Horizontal Paintings for the Bathroom (page 7)

Showing 289 to 336 of 347 horizontal paintings

Venice from the Bacino di San Marco, Francesco Guardi, ca. 1765–75, oil on canvas

Francesco Guardi Venice from the Bacino di San Marco, ca. 1765–75 The Met

The Aegean Sea, Frederic Edwin Church, ca. 1877, oil on canvas

Frederic Edwin Church The Aegean Sea, ca. 1877 The Met

Marine: The Waterspout, Gustave Courbet, 1870, oil on canvas

Gustave Courbet Marine: The Waterspout, 1870 The Met

The Sea, Gustave Courbet, 1865 or later, oil on canvas

Gustave Courbet The Sea, 1865 or later The Met

Coast of Maine, Winslow Homer, 1893, oil on canvas

Winslow Homer Coast of Maine, 1893 Art Institute of Chicago

Landscape, George Inness, c. 1852, oil on canvas

George Inness Landscape, c. 1852 National Gallery of Art

Alice Gerson in Prospect Park, William Merritt Chase, 1886, oil on panel

William Merritt Chase Alice Gerson in Prospect Park, 1886 The Met

A River Landscape with Storks, Charles-François Daubigny, 1864, oil on wood

Charles-François Daubigny A River Landscape with Storks, 1864 The Met

This painting shows a woodland scene with tall trees surrounding a small, still pond. The trees and grassy ground are painted in shades of olive-green, rusty orange, yellow ochre, and dark brown.

Narcisse Virgilio Díaz de la Peña The Frog Pond, 1876 National Gallery of Art

Souvenir of the Environs of Lake Nemi, Camille Corot, 1865, oil on canvas

Camille Corot Souvenir of the Environs of Lake Nemi, 1865 Art Institute of Chicago

A large, dark sailing ship to our left is stranded near the shore, angled dramatically away from us, in choppy waves under a periwinkle-blue sky streaked with gray and copper-colored clouds in this horizontal painting.

Asher Brown Durand The Stranded Ship, 1844 National Gallery of Art

The Brook of Les Puits-Noir, Gustave Courbet, c. 1855, oil on canvas

Gustave Courbet The Brook of Les Puits-Noir, c. 1855 Art Institute of Chicago

A Brook in a Clearing (possibly "Brook, Valley of Fontcouverte; Study"), Gustave Courbet, probably 1862, oil on canvas

Gustave Courbet A Brook in a Clearing (possibly "Brook, Valley of Fontcouverte; Study"), probably 1862 The Met

A Brook in the Forest, Gustave Courbet, ca. 1868–77, oil on canvas

Gustave Courbet A Brook in the Forest, ca. 1868–77 The Met

River and Rocks, Gustave Courbet, 1873–77, oil on canvas

Gustave Courbet River and Rocks, 1873–77 The Met

George Sand's Garden at Nohant, Eugène Delacroix, ca. 1842–43, oil on canvas

Eugène Delacroix George Sand's Garden at Nohant, ca. 1842–43 The Met

Lormes: Goat-Girl Sitting Beside a Stream in a Forest, Camille Corot, 1842, oil on fabric

Camille Corot Lormes: Goat-Girl Sitting Beside a Stream in a Forest, 1842 Cleveland Museum of Art

Copy after Delacroix's "Bark of Dante", Édouard Manet, ca. 1859, oil on canvas

Édouard Manet Copy after Delacroix's "Bark of Dante", ca. 1859 The Met

The Brook in the Woods, Worthington Whittredge, ca. 1885–86, oil on canvas

Worthington Whittredge The Brook in the Woods, ca. 1885–86 The Met

Moonlight, Wood Island Light, Winslow Homer, 1894, oil on canvas

Winslow Homer Moonlight, Wood Island Light, 1894 The Met

The Forest Stream, Jacob van Ruisdael, ca. 1660, oil on canvas

Jacob van Ruisdael The Forest Stream, ca. 1660 The Met

Life-size painting of an urban scene in Paris.

Gustave Caillebotte Paris Street; Rainy Day, 1877 Art Institute of Chicago

Gold folded tall screen with red flowers, green maize plants.

Unknown artist Maize and Cockscombs, mid 17th century Art Institute of Chicago

Rinaldo and Armida in Her Garden, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and Armida in Her Garden, c. 1742–45 Art Institute of Chicago

The Source of the Loue, Gustave Courbet, 1864, oil on canvas

Gustave Courbet The Source of the Loue, 1864 The Met

Fishing, Édouard Manet, ca. 1862–63, oil on canvas

Édouard Manet Fishing, ca. 1862–63 The Met

This painting shows a serene forest setting with a wide, shallow stream flowing gently towards us. The scene is enclosed by tall trees on either side.

