Paintings from the National Gallery of Art (page 14)

Showing 625 to 672 of 937 paintings

Painted with wide strokes in almost geometric areas of mottled color, a woman wearing a long black dress stands at the side of a table in this stylized, vertical composition.

Édouard Vuillard Woman in Black, c. 1891 National Gallery of Art

Two women, a man, and two pudgy children create a close-knit group against a dark brown background in this vertical painting. The people all have pale skin with rosy cheeks, blond or copper-colored hair, and delicate gold rings as halos.

Agnolo Bronzino The Holy Family, c. 1527/1528 National Gallery of Art

This painting depicts three individuals in a room. An elderly man is seated on a wooden chair, reading a newspaper, with a child standing beside him. The man has balding gray hair, round spectacles, and is dressed in a black suit.

Eastman Johnson The Brown Family, 1869 National Gallery of Art

Eight pale-skinned men and thirteen brown-skinned, indigenous Lenape men, women, and a baby gather on a grassy field close to us in this horizontal painting. The white men are cleanshaven and have puffy gray, shoulder-length hair.

Edward Hicks Penn's Treaty with the Indians, c. 1840/1844 National Gallery of Art

This painting shows an adult woman and two children on a white lounge chair. The adult is sitting on the chair with her legs extended, supporting one of the children who is lying across her lap.

George Bellows My Family, 1916 National Gallery of Art

A woman leans forward to trace the shadow cast by a sleeping young man on a wall in a dimly lit room in this horizontal painting. Both people have smooth, pale skin, long, straight noses, thin lips, and brown hair.

Joseph Wright of Derby The Corinthian Maid, 1782-1784 National Gallery of Art

This is a painting depicting a social gathering under a large pavilion outdoors. The background shows a green, hilly landscape with hints of brown and white buildings in the distance, under a sky of soft blues with wispy gray clouds.

Eugène Boudin Concert at the Casino of Deauville, 1865 National Gallery of Art

This painting depicts a view from an elevated position. The horizon is in the center of the painting, where the blue sky meets distant green hills.

Julian Alden Weir U.S. Thread Company Mills, Willimantic, Connecticut, c. 1893/1897 National Gallery of Art

We look across an ochre-yellow field to a band of pearl-white buildings under an azure-blue sky in this horizontal landscape painting. Flecks of red in the lower right corner could be flowers.

Odilon Redon Breton Village, c. 1890 National Gallery of Art

Two young boys sit side by side on some boulders with a cloudy sky behind them and dark tree branches above in this vertical portrait painting.

Henry Raeburn The Binning Children, probably c. 1811 National Gallery of Art

A broken white and gray birch tree trunk has fallen across a rocky, shallow waterfall at the edge of a dense, deeply shadowed forest in this horizontal landscape painting.

Jacob van Ruisdael Forest Scene, c. 1655 National Gallery of Art

We look beyond a cluster of flags hanging from the side of one tall building onto a wide street at a row of buildings across from us in this vertical painting.

Childe Hassam Allies Day, May 1917, 1917 National Gallery of Art

The painting shows an enormous tree with a hollowed base where two people, potentially young boys, are taking shelter. The boys sit together in the hollow base of the tree, one appearing to read a piece of paper.

Eastman Johnson The Truants, c. 1870 National Gallery of Art

The painting displays the upper torso, head, and shoulders of a person wrapped in a light-colored fabric that covers their body and forms a hood around their head. The person appears to be seated, facing slightly towards the right.

Robert Henri Indian Girl in White Blanket, 1917 National Gallery of Art

This painting displays soft, rounded shapes and fragmented lines, creating an abstract portrayal of two people seated at a dark yellow table.

Édouard Vuillard Two Women Drinking Coffee, c. 1893 National Gallery of Art

An elegantly dressed young woman, a little boy, girl, and a dog are gathered on a veranda in front of a sun-dappled landscape in this vertical portrait painting. All three people have pale skin with rosy cheeks.

