Horizontal Paintings for a Guest Room (page 10)

Showing 433 to 480 of 586 horizontal paintings

Roman Landscape, Arnold Böcklin, ca. 1850–52, oil on canvas, several pieces joined

Arnold Böcklin Roman Landscape, ca. 1850–52 The Met

Landscape on a River, Charles-François Daubigny, 1863, oil on wood

Charles-François Daubigny Landscape on a River, 1863 The Met

A River Landscape with Storks, Charles-François Daubigny, 1864, oil on wood

Charles-François Daubigny A River Landscape with Storks, 1864 The Met

Portejoie on the Seine, Charles-François Daubigny, 1858 or 1868, oil on wood

Charles-François Daubigny Portejoie on the Seine, 1858 or 1868 The Met

The Edge of the Woods, Narcisse Virgilio Díaz de la Peña, 1872, oil on wood

Narcisse Virgilio Díaz de la Peña The Edge of the Woods, 1872 The Met

A Vista through Trees: Fontainebleau, Narcisse Virgilio Díaz de la Peña, 1873, oil on wood

Narcisse Virgilio Díaz de la Peña A Vista through Trees: Fontainebleau, 1873 The Met

Still Life with Roses and Fruit, Henri Fantin-Latour, 1863, oil on canvas

Henri Fantin-Latour Still Life with Roses and Fruit, 1863 The Met

An Old Chapel in a Valley, Théodore Rousseau, ca. 1835, oil on wood

Théodore Rousseau An Old Chapel in a Valley, ca. 1835 The Met

Pansies, Henri Fantin-Latour, 1903, oil on canvas

Henri Fantin-Latour Pansies, 1903 The Met

Roses in a Bowl, Henri Fantin-Latour, 1883, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1883 The Met

The Pool (Memory of the Forest of Chambord), Théodore Rousseau, 1839, oil on wood

Théodore Rousseau The Pool (Memory of the Forest of Chambord), 1839 The Met

Potted Pansies, Henri Fantin-Latour, 1883, oil on canvas

Henri Fantin-Latour Potted Pansies, 1883 The Met

Seven roses in full bloom are clustered in a wide bouquet set against a dark brown background in this horizontal still life painting. The blossom to our left is peach, and a bud dips down in front of that flower.

Henri Fantin-Latour _Roses de Nice_ on a Table, 1882 National Gallery of Art

Landscape, Distant Village, Charles-François Daubigny, c. 1870/1875, oil on wood

Charles-François Daubigny Landscape, Distant Village, c. 1870/1875 National Gallery of Art

This painting depicts a landscape with an open green field stretching out into the distance. At the bottom of the painting, there is a rocky area with sparse vegetation and yellow, sun-bleached grass.

Théodore Rousseau Countryside in Picardy, 1860 National Gallery of Art

The painting depicts a forest floor under tall trees, with a grassy path leading into the distance. The sky is obscured by dense green foliage and tree limbs.

Narcisse Virgilio Díaz de la Peña Forest Scene, 1874 National Gallery of Art

The painting depicts a landscape with a field, trees, and a dramatic cloudy sky. Grass, rocks, and a group of large trees are visible in the center of the composition.

Jules Dupré The Old Oak, c. 1870 National Gallery of Art

The painting shows a landscape with a calm body of water stretching across the center, beyond a brown bank of rocks and short green grass. A thin tree rises up on the left.

Théodore Rousseau Landscape with Boatman, c. 1860 National Gallery of Art

This painting shows a landscape seen from an elevated view. Fields dotted with small trees line a hill that reaches up towards the horizon, below a blue sky full of white, puffy clouds.

Édouard Vuillard Landscape of the Ile-de-France, c. 1894 National Gallery of Art

Sun drenches a landscape with trees, grassy hills, and rocky cliffs in this horizonal painting.

Jean-Victor Bertin Shepherd with His Flock, c. 1820 National Gallery of Art

The painting shows a landscape with a large, dark blue mountain in the background. Below the mountain are blocks of color, suggesting fields and structures.

Alexej von Jawlensky Murnau, 1910 National Gallery of Art

Vivid, lush view of rolling waves in purple, white, blue, and green against a bright blue sky with a watercolor-like blending of blues and purples. Sea and sky nearly become one.

Pierre-Auguste Renoir Seascape, 1879 Art Institute of Chicago

View of Lormes, Camille Corot, early 1840s, oil on canvas

Camille Corot View of Lormes, early 1840s The Met

Newburyport Meadows, Martin Johnson Heade, ca. 1876–81, oil on canvas

Martin Johnson Heade Newburyport Meadows, ca. 1876–81 The Met

Eaton's Neck, Long Island, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Eaton's Neck, Long Island, 1872 The Met

Twilight on the Sound, Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Twilight on the Sound, Darien, Connecticut, 1872 The Met

We look across the tops of trees down onto the roofs of a cluster of buildings and then a grassy expanse, a body of water, and rolling hills in this notably wide landscape painting. The trees are painted with shades of pine and olive green.