Worthington Whittredge Trout Brook in the Catskills, 1875 National Gallery of Art

Searchlight on Harbor Entrance, Santiago de Cuba, Winslow Homer, 1902, oil on canvas

Winslow Homer Searchlight on Harbor Entrance, Santiago de Cuba, 1902 The Met

Dense canopies enclose a forested interior along a stream in this horizontal landscape painting.

Gustave Courbet The Stream (Le Ruisseau du Puits-Noir; vallée de la Loue), 1855 National Gallery of Art

A pair of arched cave openings yawn in a steep, rocky cliff face that fills this horizontal painting.

Gustave Courbet La Grotte de la Loue, 1864 National Gallery of Art

The Public Garden at Pontoise, Camille Pissarro, 1874, oil on canvas

Camille Pissarro The Public Garden at Pontoise, 1874 The Met

The Gardener, Georges Seurat, 1882–83, oil on wood

Georges Seurat The Gardener, 1882–83 The Met

From high up, we look down and out at a river with seven ferries and barges, the waterway lined with buildings on the bank to our right, in this loosely painted, horizontal landscape.

Camille Pissarro The Louvre, Afternoon, Rainy Weather, 1900 National Gallery of Art

A tree with emerald-green leaves and laden with white blossoms grows in a dirt field, and is silhouetted against a vibrant blue sky in this horizontal landscape painting. The scene is loosely painted with visible dabs and strokes.

Camille Pissarro Orchard in Bloom, Louveciennes, 1872 National Gallery of Art

A woman bends double to tend a garden that stretches before us in front of two houses in this horizontal landscape painting.

Camille Pissarro The Artist's Garden at Eragny, 1898 National Gallery of Art

Rectangular plots of flowers, each in a single color, stretch toward us below a sky nearly filled with cream-white clouds in this horizontal landscape painting.

Vincent van Gogh Flower Beds in Holland, c. 1883 National Gallery of Art

Painting in tones of gray and brown, with some green and blue, of a woman digging with a garden tool before a structure with a thatched roof that descends almost to the ground. Above her the sky is gray and blue, a haze of clouds.

Vincent van Gogh A Peasant Woman Digging in Front of Her Cottage, c. 1885 Art Institute of Chicago

Moorish Buildings in Sunlight, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Moorish Buildings in Sunlight, 1879–80 The Met

Treetops against Sky, John Singer Sargent, 1909–13, watercolor and gouache on white wove paper

John Singer Sargent Treetops against Sky, 1909–13 The Met

This horizontal painting is filled with gray and white clouds against a blue sky. Wisps of white clouds are interspersed among banks of darker gray clouds against a pale blue sky in the top half of the painting.

John Constable Cloud Study: Stormy Sunset, 1821-1822 National Gallery of Art

The painting depicts a golden, grassy landscape with low green trees in the distance, leading towards vibrant blue water on the horizon.

William Merritt Chase Gathering Autumn Flowers, 1894/1895 National Gallery of Art

This painting shows a brown jug filled with pink roses and green leaves on a brown surface that looks like a suitcase on its side. To the right of the jug are some stacked books, which are a light green color.

Édouard Vuillard The Artist's Paint Box and Moss Roses, 1898 National Gallery of Art

Sunset Sky, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset Sky, 1872 The Met

The Pink Cloud, Henri-Edmond Cross, c. 1896, oil on canvas

Henri-Edmond Cross The Pink Cloud, c. 1896 Cleveland Museum of Art

The image shows three full-body figures standing together. On the left is a female figure holding a feather, in a decorated dress. In the center is a male figure with long, ornamented hair and a beaded robe, holding a fur piece and shield.

George Catlin Three Minatarree Indians, 1861 National Gallery of Art

This horizontal landscape is painted with broad, visible strokes in shades of laurel, fern, and pine green, dark yellow, and ash brown.

Pierre-Auguste Renoir Landscape between Storms, 1874/1875 National Gallery of Art

In this painting, a person appears to pull a long brown-and-green canoe out of the water and onto a grassy stretch of land. The person wears a hat and a green shirt with brown trousers, and their face is indistinct.

Winslow Homer Sunset, c. 1875 National Gallery of Art

Orchard, Édouard Vuillard, 1897, oil on board

Édouard Vuillard Orchard, 1897 Cleveland Museum of Art