Apartment and Dorm Paintings: Bold Works That Print Well at Home (page 10)

Bold, clear compositions that print well at home and move with you.

Showing 433 to 480 of 584 paintings

Study of Two Heads, Peter Paul Rubens, ca. 1609, oil on wood

Peter Paul Rubens Study of Two Heads, ca. 1609 The Met

This painting is a portrait of a man from his chest up. He is positioned slightly angled to the left and looks directly at us.

Gilbert Stuart George Washington, c. 1803 National Gallery of Art

Shown from the waist-up, a pale-skinned woman wearing a gold-colored gown and a muted dark pink shawl stands before a hazy landscape in this vertical portrait painting.

Benjamin West Mary Bethel Boude (Mrs. Samuel Boude), 1755/1756 National Gallery of Art

Portrait of Franklin H. Delano, Eastman Johnson, c. 1881, oil on board

Eastman Johnson Portrait of Franklin H. Delano, c. 1881 Cleveland Museum of Art

Luman Reed, Asher Brown Durand, 1835, oil on canvas

Asher Brown Durand Luman Reed, 1835 The Met

Portrait of a Man, Rembrandt van Rijn, ca. 1655–60, oil on canvas

Rembrandt van Rijn Portrait of a Man, ca. 1655–60 The Met

Alfred Dedreux (1810–1860) as a Child, Théodore Géricault, ca. 1819–20, oil on canvas

Théodore Géricault Alfred Dedreux (1810–1860) as a Child, ca. 1819–20 The Met

Beyond a dense screen of stylized, dark brown tree trunks, bending branches, and sage and moss-green leaves, a man and woman ride side-by-side on horseback and embrace in this vertical landscape painting. Both people have pale skin.

Henri Rousseau Rendezvous in the Forest, 1889 National Gallery of Art

Princess Varvara Nikolaevna Gagarina (1762–1802), Jean-Baptiste Greuze, ca. 1780–82, oil on canvas

Jean-Baptiste Greuze Princess Varvara Nikolaevna Gagarina (1762–1802), ca. 1780–82 The Met

Two loosely painted people stand side by side in a field as they rake with their backs to us in this horizontal painting. The brushstrokes are soft and textured, and the details are loosely rendered, giving the scene a hazy appearance.

Georges Seurat Haymakers at Montfermeil, c. 1882 National Gallery of Art

Johann I (1468–1532), the Constant, Elector of Saxony, Lucas Cranach the Elder, 1532–33, oil on beech, with letterpress-printed paper labels

Lucas Cranach the Elder Johann I (1468–1532), the Constant, Elector of Saxony, 1532–33 The Met

Two men wearing brief-like shorts, shoes, and boxing gloves curl toward each other as they grapple in the middle of a boxing ring in this horizontal painting. We look at the ring from across the heads of the crowd below and around us.

George Bellows Club Night, 1907 National Gallery of Art

Self-Portrait at Spurveskjul, Vilhelm Hammershøi, 1911, oil on canvas

Vilhelm Hammershøi Self-Portrait at Spurveskjul, 1911 The Met

The Card Players, Paul Cézanne, 1890–92, oil on canvas

Paul Cézanne The Card Players, 1890–92 The Met

Madame François Buron, Jacques-Louis David, 1769, oil on canvas

Jacques-Louis David Madame François Buron, 1769 Art Institute of Chicago

The Collector of Prints, Edgar Degas, 1866, oil on canvas

Edgar Degas The Collector of Prints, 1866 The Met

Boy with a Lute, Frans Hals, ca. 1625, oil on canvas

Frans Hals Boy with a Lute, ca. 1625 The Met

The Large Tree, Paul Gauguin, 1891, oil on canvas

Paul Gauguin The Large Tree, 1891 Cleveland Museum of Art

Painting of vibrantly colored shapes and lines intersecting and overlapping.

Wassily Kandinsky Painting with Green Center, 1913 Art Institute of Chicago

We look across a forested ravine painted in deep greens and blues at a terracotta-orange building at the top of a hill at the center of this nearly square, loosely painted landscape.

Paul Cézanne Château Noir, 1900/1904 National Gallery of Art

Lucia, Frederic Leighton, possibly late 1870s, oil on canvas

Frederic Leighton Lucia, possibly late 1870s The Met

Johann (1498–1537), Duke of Saxony, Lucas Cranach the Elder, ca. 1534–37, oil on beech

Lucas Cranach the Elder Johann (1498–1537), Duke of Saxony, ca. 1534–37 The Met

Madame Grand (Noël Catherine Vorlée, 1761–1835), Élisabeth Louise Vigée Le Brun, 1783, oil on canvas

Élisabeth Louise Vigée Le Brun Madame Grand (Noël Catherine Vorlée, 1761–1835), 1783 The Met

