Horizontal Paintings for the Bedroom (page 11)

Showing 481 to 528 of 645 horizontal paintings

A dirt path winds through a field of gold-green grass back to a town built on low hills in this horizontal, densely hazy landscape painting. Several minuscule people walk on the path and at least one person rides a horse.

Sanford Robinson Gifford Siout, Egypt, 1874 National Gallery of Art

We look through a tropical forest lining a hazy, wide, placid river in this horizontal landscape painting. Densely packed trees, bushes, and plants create shadowed, thickly forested banks along both sides of the river.

Frederic Edwin Church El Rio de Luz (The River of Light), 1877 National Gallery of Art

This painting depicts a vast countryside from an elevated point of view. At the bottom of the painting is a wide brown and green field that appears to be growing wheat or a similar crop.

George Inness Harvest Scene in the Delaware Valley, 1867 National Gallery of Art

Landscape, Théodore Rousseau, c. 1850, oil on panel

Théodore Rousseau Landscape, c. 1850 Art Institute of Chicago

A Vista through Trees: Fontainebleau, Narcisse Virgilio Díaz de la Peña, 1873, oil on wood

Narcisse Virgilio Díaz de la Peña A Vista through Trees: Fontainebleau, 1873 The Met

Édouard Vuillard Woman Sitting by the Fireside, c. 1894 National Gallery of Art

The Edge of the Woods, Narcisse Virgilio Díaz de la Peña, 1872, oil on wood

Narcisse Virgilio Díaz de la Peña The Edge of the Woods, 1872 The Met

Landscape (The Lock), John Constable, c. 1820–25, oil on canvas

John Constable Landscape (The Lock), c. 1820–25 Art Institute of Chicago

This painting shows a serene forest setting with a wide, shallow stream flowing gently towards us. The scene is enclosed by tall trees on either side.

Worthington Whittredge Trout Brook in the Catskills, 1875 National Gallery of Art

Path Near the Pond of Vipers, Fontainebleau Forest, Narcisse Virgilio Díaz de la Peña, c. 1860s, oil on wood panel

Narcisse Virgilio Díaz de la Peña Path Near the Pond of Vipers, Fontainebleau Forest, c. 1860s Cleveland Museum of Art

Women Working in a Field, Winslow Homer, 1867, oil on wood

Winslow Homer Women Working in a Field, 1867 Cleveland Museum of Art

This painting shows a landscape with tall, blue, snow-capped mountains in the distance. There are blue and purple clouds in the yellow sky.

Jasper Francis Cropsey View of Mt. Washington, 1881 National Gallery of Art

Peace and Plenty, George Inness, 1865, oil on canvas

George Inness Peace and Plenty, 1865 The Met

An Old Chapel in a Valley, Théodore Rousseau, ca. 1835, oil on wood

Théodore Rousseau An Old Chapel in a Valley, ca. 1835 The Met

Leaving the Forest, Fontainebleau: Setting Sun, Théodore Rousseau, 1851, oil on fabric

Théodore Rousseau Leaving the Forest, Fontainebleau: Setting Sun, 1851 Cleveland Museum of Art

Greek Cavalry Men Resting in Forest, Eugène Delacroix, 1858, oil on fabric

Eugène Delacroix Greek Cavalry Men Resting in Forest, 1858 Cleveland Museum of Art

Landscape, George Inness, c. 1852, oil on canvas

George Inness Landscape, c. 1852 National Gallery of Art

The Falls of Niagara, Edward Hicks, ca. 1825, oil on canvas

Edward Hicks The Falls of Niagara, ca. 1825 The Met

This painting shows a pastoral setting with a large white-and-gray house on a hill to the left. Distant people stand in front of the house, along with a horse-drawn wagon.

Edward Hicks The Grave of William Penn, c. 1847/1848 National Gallery of Art

A heronǳ silhouette sits amongst the brush in a golden hued forest.

George Inness The Home of the Heron, 1893 Art Institute of Chicago

Harvest Scene, Winslow Homer, ca. 1873, oil on canvas

Winslow Homer Harvest Scene, ca. 1873 The Met

Isola Bella in Lago Maggiore, Sanford Robinson Gifford, 1871, oil on canvas

Sanford Robinson Gifford Isola Bella in Lago Maggiore, 1871 The Met

A Home in the Wilderness, Sanford Robinson Gifford, 1866, oil on canvas

Sanford Robinson Gifford A Home in the Wilderness, 1866 Cleveland Museum of Art

A few pale brown buildings with terracotta red roofs are nestled among hills at the base of a towering, icy-blue mountain in this horizontal landscape painting.