Joshua Reynolds Lady Elizabeth Delmé and Her Children, 1777-1779 National Gallery of Art

Both dressed in white, a little boy leans onto the lap of a woman sitting in front of a smooth, sunlit boulder with a landscape to the right in this vertical portrait painting. Both people have pale skin with rosy cheeks.

Thomas Lawrence Lady Mary Templetown and Her Eldest Son, 1802 National Gallery of Art

This painting presents a series of curved and bending lines intersecting with each other in an abstract pattern. The lines create a design resembling tree branches and leafy canopies.

Franz Marc Weasels at Play, 1911 National Gallery of Art

Two women reach for or touch the arm of a man wearing a uniform and standing next to a chestnut-brown horse in front of a deep landscape in this horizontal painting.

John Singleton Copley Colonel William Fitch and His Sisters Sarah and Ann Fitch, 1800/1801 National Gallery of Art

A group of three adults and four children are gathered on and around a couch in an interior space that opens out to a distant hilly landscape in this horizontal portrait painting.

John Singleton Copley The Copley Family, 1776/1777 National Gallery of Art

Seven men, women, and children with pale, peachy skin flank a woman surrounded by a halo of light, sitting on a throne and holding a nearly nude baby boy in her lap in this long, horizontal painting.

Jacopo Tintoretto Doge Alvise Mocenigo and Family before the Madonna and Child, c. 1575 National Gallery of Art

This painting shows a group of people engaged in various activities within a wide green landscape. In the background are distant white-and-blue mountains and a blue sky with soft gray clouds.

Francesco Guardi Erminia and the Shepherds, 1750/1755 National Gallery of Art

George Bellows Little Girl in White (Queenie Burnett), 1907 National Gallery of Art

This painting depicts three individuals in a colorful interior. A man on the left is standing on steps that are coming up from below. He wears a green suit with a white shirt underneath it and holds a hat.

Ernst Ludwig Kirchner The Visit - Couple and Newcomer, 1922 National Gallery of Art

Pierre Puvis de Chavannes The Prodigal Son, probably c. 1879 National Gallery of Art

This painting shows a young girl standing and facing forward. She is holding an open, dark-colored parasol with one hand and a small, indistinct object with the other hand.

George Bellows Anne with a Japanese Parasol, 1917 National Gallery of Art

We look slightly down onto a balding, bearded man with pale, peachy skin and wearing a three-piece suit, seated in a wooden armchair behind an L-shaped desk, in this loosely painted vertical portrait.

Édouard Vuillard Théodore Duret, 1912 National Gallery of Art

A young girl with dark hair and pale skin, wearing a long white dress, kneels on the ground in a hilly, tree-lined landscape in this vertical portrait painting.

Joshua Reynolds Lady Caroline Howard, 1778 National Gallery of Art

Two women with pale skin look out at us from the other side of a rectangular window opening with a shadowy interior behind them in this vertical painting.

Bartolomé Esteban Murillo Two Women at a Window, c. 1655/1660 National Gallery of Art

This painting shows a woman standing in front of a wooden dresser with a mirror, her back to us. We can see her face reflected in the mirror. She is gazing at her reflection with both of her hands lifted towards her slightly tilted face.

Eastman Johnson The Toilet, 1873 National Gallery of Art

Four elegantly dressed men and women, plus a brown and white dog, gather around a rug-covered table in a shadowy room in this vertical painting. The people all have pale skin and are lit from our left.

Pieter de Hooch The Greeting, c. 1675 National Gallery of Art

A child and man stand facing away from us in this vertical painting. The scene is painted with visible dabs, stipples, and strokes of paint, and many details, especially in the distance, are indistinct.

Édouard Vuillard Child Wearing a Red Scarf, c. 1891 National Gallery of Art

This painting is a portrait of a child seen from the waist up. The child is seated, with their body turned to the left but their head facing us.

