Calming Paintings for a Guest Room (page 3)

Showing 97 to 144 of 188 calming paintings

This painting depicts a landscape with several haystacks in the center, arranged in a line that cuts diagonally across a green field from left to right.

Georges Seurat Haystacks, c. 1882 National Gallery of Art

This painting depicts a while villa partially hidden by greenery. The villa has several buildings on different levels with small windows and reddish-brown roofs. The brushstrokes are loose and broad, giving the image a blurred effect.

Pierre-Auguste Renoir Maison de la Poste, Cagnes, 1906/1907 National Gallery of Art

This horizontal landscape is painted with dots and dashes in fresh green, shimmering blue, amethyst purple, shell pink, pale yellow, and cream white against the brown wood of the panel, which is visible throughout.

Georges Seurat Study for "La Grande Jatte", 1884/1885 National Gallery of Art

We look slightly down onto a bare, gnarled tree near a gray, dirt path, which leads back to a hamlet in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes, so many details are indistinct.

Camille Pissarro The Fence, 1872 National Gallery of Art

The Valley of Wyoming, Jasper Francis Cropsey, 1865, oil on canvas

Jasper Francis Cropsey The Valley of Wyoming, 1865 The Met

Lake George, 1872, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, 1872, 1872 The Met

Lake George, Free Study, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, Free Study, 1872 The Met

Arques-la-Bataille, John Henry Twachtman, 1885, oil on canvas

John Henry Twachtman Arques-la-Bataille, 1885 The Met

Brace's Rock, Eastern Point, Gloucester, Fitz Henry Lane, c. 1864, oil on canvas

Fitz Henry Lane Brace's Rock, Eastern Point, Gloucester, c. 1864 National Gallery of Art

This painting shows a brown jug filled with pink roses and green leaves on a brown surface that looks like a suitcase on its side. To the right of the jug are some stacked books, which are a light green color.

Édouard Vuillard The Artist's Paint Box and Moss Roses, 1898 National Gallery of Art

A Roadside Tavern, Johan Barthold Jongkind, 1863, oil on canvas

Johan Barthold Jongkind A Roadside Tavern, 1863 Art Institute of Chicago

Olive Trees at Tivoli, George Inness, 1873, gouache, watercolor, and graphite on blue wove paper with colored fibers

George Inness Olive Trees at Tivoli, 1873 The Met

This painting shows a landscape seen from an elevated view. Fields dotted with small trees line a hill that reaches up towards the horizon, below a blue sky full of white, puffy clouds.

Édouard Vuillard Landscape of the Ile-de-France, c. 1894 National Gallery of Art

Vivid, lush view of rolling waves in purple, white, blue, and green against a bright blue sky with a watercolor-like blending of blues and purples. Sea and sky nearly become one.

Pierre-Auguste Renoir Seascape, 1879 Art Institute of Chicago

Vétheuil, Claude Monet, 1901, oil on canvas

Claude Monet Vétheuil, 1901 Art Institute of Chicago

Painting of softly rendered shapes in pale blue, green, and white. A textured green mass at left resembles foliage. Blue and white cloud-like forms fill the rest of the frame.

Claude Monet Branch of the Seine near Giverny (Mist), 1897 Art Institute of Chicago

Vétheuil, Claude Monet, 1901, oil on canvas

Claude Monet Vétheuil, 1901 Art Institute of Chicago

At seascape rendered in pastel tones. At right, boats line a pink shore underneath a tall cliff. At left, a single red sailboat floats in blue water.

Claude Monet Étretat: The Beach and the Falaise d'Amont, 1885 Art Institute of Chicago

Roses, Vincent van Gogh, 1890, oil on canvas

Vincent van Gogh Roses, 1890 The Met

Poplars, Eragny, Camille Pissarro, 1895, oil on canvas

Camille Pissarro Poplars, Eragny, 1895 The Met

Rose and coral pink, vivid white, delphinium blue, and buttercup yellow flowers with deep green leaves are arranged in a blue and white vase in front of a pale sea-green background in this vertical still life painting.

Paul Cézanne Flowers in a Rococo Vase, c. 1876 National Gallery of Art

A road or path curves away from us, past a tall formation, perhaps rocks, to our left, and into a valley filled with trees and a low hill beyond in this stylized, vertical landscape.

Paul Cézanne The Bend in the Road, 1900/1906 National Gallery of Art

A small child stands facing us on a sun-dappled path that runs up the center of a garden dominated by towering yellow and burnt-orange sunflowers in this loosely painted, vertical scene.

Claude Monet The Artist's Garden at Vétheuil, 1881 National Gallery of Art

A woman sits among loosely painted, crescent-shape blades of emerald and lemon-lime green grass, under tall trees in this vertical scene. The brushstrokes are unconnected and visible, so many of the details difficult to make out.

