Apartment and Dorm Paintings: Bold Works That Print Well at Home (page 11)

Bold, clear compositions that print well at home and move with you.

Showing 481 to 528 of 584 paintings

Joseph Anthony Jr., Gilbert Stuart, ca. 1795–98, oil on canvas

Gilbert Stuart Joseph Anthony Jr., ca. 1795–98 The Met

Portrait of a Man, Titian, ca. 1515, oil on canvas

Titian Portrait of a Man, ca. 1515 The Met

We look out onto a landscape with tawny-brown haystacks and trees among a patchwork of moss, lime, mint, and pine-green fields in this stylized, horizontal painting. The scene is painted with mostly flat areas of color.

Paul Gauguin Haystacks in Brittany, 1890 National Gallery of Art

The Van Moerkerken Family, Gerard ter Borch, ca. 1653–54, oil on wood

Gerard ter Borch The Van Moerkerken Family, ca. 1653–54 The Met

A child and man stand facing away from us in this vertical painting. The scene is painted with visible dabs, stipples, and strokes of paint, and many details, especially in the distance, are indistinct.

Édouard Vuillard Child Wearing a Red Scarf, c. 1891 National Gallery of Art

Shown from the shins up, a woman with pale skin, iron-gray hair, and wearing a high-collared, long-sleeved black dress, stands next to a table against a caramel-brown wall in this vertical portrait painting.

John Singer Sargent Eleanora O'Donnell Iselin (Mrs. Adrian Iselin), 1888 National Gallery of Art

María Teresa, Infanta of Spain, Diego Velázquez, mid-17th century, oil on canvas

Diego Velázquez María Teresa, Infanta of Spain, mid-17th century The Met

Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817), Jean-Baptiste Greuze, late 1780s, oil on wood

Jean-Baptiste Greuze Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817), late 1780s The Met

Sarah Dupont, Thomas Gainsborough, c. 1777–79, oil on canvas

Thomas Gainsborough Sarah Dupont, c. 1777–79 Art Institute of Chicago

Fruits of the Midi, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Fruits of the Midi, 1881 Art Institute of Chicago

We look down at a wooden tabletop with two playing cards among stacked rectangles and wedges in this vertical, abstract painting. The two playing cards we can make out are a four of diamonds to our left and an ace of clubs to our right.

Juan Gris Ace of Clubs and Four of Diamonds, 1915 National Gallery of Art

Portrait of a Young Woman, Hans Holbein the Younger, ca. 1540–45, oil and gold on oak

Hans Holbein the Younger Portrait of a Young Woman, ca. 1540–45 The Met

Marguerite-Thérèse (Margot) Berard (1874–1956), Pierre-Auguste Renoir, 1879, oil on canvas

Pierre-Auguste Renoir Marguerite-Thérèse (Margot) Berard (1874–1956), 1879 The Met

Adeline Ravoux, Vincent van Gogh, 1890, oil on fabric

Vincent van Gogh Adeline Ravoux, 1890 Cleveland Museum of Art

Henri de Toulouse-Lautrec Rue des Moulins, 1894, 1894 National Gallery of Art

Edward R. Bacon (1846–1915), Anders Zorn, 1897, oil on canvas

Anders Zorn Edward R. Bacon (1846–1915), 1897 The Met

Lady Rich (Elizabeth Jenks, died 1558), Hans Holbein the Younger, ca. 1540, oil and gold on oak

Hans Holbein the Younger Lady Rich (Elizabeth Jenks, died 1558), ca. 1540 The Met

Georgiana Augusta Frederica Elliott (1782–1813), Later Lady Charles Bentinck, Joshua Reynolds, 1784, oil on canvas

Joshua Reynolds Georgiana Augusta Frederica Elliott (1782–1813), Later Lady Charles Bentinck, 1784 The Met

Mme L . . . (Laure Borreau), Gustave Courbet, 1863, oil on fabric

Gustave Courbet Mme L . . . (Laure Borreau), 1863 Cleveland Museum of Art

Henri de Toulouse-Lautrec Hussars, 1878 National Gallery of Art

Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left.

Thomas Gainsborough Mrs. Paul Cobb Methuen, c. 1776/1777 National Gallery of Art

Shown from the knees up, a young woman with pale skin and flushed cheeks looks at us, wearing a long, shimmering white dress partially draped with powder-blue fabric in this vertical portrait painting.

John Singer Sargent Mary Crowninshield Endicott Chamberlain (Mrs. Joseph Chamberlain), 1902 National Gallery of Art

Shown from the waist up, a woman with light, peachy-yellow skin sits with her body facing us as she looks over her shoulder to our right in this loosely painted, vertical portrait.

