Dining Room Paintings: Still Lifes, Harvests and Gatherings (page 4)

Food, fruit, flowers and gatherings: the subjects painters have always brought to the table.

Showing 145 to 192 of 507 paintings

Three Pears and an Apple, Eastman Johnson, 1857, oil on board

Eastman Johnson Three Pears and an Apple, 1857 National Gallery of Art

We look down at the end of a narrow table at a white plate, pot, knife, and spoon set on the white tablecloth in this horizontal still life painting.

Henri Fantin-Latour Still Life with Mustard Pot, 1860 National Gallery of Art

This painting shows a person seated at a table in a bright yellow chair, facing the right. The person has pale skin and gray hair, and they are wearing a loose-fitting light brown garment, similar to a long coat or dress.

Édouard Vuillard Breakfast, 1894 National Gallery of Art

This painting shows a brown jug filled with pink roses and green leaves on a brown surface that looks like a suitcase on its side. To the right of the jug are some stacked books, which are a light green color.

Édouard Vuillard The Artist's Paint Box and Moss Roses, 1898 National Gallery of Art

This painting shows a partial view of a dark wooden mantle. The mantle itself takes up the bottom right corner of the painting, and we see one side of it, but not the other.

Édouard Vuillard Vase of Flowers on a Mantelpiece, c. 1900 National Gallery of Art

Hummingbird and Apple Blossoms, Martin Johnson Heade, 1875, oil on canvas

Martin Johnson Heade Hummingbird and Apple Blossoms, 1875 The Met

Luncheon (Annette and Her Grandmother), Édouard Vuillard, 1899, oil on board

Édouard Vuillard Luncheon (Annette and Her Grandmother), 1899 Cleveland Museum of Art

Roses in a Bowl, Henri Fantin-Latour, 1881, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1881 Art Institute of Chicago

The Drinkers, Honoré Daumier, by 1861, oil on wood

Honoré Daumier The Drinkers, by 1861 The Met

Still Life with Roses and Fruit, Henri Fantin-Latour, 1863, oil on canvas

Henri Fantin-Latour Still Life with Roses and Fruit, 1863 The Met

Still Life with a Glass and Oysters, Jan Davidsz de Heem, ca. 1640, oil on wood

Jan Davidsz de Heem Still Life with a Glass and Oysters, ca. 1640 The Met

Still Life: A Banqueting Scene, Jan Davidsz de Heem, ca. 1640–41, oil on canvas

Jan Davidsz de Heem Still Life: A Banqueting Scene, ca. 1640–41 The Met

Pansies, Henri Fantin-Latour, 1903, oil on canvas

Henri Fantin-Latour Pansies, 1903 The Met

Roses in a Bowl, Henri Fantin-Latour, 1883, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1883 The Met

Potted Pansies, Henri Fantin-Latour, 1883, oil on canvas

Henri Fantin-Latour Potted Pansies, 1883 The Met

This painting shows two large pears on a white tablecloth. The pear on the left is a pinkish color and sits directly on the cloth. The pear on the right is yellow, and it rests on a white plate next to a small knife.

Sanford Robinson Gifford Two Pears on a Tabletop, c. 1866 National Gallery of Art

Seven roses in full bloom are clustered in a wide bouquet set against a dark brown background in this horizontal still life painting. The blossom to our left is peach, and a bud dips down in front of that flower.

Henri Fantin-Latour _Roses de Nice_ on a Table, 1882 National Gallery of Art

A blue and white bowl overflowing with grapes, two loose bunches of grapes, and a vivid pink carnation lie on a white tablecloth against a dark brown background in this still life painting.

Henri Fantin-Latour Still Life with Grapes and a Carnation, c. 1880 National Gallery of Art

The image shows a still life of round fruits, such as grapes and peaches, placed on a white plate. The color scheme consists of warm browns, muted greens, and deep reds. The fruits have a natural sheen.

Henri Fantin-Latour Still Life with Peaches and Grapes, 1896 National Gallery of Art

Feast of the Gods, Honoré Daumier, c. 1849/1850, with later additions by other hands, oil on wood

Honoré Daumier Feast of the Gods, c. 1849/1850, with later additions by other hands National Gallery of Art

This painting shows three large peaches on a round white plate. The peaches are in shades of red, pink, and light yellow, and they cast dark shadows on the plate. The plate rests on a brown surface which fills the background of the image.

Henri Fantin-Latour Three Peaches on a Plate, 1868 National Gallery of Art

In this painting, a wicker basket is filled with yellow pears and a few red cherries. The basket rests on a table, and more pears and cherries are scattered in front of it, casting shadows on the white tablecloth.

John F. Francis Basket of Pears and Crabapples, n.d. National Gallery of Art

In this painting, there are two round, crusty rolls next to a cream-colored cup with a floral blue-and-yellow design on top of a saucer with a gold rim.

John Frederick Peto Breakfast, c. 1890s National Gallery of Art

A blue and white bowl with a flaring rim is filled with small red strawberries, and the currants and cherries scattered around it are arranged along a wooden ledge or table in this horizontal still life painting.