Claude Monet Woman Seated under the Willows, 1880 National Gallery of Art

We look slightly down across a sun-drenched plaza with people scattered among ruins, buildings, and around a free-standing column in this vertical landscape painting. The people we can see have light skin.

Canaletto English Landscape Capriccio with a Column, c. 1754 National Gallery of Art

The White Bridge, John Henry Twachtman, after 1895, oil on canvas

John Henry Twachtman The White Bridge, after 1895 Art Institute of Chicago

A seascape painted in pastel tones, light-colored houses with red chimneys and light-green shutters in the foreground. The scene is set on a rocky, green hillside overlooking a blue sea with small sailboats.

Childe Hassam New England Headlands, 1899 Art Institute of Chicago

In the center of this painting is a blue vase filled with a variety of flowers in different sizes and colors. The flowers are in shades of orange, pink, yellow, and blue, with green leaves surrounding the blossoms.

Odilon Redon Large Vase with Flowers, c. 1912 National Gallery of Art

The Old Pine, Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett The Old Pine, Darien, Connecticut, 1872 The Met

In this painting, abstract shapes and bright colors give the impression of two tall people standing outdoors.

August Macke People by the Blue Lake, 1913 National Gallery of Art

This painting shows a cluster of trees against a bright sky in shades of pale yellow and pale seafoam green. Closest to us, a green-gray path stretches horizontally next to tall teal and blue grasses.

Julian Alden Weir Moonlight, c. 1905 National Gallery of Art

Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre, Vincent van Gogh, Early 1887, oil on canvas, mounted on pressboard

Vincent van Gogh Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre, Early 1887 Art Institute of Chicago

A Washerwoman at Eragny, Camille Pissarro, 1893, oil on canvas

Camille Pissarro A Washerwoman at Eragny, 1893 The Met

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and the Magus of Ascalon, c. 1742–45 Art Institute of Chicago

Towering, sheer cliffs loom to our left, over a sunny beach scattered with boats in this horizontal landscape painting.

Gustave Courbet Beach in Normandy, c. 1872/1875 National Gallery of Art

From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape.

Thomas Gainsborough Seashore with Fishermen, c. 1781/1782 National Gallery of Art

The image features a seascape scene with a beach, ocean, and sailboats. The horizon is high in the image, separating the sea from the sky, where sailboats are present.

Eugène Boudin Low Tide at Scheveningen, 1875 National Gallery of Art

Whalers, Joseph Mallord William Turner, ca. 1845, oil on canvas

Joseph Mallord William Turner Whalers, ca. 1845 The Met

This painting depicts a coastal scene overlooking a quiet shore. At the bottom of the painting, an open sandy expanse leads to blue waters.

Odilon Redon Village by the Sea in Brittany, c. 1880 National Gallery of Art

Moss-green land rising to a tree-topped bluff follows the curve of a sandy beach surrounding a pale blue cove in this horizontal landscape painting.

Camille Corot Beach near Etretat, c. 1872 National Gallery of Art

We hover over a flax-yellow body of water lined with ships to our left and right, which are silhouetted against a moonlit, cloud-veiled sky in this horizontal landscape painting.

Joseph Mallord William Turner Keelmen Heaving in Coals by Moonlight, 1835 National Gallery of Art

Man and Pool, Florida, John Singer Sargent, 1917, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Man and Pool, Florida, 1917 The Met

Steamboats in the Port of Rouen, Camille Pissarro, 1896, oil on canvas

Camille Pissarro Steamboats in the Port of Rouen, 1896 The Met

We look across a strip of tall grass and flowers at a river that winds into the distance in this loosely painted, horizontal landscape.

Claude Monet Banks of the Seine, Vétheuil, 1880 National Gallery of Art

The rounded, feathery canopies of trees are mirrored in the placid surface of a river in this horizontal landscape painting. The scene is loosely painted with visible dashes and strokes. The largest tree is to our right of center.

Claude Monet The Seine at Giverny, 1897 National Gallery of Art

A row of structures and a massive weeping willow tree line the clay-orange riverbank opposite us in this horizontal landscape painting. The scene is painted loosely with long, visible brushstrokes.

Paul Cézanne Banks of the Seine at Médan, c. 1885/1890 National Gallery of Art

A narrow strip of beach and then a vivid turquoise stretch of water give way to a towering, hazy sky in this square landscape painting.

Gustave Courbet Calm Sea, 1866 National Gallery of Art

From a high perspective, we look beyond two overlapping, emerald-green hills to a body of powder-blue water dotted with sailboats in this loosely painted horizontal landscape.

Claude Monet Cliffs at Pourville, 1882 National Gallery of Art