Paintings for Teal Walls (page 14)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 625 to 672 of 860.

This painting depicts a harbor scene with brown arches and towers on the right, along with tall columns that look like ruins. At the bottom of the painting, people are engaged in various activities along the water's edge.

Francesco Guardi Capriccio of a Harbor, c. 1760/1770 National Gallery of Art

Shown from the hips up, a pale-skinned woman wearing white sits facing us against a golden-toned landscape background in this vertical portrait painting.

Henry Raeburn Miss Eleanor Urquhart, c. 1793 National Gallery of Art

Treetops against Sky, John Singer Sargent, 1909–13, watercolor and gouache on white wove paper

John Singer Sargent Treetops against Sky, 1909–13 The Met

Madame Roulin Rocking the Cradle (La berceuse), Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Madame Roulin Rocking the Cradle (La berceuse), 1889 Art Institute of Chicago

Dark moody painting of crumbling castle tower and walls amidst river and forest.

Jacob van Ruisdael Landscape with the Ruins of the Castle of Egmond, 1650–55 Art Institute of Chicago

A Washerwoman at Eragny, Camille Pissarro, 1893, oil on canvas

Camille Pissarro A Washerwoman at Eragny, 1893 The Met

A long-haired, small white dog with tawny-brown ears and spots sits on a garnet-red cushion in this loosely painted vertical portrait. The dog looks just to our left with large, round, black eyes under perked eyebrows.

Édouard Manet A King Charles Spaniel, c. 1866 National Gallery of Art

Painting of vibrantly colored shapes and lines intersecting and overlapping.

Wassily Kandinsky Painting with Green Center, 1913 Art Institute of Chicago

Shown from about the waist up, a light-skinned man with sagging jowls and a double chin wears a fur garment and hat, a large teardrop pearl earring, and gold chains in this vertical painting.

Rembrandt van Rijn A Polish Nobleman, 1637 National Gallery of Art

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham, Joshua Reynolds, 1748, oil on canvas

Joshua Reynolds Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham, 1748 The Met

Virgin and Child with Two Angels, Sandro Botticelli, 1485–95, tempera on panel

Sandro Botticelli Virgin and Child with Two Angels, 1485–95 Art Institute of Chicago

In this painting, a wicker basket is filled with yellow pears and a few red cherries. The basket rests on a table, and more pears and cherries are scattered in front of it, casting shadows on the white tablecloth.

John F. Francis Basket of Pears and Crabapples, n.d. National Gallery of Art

Lute Player, Valentin de Boulogne, ca. 1625–26, oil on canvas

Valentin de Boulogne Lute Player, ca. 1625–26 The Met

Shown from the chest up against a black background, a man with peachy skin wears a gold and rose-pink cloak in this vertical portrait painting.

Giovanni Bellini Giovanni Emo, c. 1475/1480 National Gallery of Art

Mrs. Andrew Sigourney, Gilbert Stuart, Ca. 1820, oil on canvas

Gilbert Stuart Mrs. Andrew Sigourney, Ca. 1820 The Met

A group of three adults and four children are gathered on and around a couch in an interior space that opens out to a distant hilly landscape in this horizontal portrait painting.

John Singleton Copley The Copley Family, 1776/1777 National Gallery of Art

A young woman and an older man kneel to either side of a nude baby outside of a barn-like structure in this vertical painting.

Lorenzo Lotto The Nativity, 1523 National Gallery of Art

Watercolor of tiny people and horses, framed with gold flowers on navy background.

'Aliquli Jabbadar Royal Horse Inspection, Safavid dynasty (1501–1722), late 17th century Art Institute of Chicago

Shown from the lap up, a cleanshaven man with black hair and dark clothes faces us as he sits with his hands resting together in his lap in this stylized, vertical portrait painting.

Amedeo Modigliani Chaim Soutine, 1918 National Gallery of Art

Lady Rich (Elizabeth Jenks, died 1558), Hans Holbein the Younger, ca. 1540, oil and gold on oak

Hans Holbein the Younger Lady Rich (Elizabeth Jenks, died 1558), ca. 1540 The Met

The image features a seascape scene with a beach, ocean, and sailboats. The horizon is high in the image, separating the sea from the sky, where sailboats are present.

Eugène Boudin Low Tide at Scheveningen, 1875 National Gallery of Art

Close to us, a woman and a winged, child-like putto float on clouds above a clean-shaven young man in a forest setting in this horizontal painting. All three people have smooth, pale skin, rosy cheeks, and ash-blond hair.

Jean-Honoré Fragonard Diana and Endymion, c. 1753/1756 National Gallery of Art

Coronation of the Virgin, Giovanni di Paolo, ca. 1455, tempera on wood, gold ground

Giovanni di Paolo Coronation of the Virgin, ca. 1455 The Met

This painting shows a bowl of red raspberries resting on a surface. The bowl is pale blue with blue details on the rim, and it is surrounded by a pile of pale peaches and pears, red plums, and green and purple grapes.

