Paintings from the National Gallery of Art (page 12)

Showing 529 to 576 of 937 paintings

This painting depicts the upper half of a seated young woman who is facing forward. She has fair skin, pale eyebrows, gray eyes, and thin lips in a neutral expression. The right side of her face is partially in shadow.

Joshua Reynolds Miss Beatrix Lister, 1765 National Gallery of Art

This painting shows a seascape with large sailing ships and smaller vessels. To the right of center is a large ship with several tall masts and many billowing white sails.

Fitz Henry Lane New York Harbor, 1852 National Gallery of Art

This painting is a close-up portrait of a man's head and shoulders. He has pale skin and light, slightly disheveled brown hair with a strong widow's peak, and a short brown beard.

Henri Fantin-Latour Self-Portrait, 1861 National Gallery of Art

This painting shows the upper half of a woman's body, focusing on her face, head, and large hat. The woman's body is slightly turned toward the right, but she is looking directly at us.

Édouard Vuillard Madame Bonnard, 1895/1900 National Gallery of Art

The head of a pale-skinned man nearly fills this shadowy, vertical portrait painting. His shoulders angle to our right, and his dark eyes cut back to look at us.

Édouard Vuillard Self-Portrait, Aged 21, 1889 National Gallery of Art

Twigs of a magnolia tree with light green, glossy leaves and three cream-white blossoms lie on a sapphire-blue cloth in this horizontal still life painting.

Martin Johnson Heade Giant Magnolias on a Blue Velvet Cloth, c. 1890 National Gallery of Art

The painting depicts a stately building complex from an elevated point. The buildings are large, with white, ivy-covered walls and dark, peaked roofs.

Bernardo Bellotto The Fortress of Königstein: Courtyard with the Magdalenenburg, 1756-1758 National Gallery of Art

Irregular, geometric shapes in burnt orange, pale peach, light blue, forest and mint green, brown, taupe, gray, and black are layered and spread across this horizontal, abstract painting. They are mostly flat planes of color.

Juan Gris Glass and Checkerboard, c. 1917 National Gallery of Art

This is a painting of various people gathered in a pastoral setting. The scene features a group of nude and partially-clothed people of different ages, including an elderly man who is seated on the left, gesturing to the others around him.

Pierre Puvis de Chavannes Rest, c. 1863 National Gallery of Art

This painting shows a rocky green ravine with a gray stream running through it, surrounded by thick foliage and large boulders. An arched stone bridge crosses over the stream in the center of the painting.

Théodore Rousseau Mountain Stream in the Auvergne, 1830 National Gallery of Art

Two men wearing brief-like shorts, shoes, and boxing gloves curl toward each other as they grapple in the middle of a boxing ring in this horizontal painting. We look at the ring from across the heads of the crowd below and around us.

George Bellows Club Night, 1907 National Gallery of Art

This painting shows a woman standing outdoors, facing the left. She has pale skin, and her face is in shadow, obscured by a wide-brimmed flat white hat with a red stripe around the edge, tied with a black bow behind her head.

Eastman Johnson Lambs, Nantucket, 1874 National Gallery of Art

This painting shows a woman seated on a wooden chair, facing the right with her head slightly tilted down. She is focused on the thin silver needles she holds in her hands.

Edmund Charles Tarbell Josephine Knitting, 1916 National Gallery of Art

A shaft of warm light from our left pierces a dark wood filled with tall trees in this horizontal landscape painting. The light falls on a stout white trunk and a portion of the moss-green forest floor near the center of the composition.

George Inness Sunset in the Woods, 1891 National Gallery of Art

Mrs. Robert Blencowe, Thomas Lawrence, c. 1792, oil on canvas

Thomas Lawrence Mrs. Robert Blencowe, c. 1792 National Gallery of Art

Shown from the knees up, a pale-skinned, bearded man dressed in black gazes at us in this vertical portrait painting. His body is angled to our left, and he looks at us from the corners of his hazel eyes under thick brows.