Toussaint Lemaistre (1807/8–1888), Camille Corot, 1833, oil on canvas

Camille Corot Toussaint Lemaistre (1807/8–1888), 1833 The Met

Portrait of a Child, Camille Corot, ca. 1835, oil on wood

Camille Corot Portrait of a Child, ca. 1835 The Met

A woman with pale skin, wearing a black dress and holding a full, billowing white ostrich feather, is shown from the hips up against a dark background in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Lady with an Ostrich-Feather Fan, c. 1656/1658 National Gallery of Art

Café Wepler, Édouard Vuillard, c. 1908–10, reworked in 1912, oil on fabric

Édouard Vuillard Café Wepler, c. 1908–10, reworked in 1912 Cleveland Museum of Art

This painting is a portrait of a child seen from the waist up. The child is seated, with their body turned to the left but their head facing us.

Robert Henri Catharine, 1913 National Gallery of Art

Derick Berck of Cologne, Hans Holbein the Younger, 1536, oil on canvas, transferred from wood

Hans Holbein the Younger Derick Berck of Cologne, 1536 The Met

María Teresa (1638–1683), Infanta of Spain, Diego Velázquez, 1651–54, oil on canvas

Diego Velázquez María Teresa (1638–1683), Infanta of Spain, 1651–54 The Met

At the Circus: The Bareback Rider (Au Cirque: Écuyère), Henri de Toulouse-Lautrec, 1888, oil on vellum

Henri de Toulouse-Lautrec At the Circus: The Bareback Rider (Au Cirque: Écuyère), 1888 Art Institute of Chicago

Henry Rice, Gilbert Stuart, ca. 1815, oil on wood

Gilbert Stuart Henry Rice, ca. 1815 The Met

Portrait of a Woman, probably Aeltje Dircksdr. Pater, Frans Hals, 1638, oil on canvas

Frans Hals Portrait of a Woman, probably Aeltje Dircksdr. Pater, 1638 Cleveland Museum of Art

Shown from the hips up, a pale-skinned young woman wearing a white dress sits smiling gently at us in this vertical portrait painting. Blended strokes of pearl white, cool green, and muted blue create an overall soft, almost blurred look.

Pierre-Auguste Renoir Madame Henriot, c. 1876 National Gallery of Art

Three women stand on or next to a ladder picking olives in an orchard in this horizontal landscape painting. The women, trees, ground, and sky are all painted with long, parallel brushstrokes that curve and swirl over the canvas.

Vincent van Gogh The Olive Orchard, 1889 National Gallery of Art

Luncheon (Annette and Her Grandmother), Édouard Vuillard, 1899, oil on board

Édouard Vuillard Luncheon (Annette and Her Grandmother), 1899 Cleveland Museum of Art

James DeLancey, Gilbert Stuart, ca. 1785, oil on canvas

Gilbert Stuart James DeLancey, ca. 1785 The Met

Fruit, Julian Alden Weir, ca. 1888, oil on canvas

Julian Alden Weir Fruit, ca. 1888 The Met

Women Picking Olives, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Women Picking Olives, 1889 The Met

Portrait of Renoir, Frédéric Bazille, 1867, oil on canvas

Frédéric Bazille Portrait of Renoir, 1867 Cleveland Museum of Art

Portrait of a Lady, Frans Hals, 1627, oil on canvas

Frans Hals Portrait of a Lady, 1627 Art Institute of Chicago

Portrait of a Man, Possibly Nicolaes Pietersz Duyst van Voorhout (born about 1600, died 1650), Frans Hals, ca. 1636–38, oil on canvas

Frans Hals Portrait of a Man, Possibly Nicolaes Pietersz Duyst van Voorhout (born about 1600, died 1650), ca. 1636–38 The Met

This painting depicts the upper half of a seated young woman who is facing forward. She has fair skin, pale eyebrows, gray eyes, and thin lips in a neutral expression. The right side of her face is partially in shadow.

Joshua Reynolds Miss Beatrix Lister, 1765 National Gallery of Art

Circus Sideshow (Parade de cirque), Georges Seurat, 1887–88, oil on canvas

Georges Seurat Circus Sideshow (Parade de cirque), 1887–88 The Met

Lady Maria Conyngham (died 1843), Thomas Lawrence, ca. 1824–25, oil on canvas

Thomas Lawrence Lady Maria Conyngham (died 1843), ca. 1824–25 The Met

Lukas Spielhausen, Lucas Cranach the Elder, 1532, oil and gold on beech

Lucas Cranach the Elder Lukas Spielhausen, 1532 The Met

Portrait of a Man (Sir Ralph Sadler?), Hans Holbein the Younger, 1535, oil and gold on oak

Hans Holbein the Younger Portrait of a Man (Sir Ralph Sadler?), 1535 The Met

Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle", James McNeill Whistler, 1872–73, oil on canvas

James McNeill Whistler Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle", 1872–73 Art Institute of Chicago