Horizontal Paintings for the Bedroom (page 10)

Showing 433 to 480 of 645 horizontal paintings

Sunset on the Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset on the Sea, 1872 The Met

A smiling young child holds the latch of an open wooden door as she looks toward a woman to our right in this almost square painting. The woman and child both have pale skin and stand in a bedroom.

Pieter de Hooch The Bedroom, 1658/1660 National Gallery of Art

The image depicts a person standing beside a black horse. The person has long dark hair with feathers, wearing skin trousers, moccasins, a quiver, and a bow slung across their back.

George Catlin A Cheyenne Warrior Resting His Horse, 1861/1869 National Gallery of Art

Study for "The Destruction of Sodom", Camille Corot, 1843, oil on canvas

Camille Corot Study for "The Destruction of Sodom", 1843 The Met

A path enclosed almost entirely with trees stretches into a dense, sun-dappled forest before us in this horizontal landscape painting.

Narcisse Virgilio Díaz de la Peña In the Forest, 1874 National Gallery of Art

This painting shows a landscape seen from an elevated view. Fields dotted with small trees line a hill that reaches up towards the horizon, below a blue sky full of white, puffy clouds.

Édouard Vuillard Landscape of the Ile-de-France, c. 1894 National Gallery of Art

A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B.

Camille Pissarro A Creek in St. Thomas (Virgin Islands), 1856 National Gallery of Art

Sea Cove, Albert Bierstadt, ca. 1880–90, oil on wood

Albert Bierstadt Sea Cove, ca. 1880–90 The Met

Monte Pincio, Rome, Camille Corot, 1840–50, oil on canvas

Camille Corot Monte Pincio, Rome, 1840–50 Art Institute of Chicago

The painting depicts a rural scene with a wide, cloudy blue sky over a riverbank. On the right there are tall, dark green trees that stretch up to the top of the painting.

Camille Corot River View, 1868/1872 National Gallery of Art

Tall grasses lead back to a body of water and then perhaps a town in this loosely painted, horizontal landscape.

Pierre-Auguste Renoir Landscape at Vétheuil, c. 1890 National Gallery of Art

Autumn Meadows, George Inness, 1869, oil on canvas

George Inness Autumn Meadows, 1869 The Met

This painting shows a landscape with a wide river on the right flowing through green hills.

John Frederick Kensett View on the Genesee near Mount Morris, 1857 National Gallery of Art

Cottage by the River with Washerwomen, Camille Flers, 1835, oil on fabric

Camille Flers Cottage by the River with Washerwomen, 1835 Cleveland Museum of Art

This painting shows a slightly elevated viewpoint looking out across a green landscape towards a reflective body of water. In the green sky, the pale-yellow moon glows brightly, illuminating the scene.

Ralph Albert Blakelock Moonlight, 1886/1895 National Gallery of Art

This painting shows a scene with several people spaced out across a grassy expanse. The horizon is high in the painting, lined with white structures with red roofs and green trees.

Georges Seurat Figures in a Landscape, c. 1883 National Gallery of Art

We look across the gleaming, forest-green surface of a lake at the foot of tall, jagged mountains in this horizontal landscape painting.

Albert Bierstadt Mount Corcoran, c. 1876-1877 National Gallery of Art

The Aegean Sea, Frederic Edwin Church, ca. 1877, oil on canvas

Frederic Edwin Church The Aegean Sea, ca. 1877 The Met

A young woman reclines and reads a book near a stream that winds through a wooded landscape in this horizontal painting. Painted with rich pine green, trees tower along the riverbanks and fill most of the painting.

Camille Corot Forest of Fontainebleau, 1834 National Gallery of Art

Portejoie on the Seine, Charles-François Daubigny, 1858 or 1868, oil on wood

Charles-François Daubigny Portejoie on the Seine, 1858 or 1868 The Met

Honey-gold sunlight from low along the horizon to our left falls across the copper and bronze-colored canopies of trees that frame our view of a stone church with stained glass windows and ornate spires in this horizontal landscape…

Thomas Cole The Return, 1837 National Gallery of Art

This horizontal landscape is painted with dots and dashes in fresh green, shimmering blue, amethyst purple, shell pink, pale yellow, and cream white against the brown wood of the panel, which is visible throughout.

Georges Seurat Study for "La Grande Jatte", 1884/1885 National Gallery of Art

Sunset near Arbonne, Théodore Rousseau, ca. 1860–65, oil on wood

Théodore Rousseau Sunset near Arbonne, ca. 1860–65 The Met

The Valley of Wyoming, Jasper Francis Cropsey, 1865, oil on canvas

Jasper Francis Cropsey The Valley of Wyoming, 1865 The Met

The painting depicts a landscape with a field, trees, and a dramatic cloudy sky. Grass, rocks, and a group of large trees are visible in the center of the composition.

