin tree rises up on the left.

Théodore Rousseau Landscape with Boatman, c. 1860 National Gallery of Art

Shown from the chest up, a pale-skinned woman wears a black tricorn hat and a black cloak that covers her shoulders, chest, and much of her face in this vertical portrait painting.

Giovanni Battista Tiepolo Young Lady in a Tricorn Hat, c. 1755/1760 National Gallery of Art

The Ridotto Pubblico at Palazzo Dandolo, Francesco Guardi, ca. 1765–68, oil on canvas

Francesco Guardi The Ridotto Pubblico at Palazzo Dandolo, ca. 1765–68 The Met

Portrait of a Woman, Gerard ter Borch, c. 1665, oil on canvas

Gerard ter Borch Portrait of a Woman, c. 1665 Cleveland Museum of Art

View of Florence, Thomas Cole, 1837, oil on canvas

Thomas Cole View of Florence, 1837 Cleveland Museum of Art

The Miracle of the Loaves and Fishes, Jacopo Tintoretto, ca. 1545–50, oil on canvas

Jacopo Tintoretto The Miracle of the Loaves and Fishes, ca. 1545–50 The Met

David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, Frederic Leighton, 1865, oil on fabric

Frederic Leighton David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, 1865 Cleveland Museum of Art

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