Impressionist Paintings for the Bedroom (page 4)

Showing 145 to 192 of 231 Impressionist paintings

The Banks of the Marne at Charenton, Armand Guillaumin, c. 1895, oil on fabric

Armand Guillaumin The Banks of the Marne at Charenton, c. 1895 Cleveland Museum of Art

A Roadside Tavern, Johan Barthold Jongkind, 1863, oil on canvas

Johan Barthold Jongkind A Roadside Tavern, 1863 Art Institute of Chicago

Overschie in the Moonlight, Johan Barthold Jongkind, 1871, oil on canvas

Johan Barthold Jongkind Overschie in the Moonlight, 1871 Rijksmuseum

Rue Notre-Dame, Paris, Johan Barthold Jongkind, 1866, oil on canvas

Johan Barthold Jongkind Rue Notre-Dame, Paris, 1866 Rijksmuseum

Water Lily Pond, Claude Monet, 1917–19, oil on canvas

Claude Monet Water Lily Pond, 1917–19 Art Institute of Chicago

A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B.

Camille Pissarro A Creek in St. Thomas (Virgin Islands), 1856 National Gallery of Art

Tall grasses lead back to a body of water and then perhaps a town in this loosely painted, horizontal landscape.

Pierre-Auguste Renoir Landscape at Vétheuil, c. 1890 National Gallery of Art

This painting shows a scene with several people spaced out across a grassy expanse. The horizon is high in the painting, lined with white structures with red roofs and green trees.

Georges Seurat Figures in a Landscape, c. 1883 National Gallery of Art

Vétheuil, Claude Monet, 1901, oil on canvas

Claude Monet Vétheuil, 1901 Art Institute of Chicago

Painting of softly rendered shapes in pale blue, green, and white. A textured green mass at left resembles foliage. Blue and white cloud-like forms fill the rest of the frame.

Claude Monet Branch of the Seine near Giverny (Mist), 1897 Art Institute of Chicago

Vétheuil, Claude Monet, 1901, oil on canvas

Claude Monet Vétheuil, 1901 Art Institute of Chicago

At seascape rendered in pastel tones. At right, boats line a pink shore underneath a tall cliff. At left, a single red sailboat floats in blue water.

Claude Monet Étretat: The Beach and the Falaise d'Amont, 1885 Art Institute of Chicago

Café Singer, Edgar Degas, 1879, oil on canvas

Edgar Degas Café Singer, 1879 Art Institute of Chicago

Woman and Child at the Well, Camille Pissarro, 1882, oil on canvas

Camille Pissarro Woman and Child at the Well, 1882 Art Institute of Chicago

Rue de l'Epicerie, Rouen (Effect of Sunlight), Camille Pissarro, 1898, oil on canvas

Camille Pissarro Rue de l'Epicerie, Rouen (Effect of Sunlight), 1898 The Met

A woman sits among loosely painted, crescent-shape blades of emerald and lemon-lime green grass, under tall trees in this vertical scene. The brushstrokes are unconnected and visible, so many of the details difficult to make out.

Claude Monet Woman Seated under the Willows, 1880 National Gallery of Art

We look up at the exterior of a church that soars the height of this vertical painting.

Claude Monet Rouen Cathedral, West Façade, Sunlight, 1894 National Gallery of Art

The White Bridge, John Henry Twachtman, after 1895, oil on canvas

John Henry Twachtman The White Bridge, after 1895 Art Institute of Chicago

A seascape painted in pastel tones, light-colored houses with red chimneys and light-green shutters in the foreground. The scene is set on a rocky, green hillside overlooking a blue sea with small sailboats.

Childe Hassam New England Headlands, 1899 Art Institute of Chicago

In the Garden (Celia Thaxter in Her Garden), Childe Hassam, 1892, oil on canvas

Childe Hassam In the Garden (Celia Thaxter in Her Garden), 1892 Smithsonian American Art Museum

Horseneck Falls, John Henry Twachtman, ca. 1889–1900, oil on canvas

John Henry Twachtman Horseneck Falls, ca. 1889–1900 The Met

Waterfall, John Henry Twachtman, ca. 1889–91, oil on canvas

John Henry Twachtman Waterfall, ca. 1889–91 The Met

This painting shows a cluster of trees against a bright sky in shades of pale yellow and pale seafoam green. Closest to us, a green-gray path stretches horizontally next to tall teal and blue grasses.