Jacopo Tintoretto Portrait of a Man with a Landscape View, 1552/1556 National Gallery of Art

This painting shows two large pears on a white tablecloth. The pear on the left is a pinkish color and sits directly on the cloth. The pear on the right is yellow, and it rests on a white plate next to a small knife.

Sanford Robinson Gifford Two Pears on a Tabletop, c. 1866 National Gallery of Art

Seven roses in full bloom are clustered in a wide bouquet set against a dark brown background in this horizontal still life painting. The blossom to our left is peach, and a bud dips down in front of that flower.

Henri Fantin-Latour _Roses de Nice_ on a Table, 1882 National Gallery of Art

A blue and white bowl overflowing with grapes, two loose bunches of grapes, and a vivid pink carnation lie on a white tablecloth against a dark brown background in this still life painting.

Henri Fantin-Latour Still Life with Grapes and a Carnation, c. 1880 National Gallery of Art

Shown from the knees up, a woman stands facing and looking at us with her head tilted a little to our left in this vertical portrait painting. She has pale skin, a heart-shaped face with rosy cheeks, and a rose-pink bow mouth.

Élisabeth Louise Vigée Le Brun Madame du Barry, 1782 National Gallery of Art

Landscape, Distant Village, Charles-François Daubigny, c. 1870/1875, oil on wood

Charles-François Daubigny Landscape, Distant Village, c. 1870/1875 National Gallery of Art

This painting depicts a landscape with an open green field stretching out into the distance. At the bottom of the painting, there is a rocky area with sparse vegetation and yellow, sun-bleached grass.

Théodore Rousseau Countryside in Picardy, 1860 National Gallery of Art

The image shows a still life of round fruits, such as grapes and peaches, placed on a white plate. The color scheme consists of warm browns, muted greens, and deep reds. The fruits have a natural sheen.

Henri Fantin-Latour Still Life with Peaches and Grapes, 1896 National Gallery of Art

Honoré Daumier In Church, 1855/1857 National Gallery of Art

Feast of the Gods, Honoré Daumier, c. 1849/1850, with later additions by other hands, oil on wood

Honoré Daumier Feast of the Gods, c. 1849/1850, with later additions by other hands National Gallery of Art

This painting shows a seated woman from the waist up. Her body faces us, and she looks off to the right with a neutral expression. She has light skin, brown eyes, and rosy cheeks.

George Bellows Maud Murray Dale (Mrs. Chester Dale), 1919 National Gallery of Art

Shown from the knees up, a young woman with pale skin, wearing a short wine-red jacket over an ivory-white gown, gazes out at us from this vertical portrait painting.

Élisabeth Louise Vigée Le Brun Madame d'Aguesseau de Fresnes, 1789 National Gallery of Art

This painting shows a seated woman, her head turned slightly to the right. She has fair skin with rosy cheeks, pale eyebrows, a long nose, and thin pink lips in a neutral expression.

Benjamin West Maria Hamilton Beckford (Mrs. William Beckford), 1799 National Gallery of Art

Elizabeth, Countess of Effingham, Benjamin West, c. 1797, oil on canvas

Benjamin West Elizabeth, Countess of Effingham, c. 1797 National Gallery of Art

The painting depicts a forest floor under tall trees, with a grassy path leading into the distance. The sky is obscured by dense green foliage and tree limbs.

Narcisse Virgilio Díaz de la Peña Forest Scene, 1874 National Gallery of Art

The painting depicts a landscape with a field, trees, and a dramatic cloudy sky. Grass, rocks, and a group of large trees are visible in the center of the composition.

Jules Dupré The Old Oak, c. 1870 National Gallery of Art

The painting shows a landscape with a calm body of water stretching across the center, beyond a brown bank of rocks and short green grass. A thin tree rises up on the left.

