Landscape Paintings for the Bedroom (page 7)

Showing 289 to 336 of 570 landscape paintings

Sheer, vertical, cliffs, brightly lit in cream white and rust orange by the low sun, tower over a band of people riding horses into the distance in this long, horizontal landscape painting.

Thomas Moran Green River Cliffs, Wyoming, 1881 National Gallery of Art

Wooded Upland Landscape, Thomas Gainsborough, probably 1783, oil on canvas

Thomas Gainsborough Wooded Upland Landscape, probably 1783 The Met

Niagara Falls in Winter, Jasper Francis Cropsey, 1868, oil on canvas

Jasper Francis Cropsey Niagara Falls in Winter, 1868 Art Institute of Chicago

Springtime, Théodore Rousseau, c. 1860, oil on panel

Théodore Rousseau Springtime, c. 1860 Art Institute of Chicago

Twilight on the Sound, Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Twilight on the Sound, Darien, Connecticut, 1872 The Met

Afternoon sunlight pours over a town crowded along the banks of a serene, glass-green river that runs through the middle of this horizontal painting. Several buildings cluster to our left on the riverbank close to us.

Bernardo Bellotto View of Munich, c. 1761 National Gallery of Art

American Pasturage - Prairies of the Platte, George Catlin, 1861/1869, oil on card mounted on paperboard

George Catlin American Pasturage - Prairies of the Platte, 1861/1869 National Gallery of Art

We look slightly down onto a group of people gathered along the bank of a river that winds around a copse of tall trees to our left, past a hill to our right, and into the deep distance in this horizontal landscape painting.

Claude Lorrain Landscape with Merchants, c. 1629 National Gallery of Art

We look across a waterlogged path at a line of rust-red and bronze-brown trees that nearly span the width of this horizontal landscape painting. The scene is loosely painted, which creates a blurred look.

Théodore Rousseau After the Rain, c. 1850 National Gallery of Art

The Banks of the Oise, Charles-François Daubigny, 1863, oil on wood

Charles-François Daubigny The Banks of the Oise, 1863 The Met

Landscape, George Inness, 1888, oil on canvas

George Inness Landscape, 1888 Cleveland Museum of Art

The painting shows a cityscape with a large cylindrical reddish-brown fortress on the right. In the center, a wide river winds through the city, with people by the riverbank and more people walking along a winding road on the left.

Francesco Guardi Fanciful View of the Castel Sant'Angelo, Rome, c. 1785 National Gallery of Art

Landscape at Saint-André, Near Marseilles, Paul Guigou, c. 1865, oil on wood panel

Paul Guigou Landscape at Saint-André, Near Marseilles, c. 1865 Cleveland Museum of Art

The image shows a winter scene with an icy river and activity on the shore. A rocky cliff partially covered in snow is on the right, with evergreen trees.

George Catlin The Expedition Encamped below the Falls of Niagara. January 20, 1679, 1847/1848 National Gallery of Art

Autumn Landscape with a Flock of Turkeys, Jean-François Millet, 1872–73, oil on canvas

Jean-François Millet Autumn Landscape with a Flock of Turkeys, 1872–73 The Met

Lush tall grasses with small white flowers foreground a grove of bushy trees of varying types and heights, their leaves ranging from deep green to golden.

Vincent van Gogh The Poet's Garden, 1888 Art Institute of Chicago

Saint Anthony the Abbot in the Wilderness, Sano di Pietro, ca. 1440, tempera and gold on wood

Sano di Pietro Saint Anthony the Abbot in the Wilderness, ca. 1440 The Met

Landscape—Scene from "Thanatopsis", Asher Brown Durand, 1850, oil on canvas

Asher Brown Durand Landscape—Scene from "Thanatopsis", 1850 The Met

The painting depicts a landscape scene with a body of water, trees, reflections, and a house in the distance. The composition shows a low horizon line with trees arching across the scene and soft reflections on the water's surface.

Charles-François Daubigny Sunset on the River, 1874 National Gallery of Art

At the Seaside, William Merritt Chase, ca. 1892, oil on canvas

William Merritt Chase At the Seaside, ca. 1892 The Met

In the Auvergne, Jean-François Millet, c. 1866–69, oil on canvas

Jean-François Millet In the Auvergne, c. 1866–69 Art Institute of Chicago

A river winds through forest-green trees and vegetation between rolling hills and mountains extending into the deep distance under a pale, orchid-purple sky in this nearly square landscape painting.

Thomas Gainsborough Mountain Landscape with Bridge, c. 1783/1784 National Gallery of Art

Tall, billowing, lavender-purple and shell-pink clouds line the distant horizon over a vast plain of flat grassy land in this horizontal landscape painting.