Julian Alden Weir Moonlight, c. 1905 National Gallery of Art

Niagara Falls, John Henry Twachtman, ca. 1894, oil on canvas

John Henry Twachtman Niagara Falls, ca. 1894 Smithsonian American Art Museum

Côte des Grouettes, near Pontoise, Camille Pissarro, probably 1878, oil on canvas

Camille Pissarro Côte des Grouettes, near Pontoise, probably 1878 The Met

Figure in Sunlight (Artist's Wife), John Henry Twachtman, ca. 1890-1900, oil on canvas

John Henry Twachtman Figure in Sunlight (Artist's Wife), ca. 1890-1900 Smithsonian American Art Museum

(Landscape), Julian Alden Weir, after 1900, oil on wood

Julian Alden Weir (Landscape), after 1900 Smithsonian American Art Museum

Poplars, Eragny, Camille Pissarro, 1895, oil on canvas

Camille Pissarro Poplars, Eragny, 1895 The Met

Thaxter's Garden, Childe Hassam, 1892, watercolor on paper

Childe Hassam Thaxter's Garden, 1892 Smithsonian American Art Museum

Irises, Claude Monet, 1914–17, oil on canvas

Claude Monet Irises, 1914–17 Art Institute of Chicago

Marshal Ferdinand Foch, Edmund Charles Tarbell, 1920, oil on canvas

Edmund Charles Tarbell Marshal Ferdinand Foch, 1920 Smithsonian American Art Museum

We are eye-level on a beach with half a dozen ships in view, sitting on the ground against a gray sky in this vertical landscape oil painting created with broad, unblended strokes.

Eugène Boudin Low Tide, Sailboats Run Aground, 1885-1890 National Gallery of Art

Round Hill Road, John Henry Twachtman, ca. 1890-1900, oil on canvas

John Henry Twachtman Round Hill Road, ca. 1890-1900 Smithsonian American Art Museum

Versailles, Pierre-Auguste Renoir, 1900–1905, oil on canvas

Pierre-Auguste Renoir Versailles, 1900–1905 The Met

We look across a profusion of vivid red, blush-pink, and white flowers lining a stony shoreline in this almost square landscape painting.

Childe Hassam Poppies, Isles of Shoals, 1891 National Gallery of Art

Improvisation, Childe Hassam, 1899, oil on canvas

Childe Hassam Improvisation, 1899 Smithsonian American Art Museum

Beach Scene, Eugène Boudin, c. 1865–1867, oil on wood panel

Eugène Boudin Beach Scene, c. 1865–1867 Cleveland Museum of Art

Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left.

Berthe Morisot Woman at Her Toilette, 1875–80 Art Institute of Chicago

Portrait of Mme Lisle and Mme Loubens, Edgar Degas, c. 1867, oil on canvas

Edgar Degas Portrait of Mme Lisle and Mme Loubens, c. 1867 Art Institute of Chicago

Marine, William Merritt Chase, c. 1888, oil on wood

William Merritt Chase Marine, c. 1888 Cleveland Museum of Art

Impressionist painting of seated man, girl with brown, black hues.

Edgar Degas Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin), 1875–76 Art Institute of Chicago

Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), Pierre-Auguste Renoir, 1878, oil on canvas

Pierre-Auguste Renoir Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), 1878 The Met

Woman in a Garden, Berthe Morisot, 1882–83, oil on canvas

Berthe Morisot Woman in a Garden, 1882–83 Art Institute of Chicago

Two dark-skinned women stand facing each other on a dirt path that runs beside a body of water in this horizontal painting. One woman faces us and balances a flat tray loaded with white cloths on her head.

Camille Pissarro Two Women Chatting by the Sea, St. Thomas, 1856 National Gallery of Art

The Beach at Deauville, Eugène Boudin, 1864, oil on wood panel

Eugène Boudin The Beach at Deauville, 1864 Cleveland Museum of Art

Orange, yellow, and white flowers in a brown vase on a round table, with a blue-green floral tablecloth and mottled, brownish background.

Pierre-Auguste Renoir Chrysanthemums, 1881–82 Art Institute of Chicago

Low Tide at Pourville, near Dieppe, 1882, Claude Monet, 1882, oil on fabric

Claude Monet Low Tide at Pourville, near Dieppe, 1882, 1882 Cleveland Museum of Art

Figures on the Beach, Pierre-Auguste Renoir, 1890, oil on canvas

Pierre-Auguste Renoir Figures on the Beach, 1890 The Met