Charles V. Bond Still Life: Fruit, Bird, and Dwarf Pear Tree, 1856 National Gallery of Art

Edward Guthrie Kennedy, William Merritt Chase, ca. 1895, oil on canvas

William Merritt Chase Edward Guthrie Kennedy, ca. 1895 The Met

Lady Lee (Margaret Wyatt, born about 1509), Hans Holbein the Younger, early 1540s, oil and gold on oak

Hans Holbein the Younger Lady Lee (Margaret Wyatt, born about 1509), early 1540s The Met

The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo, ca. 1745–47, oil on canvas

Giovanni Battista Tiepolo The Meeting of Antony and Cleopatra, ca. 1745–47 The Met

Still Life with Meat, Fish, Vegetables, and Fruit, Jacob van Hulsdonck, c. 1615–20, oil on panel, the reverse prepared with gesso

Jacob van Hulsdonck Still Life with Meat, Fish, Vegetables, and Fruit, c. 1615–20 Cleveland Museum of Art

George Washington, Gilbert Stuart, begun 1795, oil on canvas

Gilbert Stuart George Washington, begun 1795 The Met

The Monastery of San Pedro (Our Lady of the Snows), Frederic Edwin Church, 1879, oil on canvas

Frederic Edwin Church The Monastery of San Pedro (Our Lady of the Snows), 1879 Cleveland Museum of Art

Berthe Morisot The Artist's Sister at a Window, 1869 National Gallery of Art

A woman wearing a voluminous black dress with a wide, ruffled collar sits holding the hand of a young boy, who stands next to her, in this vertical portrait painting.

Anthony van Dyck A Genoese Noblewoman and Her Son, c. 1626 National Gallery of Art

La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930), Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930), 1889 The Met

Carmencita, William Merritt Chase, 1890, oil on canvas

William Merritt Chase Carmencita, 1890 The Met

Armida Abandoned by Rinaldo, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Armida Abandoned by Rinaldo, c. 1742–45 Art Institute of Chicago

Steamboats in the Port of Rouen, Camille Pissarro, 1896, oil on canvas

Camille Pissarro Steamboats in the Port of Rouen, 1896 The Met

The face of a young woman with pale, peachy skin materializes from a deeply shadowed background in this vertical portrait painting. Shown from the waist up, her body is angled to our right, and her face turns to look at us.

Rembrandt van Rijn Saskia van Uylenburgh, the Wife of the Artist, probably begun 1634/1635 and completed 1638/1640 National Gallery of Art

The Large Tree, Paul Gauguin, 1891, oil on canvas

Paul Gauguin The Large Tree, 1891 Cleveland Museum of Art

We look down onto nine pieces of fruit, a pitcher, a goblet, and a dish arranged on a rustic wood table in front of a floral curtain in this nearly square, loosely painted still life.

Paul Cézanne Still Life with Milk Jug and Fruit, c. 1900 National Gallery of Art

The Vase of Tulips, Paul Cézanne, c. 1890, oil on canvas

Paul Cézanne The Vase of Tulips, c. 1890 Art Institute of Chicago

Emma Van Name, Joshua Johnson, ca. 1805, oil on canvasPainting

Joshua Johnson Emma Van Name, ca. 1805 The Met

The image is a portrait of a young child shown from the waist up. The child is seated and facing forward. The child has dark hair that is styled smoothly and parted down the middle.

Sturtevant J. Hamblin Little Girl with Pet Rabbit, c. 1845 National Gallery of Art

Aristotle with a Bust of Homer, Rembrandt van Rijn, 1653, oil on canvas

Rembrandt van Rijn Aristotle with a Bust of Homer, 1653 The Met

Mrs. Henry Hill (Anna Barrett), John Singleton Copley, c. 1765–70, pastel on paper mounted on linen

John Singleton Copley Mrs. Henry Hill (Anna Barrett), c. 1765–70 Art Institute of Chicago

A young woman with flushed, peachy skin stands on a rocky shoreline with a fishing net slung over one shoulder in this horizontal painting. Her body faces us, and she looks off and down to our right.

Winslow Homer A Light on the Sea, 1897 National Gallery of Art

Burgomaster Jan van Duren (1613–1687), Gerard ter Borch, ca. 1666–67, oil on canvas

Gerard ter Borch Burgomaster Jan van Duren (1613–1687), ca. 1666–67 The Met

Three men and a woman sit around a wooden table on the right side of a dimly lit room in this horizontal painting. The scene is painted entirely in warm shades of bronze, golden yellow, and dark brown.

Rembrandt van Rijn Philemon and Baucis, 1658 National Gallery of Art

Shown from the thighs up, an older, balding man with a long white beard stands wearing a full suit of armor draped in a burgundy-red cloak in this vertical portrait painting.

Titian Vincenzo Cappello, c. 1550/1560 National Gallery of Art

Back to every group for teal walls

Other wall colors