Impressionist Paintings for the Bedroom (page 3)

Showing 97 to 144 of 231 Impressionist paintings

Entrance to the Port of Honfleur, Johan Barthold Jongkind, 1863–64, oil on canvas

Johan Barthold Jongkind Entrance to the Port of Honfleur, 1863–64 Art Institute of Chicago

Valley of the Sédelle at Pont Charraud: White Frost, Armand Guillaumin, c.1903–1911, oil on fabric

Armand Guillaumin Valley of the Sédelle at Pont Charraud: White Frost, c.1903–1911 Cleveland Museum of Art

View of Bordeaux, from the Quai des Chartrons, Eugène Boudin, 1874, oil on fabric

Eugène Boudin View of Bordeaux, from the Quai des Chartrons, 1874 Cleveland Museum of Art

View of the Port of Saint-Valéry-sur-Somme, Eugène Boudin, 1891, oil on canvas

Eugène Boudin View of the Port of Saint-Valéry-sur-Somme, 1891 Cleveland Museum of Art

The Red Bridge, Julian Alden Weir, 1895, oil on canvas

Julian Alden Weir The Red Bridge, 1895 The Met

Arques-la-Bataille, John Henry Twachtman, ca. 1884, oil on canvas

John Henry Twachtman Arques-la-Bataille, ca. 1884 The Met

Beaulieu: The Bay of Fourmis, Eugène Boudin, 1892, oil on canvas

Eugène Boudin Beaulieu: The Bay of Fourmis, 1892 The Met

The Pont Neuf, Johan Barthold Jongkind, 1849–50, oil on canvas

Johan Barthold Jongkind The Pont Neuf, 1849–50 The Met

View from the Quai d'Orsay, Johan Barthold Jongkind, 1854, oil on canvas, mounted on wood

Johan Barthold Jongkind View from the Quai d'Orsay, 1854 The Met

On the Beach, Sunset, Eugène Boudin, 1865, oil on wood

Eugène Boudin On the Beach, Sunset, 1865 The Met

The painting shows a bright-green landscape with rolling hills in the distance.

Julian Alden Weir Obweebetuck, c. 1908 National Gallery of Art

The image features a seascape scene with a beach, ocean, and sailboats. The horizon is high in the image, separating the sea from the sky, where sailboats are present.

Eugène Boudin Low Tide at Scheveningen, 1875 National Gallery of Art

A stream meanders back through snowbanks in this wooded landscape, which is created entirely with cool, pale tones of white, gray, blue, lilac, and golden beige in this nearly square painting.

John Henry Twachtman Winter Harmony, c. 1890/1900 National Gallery of Art

Shinnecock Hills, William Merritt Chase, ca. 1895, oil on canvas

William Merritt Chase Shinnecock Hills, ca. 1895 Smithsonian American Art Museum

The Torrent, John Henry Twachtman, ca. 1900, oil on canvas

John Henry Twachtman The Torrent, ca. 1900 Smithsonian American Art Museum

Hemlock Pool, John Henry Twachtman, ca. 1890-1900, oil on canvas

John Henry Twachtman Hemlock Pool, ca. 1890-1900 Smithsonian American Art Museum

Misty May Morn, John Henry Twachtman, 1899, oil on canvas

John Henry Twachtman Misty May Morn, 1899 Smithsonian American Art Museum

Appledore No. 2, Childe Hassam, 1912, watercolor on paper

Childe Hassam Appledore No. 2, 1912 Smithsonian American Art Museum

The South Ledges, Appledore, Childe Hassam, 1913, oil on canvas

Childe Hassam The South Ledges, Appledore, 1913 Smithsonian American Art Museum

Painting of a young woman outdoors in a light purple dress and head covering with a wooden yoke around her neck suspending large bundles of brightly colored flowers.

George Hitchcock Flower Girl in Holland, 1887 Art Institute of Chicago

Brooklyn Bridge, Henry Ward Ranger, 1899, oil on canvas

Henry Ward Ranger Brooklyn Bridge, 1899 Art Institute of Chicago

From atop a high hill, we look across a broad valley leading to a winding river in this loosely painted horizontal landscape. The scene is created entirely with visible brushstrokes in fresh and vibrant green and shimmering and smoky blues.

Theodore Robinson The Valley of the Seine, from the Hills of Giverny, 1892 National Gallery of Art

A nearly square landscape with a bridge to our right and a person walking at the lower center is painted loosely in tones of pine, spruce, and sage green with a few touches of yellow, black, and brown.

Ernest Lawson High Bridge at Night, New York City, c. 1910/1920 National Gallery of Art

We look down at and across a sun-soaked landscape with tile-roofed, white-stucco buildings and plowed fields in this horizontal painting.