Jules Dupré The Old Oak, c. 1870 National Gallery of Art

A shaft of warm light from our left pierces a dark wood filled with tall trees in this horizontal landscape painting. The light falls on a stout white trunk and a portion of the moss-green forest floor near the center of the composition.

George Inness Sunset in the Woods, 1891 National Gallery of Art

The Cottage by the Roadside, Stormy Sky, Jules Dupré, c. 1860, oil on canvas

Jules Dupré The Cottage by the Roadside, Stormy Sky, c. 1860 Art Institute of Chicago

Matsuchiyama on the Sumida River, Utagawa Hiroshige, Edo period, 1856, hanging scroll; Ink and color on silk

Utagawa Hiroshige Matsuchiyama on the Sumida River, Edo period, 1856 Art Institute of Chicago

Pine Grove of the Barberini Villa, George Inness, 1876, oil on canvas

George Inness Pine Grove of the Barberini Villa, 1876 The Met

Roman Landscape, Arnold Böcklin, ca. 1850–52, oil on canvas, several pieces joined

Arnold Böcklin Roman Landscape, ca. 1850–52 The Met

The painting shows a landscape with a calm body of water stretching across the center, beyond a brown bank of rocks and short green grass. A thin tree rises up on the left.

Théodore Rousseau Landscape with Boatman, c. 1860 National Gallery of Art

George Sand's Garden at Nohant, Eugène Delacroix, ca. 1842–43, oil on canvas

Eugène Delacroix George Sand's Garden at Nohant, ca. 1842–43 The Met

Sunset, John Singer Sargent, 1905–6, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Sunset, 1905–6 The Met

The Agony in the Garden, Raphael, ca. 1504, oil on wood

Raphael The Agony in the Garden, ca. 1504 The Met

This painting depicts a rural landscape with a shepherdess tending to a flock of sheep on a tree-lined dirt path. She is facing away from us and wears a blue skirt with a white shirt and a white bonnet covering her hair.

George Inness Hillside at Étretat, 1876 National Gallery of Art

Corn Fields, Félix Vallotton, 1900, oil on board

Félix Vallotton Corn Fields, 1900 Cleveland Museum of Art

Hudson River Scene, John Frederick Kensett, 1857, oil on canvas

John Frederick Kensett Hudson River Scene, 1857 The Met

View on the Catskill—Early Autumn, Thomas Cole, 1836–37, oil on canvas

Thomas Cole View on the Catskill—Early Autumn, 1836–37 The Met

This painting depicts a vast landscape with a horizon line in the lower third of the painting. A range of dark brown and purple mountains or hills stretches across the width of the image.

Thomas Cole Study for "Catskill Creek", c. 1844/1845 National Gallery of Art

St. Albert of Louvain, Peter Paul Rubens, 1620, oil on panel

Peter Paul Rubens St. Albert of Louvain, 1620 Art Institute of Chicago

Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow), Thomas Cole, 1836, oil and pencil on composition board

Thomas Cole Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow), 1836 The Met

This painting depicts a landscape with an open green field stretching out into the distance. At the bottom of the painting, there is a rocky area with sparse vegetation and yellow, sun-bleached grass.

Théodore Rousseau Countryside in Picardy, 1860 National Gallery of Art

Young Ladies of the Village, Gustave Courbet, 1851–52, oil on canvas

Gustave Courbet Young Ladies of the Village, 1851–52 The Met

Landscape, George Inness, 1884 or 1889, oil on canvas

George Inness Landscape, 1884 or 1889 The Met

A River Landscape with Storks, Charles-François Daubigny, 1864, oil on wood

Charles-François Daubigny A River Landscape with Storks, 1864 The Met

The Miracle of the Loaves and Fishes, Jacopo Tintoretto, ca. 1545–50, oil on canvas

Jacopo Tintoretto The Miracle of the Loaves and Fishes, ca. 1545–50 The Met

We look out onto a sweeping, panoramic view with trees, their leaves fiery orange and red, framing a view of a distant body of water under a sun-streaked sky in this long, horizontal landscape painting.

Jasper Francis Cropsey Autumn - On the Hudson River, 1860 National Gallery of Art

The dark, forest-green canopies of trees to our right are silhouetted against a sky that warms from pale blue along the top edge of the composition to butter yellow along the horizon, which comes about a quarter of the way up this…

Jean-Honoré Fragonard Mountain Landscape at Sunset, c. 1765 National Gallery of Art