Landscape Paintings for the Dining Room

Open country, mountains, rivers and the sea: views that give a wall distance and air. Narrow walls between windows suit portrait formats; a sideboard wall takes a horizontal work about two thirds of the sideboard's width. Here are 181 paintings for the dining room, each a landscape, seascape, mountain or river view, with works by George Inness, Camille Corot and Thomas Cole.

All 507 paintings for the dining room

The Harvesters, Pieter Bruegel the Elder 36 × 48 in landscape print (91 × 122 cm), centered 58 in from the floor, 8¾ in above the dining table. Drawn to scale on a 12 × 8 ft wall.

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Showing 1 to 48 of 181 landscape paintings

The Harvesters, Pieter Bruegel the Elder, 1565, oil on oak

Pieter Bruegel the Elder The Harvesters, 1565 The Met

Fête champêtre (Pastoral Gathering), Antoine Watteau, 1718–21, oil on panel

Antoine Watteau Fête champêtre (Pastoral Gathering), 1718–21 Art Institute of Chicago

Harvest Scene, Winslow Homer, ca. 1873, oil on canvas

Winslow Homer Harvest Scene, ca. 1873 The Met

Autumn Landscape, Sugar Loaf Mountain, Orange County, New York, Jasper Francis Cropsey, ca. 1870–75, oil on canvas

Jasper Francis Cropsey Autumn Landscape, Sugar Loaf Mountain, Orange County, New York, ca. 1870–75 The Met

Apple Blossoms, Charles-François Daubigny, 1873, oil on canvas

Charles-François Daubigny Apple Blossoms, 1873 The Met

This painting depicts a vast countryside from an elevated point of view. At the bottom of the painting is a wide brown and green field that appears to be growing wheat or a similar crop.

George Inness Harvest Scene in the Delaware Valley, 1867 National Gallery of Art

The painting displays a dark green field stretching into the distance. A line of trees and small, indistinct structures can be seen near the center of the painting.

George Inness Harvest Moon, 1891 National Gallery of Art

Are They Thinking about the Grape? (Pensent-ils au raisin?), François Boucher, 1747, oil on canvas

François Boucher Are They Thinking about the Grape? (Pensent-ils au raisin?), 1747 Art Institute of Chicago

The Veteran in a New Field, Winslow Homer, 1865, oil on canvas

Winslow Homer The Veteran in a New Field, 1865 The Met

Virgin and Child, Hans Memling, c. 1485, oil on panel

Hans Memling Virgin and Child, c. 1485 Art Institute of Chicago

Peach Blossoms, Winslow Homer, 1878, oil on canvas

Winslow Homer Peach Blossoms, 1878 Art Institute of Chicago

The Miracle of the Loaves and Fishes, Jacopo Tintoretto, ca. 1545–50, oil on canvas

Jacopo Tintoretto The Miracle of the Loaves and Fishes, ca. 1545–50 The Met

Large painting of people in a crowded park, brushstrokes are dots.

Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89 Art Institute of Chicago

Haymaking at Éragny, Camille Pissarro, 1892, oil on canvas

Camille Pissarro Haymaking at Éragny, 1892 Art Institute of Chicago

Reapers Resting in a Wheat Field, John Singer Sargent, 1885, oil on canvas

John Singer Sargent Reapers Resting in a Wheat Field, 1885 The Met

A man and woman stand in a sunny field near a line of cone-shaped haystacks under a massive blue sky in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes throughout.

Camille Pissarro Landscape, Ile-de-France, 1873 National Gallery of Art

We look slightly down onto two girls or young women with light skin sitting close to us in a green, grassy field in this square landscape painting.

Camille Pissarro Young Peasant Girls Resting in the Fields near Pontoise, 1882 National Gallery of Art

Saint Martin and the Beggar, El Greco, c. 1597–c. 1600, oil on canvas

El Greco Saint Martin and the Beggar, c. 1597–c. 1600 Art Institute of Chicago

Souvenir of Italy, Camille Corot, 1855–60, oil on canvas

Camille Corot Souvenir of Italy, 1855–60 Art Institute of Chicago

The Woodchopper, Jean-François Millet, c. 1858–66, oil on canvas

Jean-François Millet The Woodchopper, c. 1858–66 Art Institute of Chicago

Spring Blossoms, Montclair, New Jersey, George Inness, ca. 1891, oil and crayon or charcoal on canvas

George Inness Spring Blossoms, Montclair, New Jersey, ca. 1891 The Met

Landscape with the Flight into Egypt, Aelbert Cuyp, ca. 1650, oil on wood

Aelbert Cuyp Landscape with the Flight into Egypt, ca. 1650 The Met

The Beeches, Asher Brown Durand, 1845, oil on canvas

Asher Brown Durand The Beeches, 1845 The Met

Gathering Storm on Long Island Sound, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Gathering Storm on Long Island Sound, 1872 The Met

In this painting, abstract shapes and bright colors give the impression of two tall people standing outdoors.