Willard Leroy Metcalf Midsummer Twilight, c. 1890 National Gallery of Art

A rocky shoreline juts into a vivid, aquamarine-blue body of water in this loosely painted, nearly square landscape.

Childe Hassam A North East Headland, 1901 National Gallery of Art

Windmills near Rotterdam, Johan Barthold Jongkind, 1857, oil on canvas

Johan Barthold Jongkind Windmills near Rotterdam, 1857 Rijksmuseum

View of Saint-Valéry-sur-Somme, Edgar Degas, 1896–98, oil on canvas

Edgar Degas View of Saint-Valéry-sur-Somme, 1896–98 The Met

This painting depicts a game being played on a grassy field. The game is taking place in the central green lawn, with buildings in the distance surrounded by trees.

Camille Pissarro Hampton Court Green, 1891 National Gallery of Art

End of Winter, John Henry Twachtman, after 1889, oil on canvas

John Henry Twachtman End of Winter, after 1889 Smithsonian American Art Museum

Ponte Santa Trinità, Childe Hassam, 1897, oil on canvas

Childe Hassam Ponte Santa Trinità, 1897 Smithsonian American Art Museum

A woman with pale skin and dark brown hair is swathed in silky fabric as she reclines along a gray couch in this horizontal painting. Her head rests along the backrest of the sofa to our left, so her body extends to our right.

John Singer Sargent Nonchaloir (Repose), 1911 National Gallery of Art

Upland Pasture, Julian Alden Weir, ca. 1905, oil on canvas

Julian Alden Weir Upland Pasture, ca. 1905 Smithsonian American Art Museum

At the Seaside, William Merritt Chase, ca. 1892, oil on canvas

William Merritt Chase At the Seaside, ca. 1892 The Met

Spring, Navesink Highlands, Childe Hassam, 1908, oil on canvas

Childe Hassam Spring, Navesink Highlands, 1908 Smithsonian American Art Museum

Noon above Newburgh, Childe Hassam, 1916, watercolor on paper

Childe Hassam Noon above Newburgh, 1916 Smithsonian American Art Museum

The Brook, Greenwich, Connecticut, John Henry Twachtman, ca. 1890-1900, oil on canvas

John Henry Twachtman The Brook, Greenwich, Connecticut, ca. 1890-1900 Smithsonian American Art Museum

We look across the water at two sailing ships with cream-white sails and dark rigging floating in a shimmering, ice-blue river against a distant shore lined with trees, hills, and buildings in this nearly square landscape painting.

Claude Monet Ships Riding on the Seine at Rouen, 1872/1873 National Gallery of Art

Jewel-toned blue, red, yellow, green, and pearl white brushstrokes swirl and stretch in this loosely painted horizontal landscape painting.

Pierre-Auguste Renoir The Blue River, c. 1890/1900 National Gallery of Art

Peach Blossoms, Winslow Homer, 1878, oil on canvas

Winslow Homer Peach Blossoms, 1878 Art Institute of Chicago

Snow at Louveciennes, Camille Pissarro, c. 1870, oil on panel

Camille Pissarro Snow at Louveciennes, c. 1870 Art Institute of Chicago

This painting shows an expansive green and yellow grassland under a textured blue and white sky. The horizon line is high, separating the fields and clouds with a thin line of dark trees and small white buildings.

Georges Seurat A Summer Landscape, 1883 National Gallery of Art

This painting depicts a while villa partially hidden by greenery. The villa has several buildings on different levels with small windows and reddish-brown roofs. The brushstrokes are loose and broad, giving the image a blurred effect.

Pierre-Auguste Renoir Maison de la Poste, Cagnes, 1906/1907 National Gallery of Art

We look slightly down onto a bare, gnarled tree near a gray, dirt path, which leads back to a hamlet in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes, so many details are indistinct.

Camille Pissarro The Fence, 1872 National Gallery of Art

The Seine at Bas-Meudon, Johan Barthold Jongkind, 1865, oil on fabric

Johan Barthold Jongkind The Seine at Bas-Meudon, 1865 Cleveland Museum of Art

Arques-la-Bataille, John Henry Twachtman, 1885, oil on canvas

John Henry Twachtman Arques-la-Bataille, 1885 The Met

This painting shows a landscape with a horizon in the lower third of the composition. On the left side of the painting, there are tall trees along a canal.

Johan Barthold Jongkind The Towpath, 1864 National Gallery of Art

Houses on a Waterway near Crooswijk, Johan Barthold Jongkind, 1874, oil on canvas

Johan Barthold Jongkind Houses on a Waterway near Crooswijk, 1874 Rijksmuseum

Rotterdam in the Moonlight, Johan Barthold Jongkind, 1881, oil on canvas

Johan Barthold Jongkind Rotterdam in the Moonlight, 1881 Rijksmuseum