Paintings from the National Gallery of Art (page 18)

Showing 817 to 864 of 937 paintings

Landscape, Jean-Charles Cazin, after 1876, oil on canvas

Jean-Charles Cazin Landscape, after 1876 National Gallery of Art

This painting shows a slightly elevated viewpoint looking out across a green landscape towards a reflective body of water. In the green sky, the pale-yellow moon glows brightly, illuminating the scene.

Ralph Albert Blakelock Moonlight, 1886/1895 National Gallery of Art

The image is a portrait showing the upper body of a woman seated next to a wooden table. She is positioned facing slightly to the right, with her arm resting on the table and holding a small pink rose in her left hand.

Charles Peale Polk Hannah Lemmon Corcoran (Mrs. Thomas Corcoran), c. 1802/1810 National Gallery of Art

Weary Wayfarers, Jean-Charles Cazin, 1888, oil on canvas

Jean-Charles Cazin Weary Wayfarers, 1888 National Gallery of Art

This painting depicts a landscape with rolling green hills viewed from an elevated perspective. Closest to us, the light green hills on the left are covered with yellowish grass.

Kenyon Cox Flying Shadows, 1883 National Gallery of Art

A nearly square landscape with a bridge to our right and a person walking at the lower center is painted loosely in tones of pine, spruce, and sage green with a few touches of yellow, black, and brown.

Ernest Lawson High Bridge at Night, New York City, c. 1910/1920 National Gallery of Art

In this painting, a wicker basket is filled with yellow pears and a few red cherries. The basket rests on a table, and more pears and cherries are scattered in front of it, casting shadows on the white tablecloth.

John F. Francis Basket of Pears and Crabapples, n.d. National Gallery of Art

This painting depicts a collection of large green lily pads and blooming lotus flowers. The flowers are primarily white and pink, resting on the ends of long stems.

Theodore Wores Buddha's Flowers: Lotus, Tokyo, 1894 National Gallery of Art

This painting shows a landscape with castle-like structures on a green hill, with a group of people gathering in colorful clothing in the bottom left.

Dosso Dossi The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily, c. 1520 National Gallery of Art

The painting depicts a wide country road seen from above. The horizon is halfway up the painting, showing the flat, green land meeting the blue sky. Far in the distance there are faint blue buildings, including a tall tower.

Jan Brueghel the Elder Wooded Landscape with Travelers, 1610 National Gallery of Art

The image shows an upper-body portrait of a man facing forward with his body tilted slightly to the left. He wears a brown coat over a teal waistcoat and a white ruffled shirt is visible at the cuffs and neckline.

Jeremiah Theus Mr. Motte, c. 1760 National Gallery of Art

This painting depicts a seated woman from the waist up. She has her right elbow resting on one arm of the red chair that she sits in, with her head leaning on her hand. Her left hand is holding white fabric in her lap.

Ezra Ames Maria Gansevoort Melvill (Mrs. Allan Melvill), c. 1815 National Gallery of Art

Shown from the chest up, a clean shaven, young man with pale, rosy skin and curly, mahogany-red hair, looks at or toward us against a black background in this vertical portrait painting.

Antonello da Messina Portrait of a Young Man, c. 1475/1479 National Gallery of Art

The image depicts a man from the waist up, positioned in a three-quarter view as he looks to his left. He has a fair complexion, a reddish-brown close-cropped beard, and medium brown hair cut at ear length.

Barthel Bruyn the Elder Portrait of a Man, c. 1530/1540 National Gallery of Art

The image shows a woman's upper body. She is looking directly at the viewer with a calm expression. The woman has fair skin, dark brown hair styled away from her face, blue eyes, and delicate features.

William Jennys Mrs. Asa Benjamin, 1795 National Gallery of Art

The image shows a large blue and grey bowl filled with various fruits, including grapes, peaches, and a pineapple. The color palette consists of blues, greens, yellows, oranges, and browns.

William Stearns Bowl of Fruit, c. 1830/1840 National Gallery of Art

The image is a portrait of a young child shown from the waist up. The child is seated and facing forward. The child has dark hair that is styled smoothly and parted down the middle.

Sturtevant J. Hamblin Little Girl with Pet Rabbit, c. 1845 National Gallery of Art

The Trotter, Charles S. Humphreys, c. 1860, oil on canvas

Charles S. Humphreys The Trotter, c. 1860 National Gallery of Art

View of Benjamin Reber's Farm, Charles C. Hofmann, 1872, oil on canvas

Charles C. Hofmann View of Benjamin Reber's Farm, 1872 National Gallery of Art

This painting shows a maritime scene from the water, with a coastline in the distance marked by small, colorful buildings and distant green hills.

A. Hashagen Ship "Arkansas" Leaving Havana, 1847 National Gallery of Art

This painting shows a young person from the waist up, sitting with their hands folded on a brown surface. The person is angled slightly to the left, looking up into the distance.

Agnolo di Domenico del Mazziere Portrait of a Youth, c. 1495/1500 National Gallery of Art

The image features a variety of fruit, including large white melons, a sliced red watermelon, and clusters of dark and white grapes with an assortment of green leaves.

Chipman Melons and Grapes, mid 19th century National Gallery of Art

U.S. Mail Boat, Leila T. Bauman, 1855 or later, oil on canvas

Leila T. Bauman U.S. Mail Boat, 1855 or later National Gallery of Art

Young Woman in White Holding a Bouquet, Alfred Stevens, c. 1865/1875, oil on wood

Alfred Stevens Young Woman in White Holding a Bouquet, c. 1865/1875 National Gallery of Art

The painting depicts a rocky coastline dotted with color. The horizon is high in the scene, and a strip of pale-yellow sky is visible at the very top of the painting.

