Landscape Paintings for the Bedroom (page 8)

Showing 337 to 384 of 570 landscape paintings

View of Niagara Falls, John Frederick Kensett, c. 1851–52, oil on canvas

John Frederick Kensett View of Niagara Falls, c. 1851–52 Cleveland Museum of Art

The Marsh, Charles-François Daubigny, 1871, oil on panel

Charles-François Daubigny The Marsh, 1871 Art Institute of Chicago

Near Squam Lake, New Hampshire, Eastman Johnson, 1856, oil on canvas

Eastman Johnson Near Squam Lake, New Hampshire, 1856 The Met

Armida Abandoned by Rinaldo, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Armida Abandoned by Rinaldo, c. 1742–45 Art Institute of Chicago

Merced River, Yosemite Valley, Albert Bierstadt, 1866, oil on canvas

Albert Bierstadt Merced River, Yosemite Valley, 1866 The Met

Sunset at Sea, John Singer Sargent, 1905–6 (?) or 1905–?6, watercolor and gouache on white wove paper

John Singer Sargent Sunset at Sea, 1905–6 (?) or 1905–?6 The Met

Stream and Rocks, John Singer Sargent, ca. 1901–8, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Stream and Rocks, ca. 1901–8 The Met

We look across the water at two sailing ships with cream-white sails and dark rigging floating in a shimmering, ice-blue river against a distant shore lined with trees, hills, and buildings in this nearly square landscape painting.

Claude Monet Ships Riding on the Seine at Rouen, 1872/1873 National Gallery of Art

Jewel-toned blue, red, yellow, green, and pearl white brushstrokes swirl and stretch in this loosely painted horizontal landscape painting.

Pierre-Auguste Renoir The Blue River, c. 1890/1900 National Gallery of Art

From a little above a dirt road, we look past a grove of trees to a broad plain and a lake at the foot of towering, hazy mountains in this horizontal landscape painting.

Albert Bierstadt Lake Lucerne, 1858 National Gallery of Art

Peach Blossoms, Winslow Homer, 1878, oil on canvas

Winslow Homer Peach Blossoms, 1878 Art Institute of Chicago

Snow at Louveciennes, Camille Pissarro, c. 1870, oil on panel

Camille Pissarro Snow at Louveciennes, c. 1870 Art Institute of Chicago

Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.

Georges Seurat Oil Sketch for "A Sunday on La Grande Jatte — 1884", 1884 Art Institute of Chicago

Hampstead Heath, Looking Toward Harrow, John Constable, c. 1821, oil on paper, mounted on canvas

John Constable Hampstead Heath, Looking Toward Harrow, c. 1821 Cleveland Museum of Art

From Ávila, John Singer Sargent, ca. 1903, watercolor and gouache on white wove paper

John Singer Sargent From Ávila, ca. 1903 The Met

From Jerusalem, John Singer Sargent, 1905–6, watercolor, gouache, and graphite on off-white wove paper

John Singer Sargent From Jerusalem, 1905–6 The Met

Sellar Alp, Dolomites, John Singer Sargent, ca. 1913–14, watercolor and gouache on white wove paper

John Singer Sargent Sellar Alp, Dolomites, ca. 1913–14 The Met

Spanish Landscape, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Spanish Landscape, 1879–80 The Met

Clouds, Thomas Cole, ca. 1838, oil on paper laid down on canvas

Thomas Cole Clouds, ca. 1838 The Met

Stoke-by-Nayland, John Constable, ca. 1810–11, oil on canvas

John Constable Stoke-by-Nayland, ca. 1810–11 The Met

Honfleur: Calvary, Camille Corot, ca. 1830, oil on wood

Camille Corot Honfleur: Calvary, ca. 1830 The Met

Landscape at Saint-Ouen, Georges Seurat, 1878 or 1879, oil on wood, mounted on wood

Georges Seurat Landscape at Saint-Ouen, 1878 or 1879 The Met

View of the Seine, Georges Seurat, 1882–83, oil on wood

Georges Seurat View of the Seine, 1882–83 The Met

Two minuscule people stand in the center of an expansive, rugged landscape dusted with snow in this horizontal painting.