Jacob van Hulsdonck Wild Strawberries and a Carnation in a Wan-Li Bowl, c. 1620 National Gallery of Art

The painting features a large slice of yellow cake, a halved lemon, a glass of pale-yellow liquid with a slice of lemon and a straw in it, and a white plate filled with red raspberries.

John Frederick Peto Still Life with Cake, Lemon, Strawberries, and Glass, 1890 National Gallery of Art

Beneath two tall, tower-like structures, thirteen men, women, and children gather to give or receive food and foodstuff, all against a shiny gold background in this vertical painting. All the people have light skin tinged with green.

Andrea di Bartolo Joachim and Anna Giving Food to the Poor and Offerings to the Temple, c. 1400/1405 National Gallery of Art

In this painting, a pile of cherries is displayed on a grassy ground. The cherries are in different shades of red, orange, and light yellow, set against a dark green background. Some cherries are scattered in the grass around the pile.

William Mason Brown Mound of Cherries, n.d. National Gallery of Art

This painting shows three apples on a flat, gray surface. Two of the apples in the center are large, while one to the left is much smaller. The apples are glossy, covered in uneven patches of bright red and light green.

William Rickarby Miller Study of Apples from Nature, 1863 National Gallery of Art

A bouquet of cut flowers in a clear glass vase nearly fills this vertical painting. The vase has straight sides and the rounded bottom is supported by short, round feet.

Édouard Manet Flowers in a Crystal Vase, c. 1882 National Gallery of Art

Large painting of people in a crowded park, brushstrokes are dots.

Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89 Art Institute of Chicago

Large painting, woman in pink dress in front of classical sculpture, shrine.

Joshua Reynolds Lady Sarah Bunbury Sacrificing to the Graces, 1763–65 Art Institute of Chicago

Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head.

Edgar Degas Yellow Dancers (In the Wings), 1874–76 Art Institute of Chicago

Haymaking at Éragny, Camille Pissarro, 1892, oil on canvas

Camille Pissarro Haymaking at Éragny, 1892 Art Institute of Chicago

Reapers Resting in a Wheat Field, John Singer Sargent, 1885, oil on canvas

John Singer Sargent Reapers Resting in a Wheat Field, 1885 The Met

A man and woman stand in a sunny field near a line of cone-shaped haystacks under a massive blue sky in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes throughout.

Camille Pissarro Landscape, Ile-de-France, 1873 National Gallery of Art

We look slightly down onto two girls or young women with light skin sitting close to us in a green, grassy field in this square landscape painting.

Camille Pissarro Young Peasant Girls Resting in the Fields near Pontoise, 1882 National Gallery of Art

Saint Martin and the Beggar, El Greco, c. 1597–c. 1600, oil on canvas

El Greco Saint Martin and the Beggar, c. 1597–c. 1600 Art Institute of Chicago

Souvenir of Italy, Camille Corot, 1855–60, oil on canvas

Camille Corot Souvenir of Italy, 1855–60 Art Institute of Chicago

The Woodchopper, Jean-François Millet, c. 1858–66, oil on canvas

Jean-François Millet The Woodchopper, c. 1858–66 Art Institute of Chicago

Rue de l'Epicerie, Rouen (Effect of Sunlight), Camille Pissarro, 1898, oil on canvas

Camille Pissarro Rue de l'Epicerie, Rouen (Effect of Sunlight), 1898 The Met

The Harvest, Pontoise (La Récolte, Pontoise), Camille Pissarro, 1881, oil on canvas

Camille Pissarro The Harvest, Pontoise (La Récolte, Pontoise), 1881 The Met

This painting shows a view from above, looking down a path on the left where several people walk away from us towards a house in the distance surrounded by lush green vegetation.

Pierre-Auguste Renoir The Mussel Harvest, 1879 National Gallery of Art

Spring Blossoms, Montclair, New Jersey, George Inness, ca. 1891, oil and crayon or charcoal on canvas

George Inness Spring Blossoms, Montclair, New Jersey, ca. 1891 The Met

Landscape with the Flight into Egypt, Aelbert Cuyp, ca. 1650, oil on wood

Aelbert Cuyp Landscape with the Flight into Egypt, ca. 1650 The Met

The painting depicts a golden, grassy landscape with low green trees in the distance, leading towards vibrant blue water on the horizon.

William Merritt Chase Gathering Autumn Flowers, 1894/1895 National Gallery of Art

Holding a bunch of peonies in one hand, a woman with brown skin leans forward, toward us from behind a large basket holding dozens of flowers in this horizontal painting.

Frédéric Bazille Young Woman with Peonies, 1870 National Gallery of Art

The Beeches, Asher Brown Durand, 1845, oil on canvas

Asher Brown Durand The Beeches, 1845 The Met

Gathering Storm on Long Island Sound, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Gathering Storm on Long Island Sound, 1872 The Met