August Macke People by the Blue Lake, 1913 National Gallery of Art

A light-skinned man and woman stand looking at each other, surrounded by blooming flowers and lush green trees in this square landscape painting.

Pierre-Auguste Renoir Picking Flowers, 1875 National Gallery of Art

Twilight in the Wilderness, Frederic Edwin Church, 1860, oil on canvas

Frederic Edwin Church Twilight in the Wilderness, 1860 Cleveland Museum of Art

Wheat Field with Cypresses, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Wheat Field with Cypresses, 1889 The Met

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891, oil on canvas

Paul Gauguin Ia Orana Maria (Hail Mary), 1891 The Met

A sparsely painted waterside scene in dark tones with minimal ghostly shapes suggesting ships, yellow glitches of paint for light reflections, and the orb of an orange moon overhead.

James McNeill Whistler Nocturne: Blue and Gold—Southampton Water, 1872 Art Institute of Chicago

Painting of Greek landscape, classical architecture, yellow, red robed man reading.

Nicolas Poussin Landscape with Saint John on Patmos, 1640 Art Institute of Chicago

Trees and Houses Near the Jas de Bouffan, Paul Cézanne, 1885–86, oil on canvas

Paul Cézanne Trees and Houses Near the Jas de Bouffan, 1885–86 The Met

Painting of a small stream in the middle of the woods. In the center of the painting, there is a small waterfall over a large boulder.

Albert Bierstadt Mountain Brook, 1863 Art Institute of Chicago

Early Morning, Tarpon Springs, George Inness, 1892, oil on canvas

George Inness Early Morning, Tarpon Springs, 1892 Art Institute of Chicago

The Penitence of Saint Jerome, Joachim Patinir, ca. 1515, oil on wood

Joachim Patinir The Penitence of Saint Jerome, ca. 1515 The Met

Loosely painted image of an open-air train station. On the right, a parked train gives off an enormous plumb of white smoke, making the scene look as though it were full of clouds.

Claude Monet Arrival of the Normandy Train, Gare Saint-Lazare, 1877 Art Institute of Chicago

Blind Orion Searching for the Rising Sun, Nicolas Poussin, 1658, oil on canvas

Nicolas Poussin Blind Orion Searching for the Rising Sun, 1658 The Met

Papers with Japanese text hang from a tree bearing red and gold leaves.

Tosa Mitsuoki Autumn Maples with Poem Slips, c. 1675 Art Institute of Chicago

Dance in a Subterranean Roundhouse at Clear Lake, California, Jules Tavernier, 1878, oil on canvas

Jules Tavernier Dance in a Subterranean Roundhouse at Clear Lake, California, 1878 The Met

Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm, Joseph Mallord William Turner, 1836–37, oil on canvas

Joseph Mallord William Turner Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm, 1836–37 Art Institute of Chicago

The Rock of Hautepierre, Gustave Courbet, c. 1869, oil on canvas

Gustave Courbet The Rock of Hautepierre, c. 1869 Art Institute of Chicago

Wooded Landscape, Gustave Courbet, 1860–65, oil on canvas

Gustave Courbet Wooded Landscape, 1860–65 Art Institute of Chicago

Painting composed of short, broad, linear brushstrokes suggesting green-leaved forest trees with light trunks on pale green grass.

Berthe Morisot Forêt de Compiègne, 1885 Art Institute of Chicago

Grey and Silver: Old Battersea Reach, James McNeill Whistler, 1863, oil on canvas

James McNeill Whistler Grey and Silver: Old Battersea Reach, 1863 Art Institute of Chicago

Landscape (The Lock), John Constable, c. 1820–25, oil on canvas

John Constable Landscape (The Lock), c. 1820–25 Art Institute of Chicago

Vibrant yellow, red, blue, and green painting of landscape with trees and mountains.

Wassily Kandinsky Landscape with Two Poplars, 1912 Art Institute of Chicago

Italian Landscape, Claude Lorrain, c. 1630, oil on canvas

Claude Lorrain Italian Landscape, c. 1630 Cleveland Museum of Art

View of Florence, Thomas Cole, 1837, oil on canvas

Thomas Cole View of Florence, 1837 Cleveland Museum of Art

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Guest Room 232 shared
Living Room 199 shared
Bedroom 195 shared
Kitchen 132 shared

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Rooms that share paintings