Henri de Toulouse-Lautrec Carmen Gaudin, 1885 National Gallery of Art

Alexandre Charles Emmanuel de Crussol-Florensac (1743–1815), Élisabeth Louise Vigée Le Brun, 1787, oil on wood

Élisabeth Louise Vigée Le Brun Alexandre Charles Emmanuel de Crussol-Florensac (1743–1815), 1787 The Met

The Call, Paul Gauguin, 1902, oil on canvas

Paul Gauguin The Call, 1902 Cleveland Museum of Art

Stag at Sharkey's, George Bellows, 1909, oil on canvas

George Bellows Stag at Sharkey's, 1909 Cleveland Museum of Art

Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856), John Constable, 1818, oil on canvas

John Constable Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856), 1818 The Met

John Julius Angerstein (1736–1823), Thomas Lawrence, 1810, oil on canvas

Thomas Lawrence John Julius Angerstein (1736–1823), 1810 The Met

Madame Léon Clapisson, Pierre-Auguste Renoir, 1883, oil on canvas

Pierre-Auguste Renoir Madame Léon Clapisson, 1883 Art Institute of Chicago

Friedrich III (1463–1525), the Wise, Elector of Saxony, Lucas Cranach the Elder, 1533, oil on beech, with letterpress-printed paper labels

Lucas Cranach the Elder Friedrich III (1463–1525), the Wise, Elector of Saxony, 1533 The Met

Portrait of Mary Wise, Thomas Gainsborough, c. 1774, oil on canvas

Thomas Gainsborough Portrait of Mary Wise, c. 1774 Cleveland Museum of Art

Head of a Young Woman, François Boucher, early 1730s, oil on canvas

François Boucher Head of a Young Woman, early 1730s Cleveland Museum of Art

A man and two women standing near a bar nearly fill this vertical painting.

Henri de Toulouse-Lautrec Alfred la Guigne, 1894 National Gallery of Art

Still Life: Fish, William Merritt Chase, by 1908, oil on canvas

William Merritt Chase Still Life: Fish, by 1908 The Met

A baby nestles in a mass of frilly white fabric atop a colorful patchwork, perhaps a pile of quilts, against a sage and spring-green background in this square painting.

Gustav Klimt Baby (Cradle), 1917/1918 National Gallery of Art

Two creamy-white, long-haired dogs facing our right in a snowy field fill this horizontal painting. The scene is painted with visible, textured strokes in shades of white and ice blue. The dogs have floppy ears and long muzzles.

Franz Marc Siberian Dogs in the Snow, 1909/1910 National Gallery of Art

Edmond Cavé (1794–1852), Jean-Auguste-Dominique Ingres, 1844, oil on canvas

Jean-Auguste-Dominique Ingres Edmond Cavé (1794–1852), 1844 The Met

The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), Berthe Morisot, ca. 1870, oil on canvas

Berthe Morisot The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), ca. 1870 The Met

Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), Anders Zorn, ca. 1900, oil on canvas

Anders Zorn Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), ca. 1900 The Met

Sarah Ursula Rose, Benjamin West, 1756, oil on canvas

Benjamin West Sarah Ursula Rose, 1756 The Met

Still Life with Peaches and Grapes, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Still Life with Peaches and Grapes, 1881 The Met

Shown from about the ankles up, a woman with ashen, pale skin, wearing a full, silvery-white dress with gray dots, sits on a low-backed white sofa against a pale peach background in this horizontal portrait painting.

Edgar Degas Madame René de Gas, 1872/1873 National Gallery of Art

We look slightly down onto a stage, at a woman who dances at the center of this square painting. The pale, white skin on her face is tinged with slate-blue shadows and heightened noticeably with pink blush at the cheekbones.

Henri de Toulouse-Lautrec Marcelle Lender Dancing the Bolero in "Chilpéric", 1895-1896 National Gallery of Art

Johann I (1468–1532), the Constant, Elector of Saxony, Lucas Cranach the Elder, 1532–33, oil on canvas, transferred from wood, with letterpress-printed paper labels

Lucas Cranach the Elder Johann I (1468–1532), the Constant, Elector of Saxony, 1532–33 The Met

Gideon Tucker, William Sidney Mount, 1830, oil on canvas

William Sidney Mount Gideon Tucker, 1830 The Met

Portrait of a Man, Rembrandt van Rijn, 1632, oil on wood

Rembrandt van Rijn Portrait of a Man, 1632 The Met

Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862–1919), Anders Zorn, 1897, oil on canvas

Anders Zorn Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862–1919), 1897 The Met

Shown from the hips up, a man with pale, peachy skin, dressed in a black suit and tall hat, looks at us from in front of a dark brown background in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Gentleman with a Tall Hat and Gloves, c. 1656/1658 National Gallery of Art