Henry Golden Dearth Flecks of Foam, c. 1911/1912 National Gallery of Art

This is a painting of a pastoral scene with animals, a watermill, and a bridge. The artwork features a rural landscape with lush greenery and a serene setting.

Charles Georges Dufresne Judgment of Paris, 1925 National Gallery of Art

This painting depicts a sunlit forest with densely packed trees. Sunlight filters through the leaves, casting a warm glow and illuminating shades of green with hints of yellow and gold.

Henry Ward Ranger Spring Woods, c. 1910 National Gallery of Art

The image shows four adults and one child seated on the ground within an oval frame. The child is on the far left, lying down with a bow and arrow.

George Catlin The Sioux Chief with Several Indians, 1861/1869 National Gallery of Art

A Dog Feast - Sioux, George Catlin, 1861/1869, oil on card mounted on paperboard

George Catlin A Dog Feast - Sioux, 1861/1869 National Gallery of Art

The artwork depicts a peaceful landscape viewed from an elevated perspective. The horizon divides the sky from the land below, with distant blue hills visible. The sky shows soft blues and gray clouds.

George Catlin Halsey's Bluff - Sioux Indians on the March, 1861/1869 National Gallery of Art

The image shows a landscape with a settlement surrounded by lush greenery and mountains in the distance. The mountains are partly covered by clouds. The painting technique is smooth and gentle, giving the scene a serene atmosphere.

George Catlin A Crow Village and the Salmon River Mountains, 1855/1869 National Gallery of Art

The image depicts a person standing beside a black horse. The person has long dark hair with feathers, wearing skin trousers, moccasins, a quiver, and a bow slung across their back.

George Catlin A Cheyenne Warrior Resting His Horse, 1861/1869 National Gallery of Art

The image shows a group of individuals on horseback in a landscape with hills in the distance. The perspective is from above, providing a panoramic view of the scene.

George Catlin Camanchee Horsemanship, 1861/1869 National Gallery of Art

The image shows three individuals against a natural background. On the left, a man is seated on the ground, his body wrapped in a beige cloth. He has long, dark hair and a solemn expression, holding a long pipe.

George Catlin Old Menomonie Chief with Two Young Beaux, 1861/1869 National Gallery of Art

The image shows a group of Native American men gathered closely together in a dance formation. They are positioned facing slightly towards the right, with their full bodies visible.

George Catlin Bear Dance - K'nisteneux, 1861 National Gallery of Art

This is a painting with a central focus on a bison being pursued by a figure on horseback. The scene is set in a grassy prairie under a cloudy sky.

George Catlin Buffalo Chase, 1861/1869 National Gallery of Art

American Pasturage - Prairies of the Platte, George Catlin, 1861/1869, oil on card mounted on paperboard

George Catlin American Pasturage - Prairies of the Platte, 1861/1869 National Gallery of Art

The image displays a landscape with rolling plains and sloping hills in the background. A rider on a galloping horse is depicted aiming a firearm at birds in flight. The painting features detailed brushwork capturing movement.

George Catlin Ostrich Chase, Buenos Aires - Auca, 1854/1869 National Gallery of Art

The image shows a group of five individuals - four standing and one seated in the foreground. The standing individuals have varied hand positions; two hold long pipes, and one appears to hold a bow and arrow.

George Catlin Chief and Members of the Konza Tribe, 1861/1869 National Gallery of Art

The painting depicts an elevated viewpoint of a grand waterfall surrounded by a landscape filled with people and canoes. The horizon is high in the composition, marked by a line of trees and the flowing waterfall.

George Catlin Portage Around the Falls of Niagara at Table Rock, 1847/1848 National Gallery of Art

This image depicts a snow-covered landscape with a high horizon line meeting a line of evergreen trees under a sky with blue and grayish clouds. The sky and treetops are textured with lively brushstrokes.

George Catlin La Salle Crossing Lake Michigan on the Ice. December 8, 1681, 1847/1848 National Gallery of Art

The image shows a landscape with people at a campsite in the foreground. There are tents under trees, a plain leading to a hill in the background, and more hills further away.

George Catlin Expedition Encamped on a Texas Prairie. April 1686, 1847/1848 National Gallery of Art

This is a landscape painting depicting a body of water surrounded by greenery, with tall green and purple mountains in the background under a sky full of dark pink clouds and a strip of bright blue-green.

John La Farge The Entrance to the Tautira River, Tahiti. Fisherman Spearing a Fish, c. 1895 National Gallery of Art

This painting displays an elevated view of a bustling port town. In the center, a tall tree with dense green foliage stands out against a light blue sky with fluffy white clouds.

Jurgan Frederick Huge Composite Harbor Scene with Castle, c. 1875 National Gallery of Art

The painting shows a coastal landscape from an elevated point of view. A structure resembling a thatched-roof cottage is on the right, partially obscured by the rolling green hills that take up the bottom right area of the painting.

Henri Moret The Island of Raguenez, Brittany, 1890/1895 National Gallery of Art

The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages.

John Ferneley Heaton Park Races, 1829 National Gallery of Art

Bay of New York, Sunset, Thomas Chambers, mid 19th century, oil on canvas

Thomas Chambers Bay of New York, Sunset, mid 19th century National Gallery of Art

This painting depicts a coastal scene with a perspective from the water. There are dark, billowing gray clouds above the horizon, and the sky is pale orange.

Thomas Chambers Threatening Sky, Bay of New York, mid 19th century National Gallery of Art

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