Théodore Rousseau Panoramic Landscape near the River Moselle, c. 1830 National Gallery of Art

Sheer, vertical, cliffs, brightly lit in cream white and rust orange by the low sun, tower over a band of people riding horses into the distance in this long, horizontal landscape painting.

Thomas Moran Green River Cliffs, Wyoming, 1881 National Gallery of Art

The Camp Meeting, Worthington Whittredge, 1874, oil on canvas

Worthington Whittredge The Camp Meeting, 1874 The Met

Corn Fields, Félix Vallotton, 1900, oil on board

Félix Vallotton Corn Fields, 1900 Cleveland Museum of Art

We hover over the bottle-green surface of a river as it rushes toward a horseshoe-shaped waterfall that curves away from us in this horizontal landscape painting.

Frederic Edwin Church Niagara, 1857 National Gallery of Art

Mottled, geometric shapes painted in shades of peanut brown, beige, grass and spruce green, smoky gray, golden and buttercup yellow, and topaz and lapis blue are arranged across this wide, horizontal, abstract painting.

Roger de La Fresnaye The Watering Can (Emblems: The Garden), 1913 National Gallery of Art

Towering, sheer cliffs loom to our left, over a sunny beach scattered with boats in this horizontal landscape painting.

Gustave Courbet Beach in Normandy, c. 1872/1875 National Gallery of Art

From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape.

Thomas Gainsborough Seashore with Fishermen, c. 1781/1782 National Gallery of Art

Four boats with low masts sit on a sandy beach next to rocky cliffs under a cloud-filled sky in this horizontal landscape painting. Three of the boats are clustered together near the center of the composition.

Gustave Courbet Boats on a Beach, Etretat, c. 1872/1875 National Gallery of Art

The image features a seascape scene with a beach, ocean, and sailboats. The horizon is high in the image, separating the sea from the sky, where sailboats are present.

Eugène Boudin Low Tide at Scheveningen, 1875 National Gallery of Art

A pink-toned sandy beach meets a placid body of pale blue water under a hazy sky in this horizontal landscape painting.

John Frederick Kensett Beach at Beverly, c. 1869/1872 National Gallery of Art

The image shows a landscape with a settlement surrounded by lush greenery and mountains in the distance. The mountains are partly covered by clouds. The painting technique is smooth and gentle, giving the scene a serene atmosphere.

George Catlin A Crow Village and the Salmon River Mountains, 1855/1869 National Gallery of Art

The image shows a riverside scene with various activities. The horizon has green hills with trees. Villagers and tipis are on both sides of the riverbanks. Canoes filled with people are on the water, some docked near the sandy shore.

George Catlin La Salle and Party Arrive at the Village of the Illinois. January 1, 1680, 1847/1848 National Gallery of Art

Whalers, Joseph Mallord William Turner, ca. 1845, oil on canvas

Joseph Mallord William Turner Whalers, ca. 1845 The Met

Two dark-skinned women stand facing each other on a dirt path that runs beside a body of water in this horizontal painting. One woman faces us and balances a flat tray loaded with white cloths on her head.

Camille Pissarro Two Women Chatting by the Sea, St. Thomas, 1856 National Gallery of Art

Sea Cove, Albert Bierstadt, ca. 1880–90, oil on wood

Albert Bierstadt Sea Cove, ca. 1880–90 The Met

This painting depicts a coastal scene overlooking a quiet shore. At the bottom of the painting, an open sandy expanse leads to blue waters.

Odilon Redon Village by the Sea in Brittany, c. 1880 National Gallery of Art

Cottage by the River with Washerwomen, Camille Flers, 1835, oil on fabric

Camille Flers Cottage by the River with Washerwomen, 1835 Cleveland Museum of Art

Dance in a Subterranean Roundhouse at Clear Lake, California, Jules Tavernier, 1878, oil on canvas

Jules Tavernier Dance in a Subterranean Roundhouse at Clear Lake, California, 1878 The Met

Moss-green land rising to a tree-topped bluff follows the curve of a sandy beach surrounding a pale blue cove in this horizontal landscape painting.

Camille Corot Beach near Etretat, c. 1872 National Gallery of Art

We hover over a flax-yellow body of water lined with ships to our left and right, which are silhouetted against a moonlit, cloud-veiled sky in this horizontal landscape painting.

Joseph Mallord William Turner Keelmen Heaving in Coals by Moonlight, 1835 National Gallery of Art

Matsuchiyama on the Sumida River, Utagawa Hiroshige, Edo period, 1856, hanging scroll; Ink and color on silk

Utagawa Hiroshige Matsuchiyama on the Sumida River, Edo period, 1856 Art Institute of Chicago