Martin Johnson Heade Sunlight and Shadow: The Newbury Marshes, c. 1871/1875 National Gallery of Art

Sunlight, Théodore Rousseau, c. 1848/1850, oil on wood

Théodore Rousseau Sunlight, c. 1848/1850 National Gallery of Art

The Veteran in a New Field, Winslow Homer, 1865, oil on canvas

Winslow Homer The Veteran in a New Field, 1865 The Met

The Forest of Fontainebleau, Narcisse Virgilio Díaz de la Peña, 1874, oil on wood

Narcisse Virgilio Díaz de la Peña The Forest of Fontainebleau, 1874 The Met

A Foggy Sky, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett A Foggy Sky, 1872 The Met

A River in a Meadow, Théodore Rousseau, ca. 1840, oil on wood

Théodore Rousseau A River in a Meadow, ca. 1840 The Met

This painting shows a woodland scene with dense trees on the right side, their white and brown trunks twisting upwards and their leaves in shades of dark green, yellow ochre, and rusty orange.

Narcisse Virgilio Díaz de la Peña The Edge of the Forest at Les Monts-Girard, Fontainebleau, 1868 National Gallery of Art

The painting displays a dark green field stretching into the distance. A line of trees and small, indistinct structures can be seen near the center of the painting.

George Inness Harvest Moon, 1891 National Gallery of Art

The image shows a landscape with people at a campsite in the foreground. There are tents under trees, a plain leading to a hill in the background, and more hills further away.

George Catlin Expedition Encamped on a Texas Prairie. April 1686, 1847/1848 National Gallery of Art

The painting depicts a landscape with waterfalls, a river, trees, and hills in the distance. In the foreground, a group of people are near a canoe on a grassy patch. The painting features distinct brushstrokes showing texture and movement.

George Catlin Father Hennepin and Companions at the Falls of St. Anthony. May 1, 1680, 1847/1848 National Gallery of Art

In a verdant green landscape, a stone castle sits on a tree-lined hill in the distance in front of a high, craggy mountain peak while eighteen armored knights ride toward us along a bridge and path in this horizontal painting.

Thomas Cole The Departure, 1837 National Gallery of Art

The Pond at the Entrance of the Woods, Camille Corot, c. 1860–75, oil on fabric

Camille Corot The Pond at the Entrance of the Woods, c. 1860–75 Cleveland Museum of Art

The Deer, Gustave Courbet, ca. 1865, oil on canvas

Gustave Courbet The Deer, ca. 1865 The Met

October in the Marshes, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett October in the Marshes, 1872 The Met

Landscape, Jean-Charles Cazin, after 1876, oil on canvas

Jean-Charles Cazin Landscape, after 1876 National Gallery of Art

View of Florence, Thomas Cole, 1837, oil on canvas

Thomas Cole View of Florence, 1837 Cleveland Museum of Art

We look across a wide, low clearing at a mountain rising beyond rocky hills, which are mostly covered in pines and blazing red and orange autumn trees, in this horizontal landscape painting.

Thomas Cole A View of the Mountain Pass Called the Notch of the White Mountains (Crawford Notch), 1839 National Gallery of Art

The Old Mill, George Inness, 1849, oil on canvas

George Inness The Old Mill, 1849 Art Institute of Chicago

The painting depicts a serene village scene near a body of water with trees and thatched structures on the horizon.

George Catlin Painting the Lengua Chief, 1854/1869 National Gallery of Art

We look across an expanse of a flat, grassy lawn at the towering spire of a stone church outlined against billowing clouds in this horizontal landscape painting.

John Constable Salisbury Cathedral from Lower Marsh Close, 1820 National Gallery of Art

Souvenir of the Environs of Lake Nemi, Camille Corot, 1865, oil on canvas

Camille Corot Souvenir of the Environs of Lake Nemi, 1865 Art Institute of Chicago

Two thick, twisting, splintered tree trunks with broken branches stripped of leaves are set against a dark, wooded landscape beneath a nearly black sky in this horizontal landscape painting.

Thomas Cole Tornado in an American Forest, 1831 National Gallery of Art

Three people gather around the doorway of a small cottage set in a sun-warmed yard in this almost square painting.

George Caleb Bingham Cottage Scenery, 1845 National Gallery of Art

Dense green vegetation surrounds a band of sun-dappled boulders that arc shallowly across this horizontal landscape painting. Just to our left of center and on our side of the boulders are several slender tree trunks.

Camille Corot Rocks in the Forest of Fontainebleau, 1860/1865 National Gallery of Art

This painting depicts a pastoral scene with grassy marshland dotted with several yellow haystacks. A river winds through the flat green landscape, and on the right side a shallow boat sits next to the edge of the water.

Martin Johnson Heade View of Marshfield, c. 1866/1876 National Gallery of Art

We look across and down into a valley with a person sitting near a tall tree and a train puffing smoke beyond, all enclosed by a band of mountains in the distance in this horizontal landscape painting.

George Inness The Lackawanna Valley, c. 1856 National Gallery of Art