Caspar David Friedrich Northern Landscape, Spring, c. 1825 National Gallery of Art

This painting shows an expansive green and yellow grassland under a textured blue and white sky. The horizon line is high, separating the fields and clouds with a thin line of dark trees and small white buildings.

Georges Seurat A Summer Landscape, 1883 National Gallery of Art

This painting depicts a landscape with several haystacks in the center, arranged in a line that cuts diagonally across a green field from left to right.

Georges Seurat Haystacks, c. 1882 National Gallery of Art

This painting depicts a while villa partially hidden by greenery. The villa has several buildings on different levels with small windows and reddish-brown roofs. The brushstrokes are loose and broad, giving the image a blurred effect.

Pierre-Auguste Renoir Maison de la Poste, Cagnes, 1906/1907 National Gallery of Art

We look slightly down onto a bare, gnarled tree near a gray, dirt path, which leads back to a hamlet in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes, so many details are indistinct.

Camille Pissarro The Fence, 1872 National Gallery of Art

The Seine at Bas-Meudon, Johan Barthold Jongkind, 1865, oil on fabric

Johan Barthold Jongkind The Seine at Bas-Meudon, 1865 Cleveland Museum of Art

Lake George, 1872, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, 1872, 1872 The Met

Lake George, A Reminiscence, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, A Reminiscence, 1872 The Met

Lake George, Free Study, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, Free Study, 1872 The Met

Arques-la-Bataille, John Henry Twachtman, 1885, oil on canvas

John Henry Twachtman Arques-la-Bataille, 1885 The Met

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

A Meadow Bordered by Trees, Théodore Rousseau, ca. 1845–60, oil on wood

Théodore Rousseau A Meadow Bordered by Trees, ca. 1845–60 The Met

Valley of the River Loire, Jules Dupré, 1860, oil on wood

Jules Dupré Valley of the River Loire, 1860 The Met

Brace's Rock, Eastern Point, Gloucester, Fitz Henry Lane, c. 1864, oil on canvas

Fitz Henry Lane Brace's Rock, Eastern Point, Gloucester, c. 1864 National Gallery of Art

We look across the tops of trees down onto the roofs of a cluster of buildings and then a grassy expanse, a body of water, and rolling hills in this notably wide landscape painting. The trees are painted with shades of pine and olive green.

Théodore Rousseau Panoramic Landscape near the River Moselle, c. 1830 National Gallery of Art

This painting shows a landscape with a horizon in the lower third of the composition. On the left side of the painting, there are tall trees along a canal.

Johan Barthold Jongkind The Towpath, 1864 National Gallery of Art

This painting shows a tranquil river scene with a distant horizon on the left showing rolling landscapes, trees, and small brown buildings across calm water.

Charles-François Daubigny Washerwomen at the Oise River near Valmondois, 1865 National Gallery of Art

The Banks of the Marne at Charenton, Armand Guillaumin, c. 1895, oil on fabric

Armand Guillaumin The Banks of the Marne at Charenton, c. 1895 Cleveland Museum of Art

A Roadside Tavern, Johan Barthold Jongkind, 1863, oil on canvas

Johan Barthold Jongkind A Roadside Tavern, 1863 Art Institute of Chicago

River Boat, Charles-François Daubigny, c. 1860, oil on board

Charles-François Daubigny River Boat, c. 1860 Art Institute of Chicago

Nocturnal landscape painting with lush trees and a large patch of sky with visible brushstrokes. Multiple small, seated figures line the foreground.

Narcisse Virgilio Díaz de la Peña Landscape with Figures, c. 1870 Art Institute of Chicago

Alpine Landscape: The Handegg, Switzerland, Jean-Léon Gérôme, 1850s, oil on fabric

Jean-Léon Gérôme Alpine Landscape: The Handegg, Switzerland, 1850s Cleveland Museum of Art

Across the Campagna, George Inness, 1872, watercolor, gouache, and graphite on off-white wove paper

George Inness Across the Campagna, 1872 The Met