Théodore Rousseau Landscape with Boatman, c. 1860 National Gallery of Art

Shown from the knees up, a young pale-skinned woman sits looking at us in this vertical portrait painting. Her body is angled to our right, but she turns her face to gaze out with large brown eyes under dark brows.

Henri Fantin-Latour Portrait of Sonia, 1890 National Gallery of Art

Shown from the knees up, a woman wearing a shimmering teal-blue gown and holding a garland of flowers stands in front of columns and a landscape in this vertical portrait painting.

John Singleton Copley Anne Fairchild Bowler (Mrs. Metcalf Bowler), c. 1763 National Gallery of Art

The painting depicts a man shown from the knees up, standing with his arms crossed over his chest and his head turned to the right. He has light skin, ruddy cheeks with a brown mole, a long nose, and small red lips in a neutral expression.

Joseph Wright of Derby Portrait of a Gentleman, c. 1770-1773 National Gallery of Art

A fleet of ships gathers in a river lined by trees and buildings in this horizontal painting.

Aelbert Cuyp The Maas at Dordrecht, c. 1650 National Gallery of Art

The painting depicts a harbor scene with several large ships and smaller boats on a wide waterway. To the left and right of center, two large ships are visible, each with multiple tall masts and several sails.

Eugène Boudin Entrance to the Harbor, Le Havre, 1883 National Gallery of Art

Shown from the knees up, a pale-skinned woman looking off to the left from her seat on a divan wears a carnation-pink gown and a fur-lined cloak in this vertical portrait painting.

John Singleton Copley Abigail Smith Babcock (Mrs. Adam Babcock), c. 1774 National Gallery of Art

This painting shows two women seated on yellow-gold chairs in a room. The woman on the left appears young, with short brown hair and light skin.

Édouard Vuillard Women Sewing, c. 1912 National Gallery of Art

In the distance, a fortress sits on a rocky plateau below a sky filled with lightly rolling white and gray clouds in this horizontal landscape painting.

Bernardo Bellotto The Fortress of Königstein, 1756-1758 National Gallery of Art

This painting shows three large peaches on a round white plate. The peaches are in shades of red, pink, and light yellow, and they cast dark shadows on the plate. The plate rests on a brown surface which fills the background of the image.

Henri Fantin-Latour Three Peaches on a Plate, 1868 National Gallery of Art

This painting shows a landscape seen from an elevated view. Fields dotted with small trees line a hill that reaches up towards the horizon, below a blue sky full of white, puffy clouds.

Édouard Vuillard Landscape of the Ile-de-France, c. 1894 National Gallery of Art

Golden sunlight pours across a landscape with three people on horseback and two more people near a flock of sheep, a cow, and a mule in this horizontal painting. The people all have pale, peachy skin.

Aelbert Cuyp Horsemen and Herdsmen with Cattle, 1655/1660 National Gallery of Art

A smiling young child holds the latch of an open wooden door as she looks toward a woman to our right in this almost square painting. The woman and child both have pale skin and stand in a bedroom.

Pieter de Hooch The Bedroom, 1658/1660 National Gallery of Art

This painting shows a green landscape from an elevated viewpoint. In the distance, light blue water meets a pale-yellow sky, and the sun casts a golden glow over the landscape.

George Inness Lake Albano, Sunset, c. 1874 National Gallery of Art

Against a distant, hazy, verdant forest, a petal-pink and amethyst-purple orchid grows from a mossy branch close to us, to our left, while three jewel-toned hummingbirds gather around a nest to our right in this horizontal painting.

Martin Johnson Heade Cattleya Orchid and Three Hummingbirds, 1871 National Gallery of Art

This painting shows a dynamic scene of a green tennis court with a player in action near the bottom-right corner, their hand extended behind their head and one leg in the air.

George Bellows Tennis Tournament, 1920 National Gallery of Art

George Stubbs White Poodle in a Punt, c. 1780 National Gallery of Art

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