Paul Cézanne Montagne Sainte-Victoire, from near Gardanne, c. 1887 National Gallery of Art

Wyoming Valley, Pennsylvania, Jasper Francis Cropsey, 1864, oil on canvas

Jasper Francis Cropsey Wyoming Valley, Pennsylvania, 1864 The Met

Long Island Farmhouses, William Sidney Mount, 1862–63, oil on canvas

William Sidney Mount Long Island Farmhouses, 1862–63 The Met

Still Life: Wood Tankard and Metal Pitcher, Paul Gauguin, 1880, oil on linen canvas

Paul Gauguin Still Life: Wood Tankard and Metal Pitcher, 1880 Art Institute of Chicago

Study for Eagle Head, Manchester, Massachusetts, Winslow Homer, 1869 (?), oil on wood

Winslow Homer Study for Eagle Head, Manchester, Massachusetts, 1869 (?) The Met

Versailles, Pierre-Auguste Renoir, 1900–1905, oil on canvas

Pierre-Auguste Renoir Versailles, 1900–1905 The Met

From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape.

Thomas Gainsborough Seashore with Fishermen, c. 1781/1782 National Gallery of Art

Four boats with low masts sit on a sandy beach next to rocky cliffs under a cloud-filled sky in this horizontal landscape painting. Three of the boats are clustered together near the center of the composition.

Gustave Courbet Boats on a Beach, Etretat, c. 1872/1875 National Gallery of Art

We look across a profusion of vivid red, blush-pink, and white flowers lining a stony shoreline in this almost square landscape painting.

Childe Hassam Poppies, Isles of Shoals, 1891 National Gallery of Art

Towering, sheer cliffs loom to our left, over a sunny beach scattered with boats in this horizontal landscape painting.

Gustave Courbet Beach in Normandy, c. 1872/1875 National Gallery of Art

Beach Scene, Eugène Boudin, c. 1865–1867, oil on wood panel

Eugène Boudin Beach Scene, c. 1865–1867 Cleveland Museum of Art

Pompton Plains, New Jersey, Jasper Francis Cropsey, 1867, oil on canvas

Jasper Francis Cropsey Pompton Plains, New Jersey, 1867 The Met

Dense canopies enclose a forested interior along a stream in this horizontal landscape painting.

Gustave Courbet The Stream (Le Ruisseau du Puits-Noir; vallée de la Loue), 1855 National Gallery of Art

Weary Wayfarers, Jean-Charles Cazin, 1888, oil on canvas

Jean-Charles Cazin Weary Wayfarers, 1888 National Gallery of Art

Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left.

Berthe Morisot Woman at Her Toilette, 1875–80 Art Institute of Chicago

Painting of woman, arms crossed on brown desk, staring at goldfish.

Henri Matisse Woman before an Aquarium, 1921–23 Art Institute of Chicago

The Repast of the Lion, Henri Rousseau, ca. 1907, oil on canvas

Henri Rousseau The Repast of the Lion, ca. 1907 The Met

The Large Plane Trees (Road Menders at Saint-Rémy), Vincent van Gogh, 1889, oil on fabric

Vincent van Gogh The Large Plane Trees (Road Menders at Saint-Rémy), 1889 Cleveland Museum of Art

We look slightly down onto a bay that curves away from us into the distance and to our right in this horizontal landscape painting. C-shaped, shallow waves lap at the sandy beach from our right.

Worthington Whittredge Second Beach, Newport, c. 1878/1880 National Gallery of Art

This painting shows a woodland scene with tall trees surrounding a small, still pond. The trees and grassy ground are painted in shades of olive-green, rusty orange, yellow ochre, and dark brown.

Narcisse Virgilio Díaz de la Peña The Frog Pond, 1876 National Gallery of Art

Hunting near Hartenfels Castle, Lucas Cranach the Elder, 1540, oil, originally on wood, transferred to masonite

Lucas Cranach the Elder Hunting near Hartenfels Castle, 1540 Cleveland Museum of Art

Portrait of Mme Lisle and Mme Loubens, Edgar Degas, c. 1867, oil on canvas

Edgar Degas Portrait of Mme Lisle and Mme Loubens, c. 1867 Art Institute of Chicago

Still life of sensuously detailed painting of four white magnolias lying on blue velvet cloth.

Martin Johnson Heade Magnolias on Light Blue Velvet Cloth, 1885–95 Art Institute of Chicago

Moss-green land rising to a tree-topped bluff follows the curve of a sandy beach surrounding a pale blue cove in this horizontal landscape painting.

Camille Corot Beach near Etretat, c. 1872 National Gallery of Art

Marine, William Merritt Chase, c. 1888, oil on wood

William Merritt Chase Marine, c. 1888 Cleveland Museum of Art