Robert Henri Catharine, 1913 National Gallery of Art

We look down at a wooden tabletop with two playing cards among stacked rectangles and wedges in this vertical, abstract painting. The two playing cards we can make out are a four of diamonds to our left and an ace of clubs to our right.

Juan Gris Ace of Clubs and Four of Diamonds, 1915 National Gallery of Art

A barefoot man wearing tattered clothing, with his hands clasped at his chest, kneels at the feet of an old, bearded man in this almost square painting. The pair is flanked by five people on our right and a man, boy, and calf on our left.

Bartolomé Esteban Murillo The Return of the Prodigal Son, 1667/1670 National Gallery of Art

Shown from the chest up, a young woman faces us holding a nude baby in her arms in this vertical painting. They both have pale, peachy skin with pink cheeks.

Giovanni Battista Tiepolo Madonna of the Goldfinch, c. 1767/1770 National Gallery of Art

Two groups of people face off in front of a hilly landscape in this loosely painted, vertical scene. On our left, a pale young man in a white tunic looks with eyes wide and lips parted at a group of three people on our right.

Edgar Degas Alexander and Bucephalus, 1861/1862 National Gallery of Art

A person at the center of this loosely painted horizontal landscape rides a dark horse across a field as a man to the left works the field behind a horse-drawn plow.

Camille Corot View near Epernon, 1850/1860 National Gallery of Art

John, 4th Earl of Darnley, Thomas Gainsborough, 1785, oil on canvas

Thomas Gainsborough John, 4th Earl of Darnley, 1785 National Gallery of Art

An armored man on horseback hands a piece of emerald-green cloth down to the nearly nude man standing next to him in this slightly stylized, vertical painting.

El Greco Saint Martin and the Beggar, 1597/1599 National Gallery of Art

A woman and the baby she holds float in a cloud flanked by two winged angels, as two women stand below in this tall, vertical painting. All the people have pale skin shaded with smoke gray, and their necks, fingers, and limbs are elongated.

El Greco Madonna and Child with Saint Martina and Saint Agnes, 1597/1599 National Gallery of Art

A woman and nude child, both with pale skin, sit in front of a deep landscape in this vertical painting.

Raphael The Small Cowper Madonna, c. 1505 National Gallery of Art

Shown from about the knees up, an older, bearded, pale-skinned man sits at a desk with his head in one hand in a shadowy room in this vertical painting. His body is angled to our right, and he sits in a heavy wooden armchair next to a desk.

Rembrandt van Rijn The Apostle Paul, c. 1657 National Gallery of Art

In a space almost entirely shrouded in shadow, light falls across a bearded man kneeling in front of a woman cradling an infant, as about a dozen people to our left look on in this horizontal painting.

Rembrandt van Rijn The Circumcision, 1661 National Gallery of Art

Three men and a woman sit around a wooden table on the right side of a dimly lit room in this horizontal painting. The scene is painted entirely in warm shades of bronze, golden yellow, and dark brown.

Rembrandt van Rijn Philemon and Baucis, 1658 National Gallery of Art

The face of a young woman with pale, peachy skin materializes from a deeply shadowed background in this vertical portrait painting. Shown from the waist up, her body is angled to our right, and her face turns to look at us.

Rembrandt van Rijn Saskia van Uylenburgh, the Wife of the Artist, probably begun 1634/1635 and completed 1638/1640 National Gallery of Art

A young man with smooth, pale peachy skin and long blond hair looks over his right shoulder at us in this vertical portrait painting. He has light green eyes, a straight nose, full pink lips, and a narrow chin.

Raphael Bindo Altoviti, c. 1515 National Gallery of Art

We look up through an opening surrounded by a stone ledge, with clusters of people and clouds swirling into a blue sky up and away from us in this vertical, rectangular painting.

Giovanni Battista Tiepolo Wealth and Benefits of the Spanish Monarchy under Charles III, 1762 National Gallery of Art

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