Horizontal Paintings for a Guest Room (page 9)

Showing 385 to 432 of 586 horizontal paintings

Spanish Landscape, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Spanish Landscape, 1879–80 The Met

Sunset, John Singer Sargent, 1905–6, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Sunset, 1905–6 The Met

Clouds, Thomas Cole, ca. 1838, oil on paper laid down on canvas

Thomas Cole Clouds, ca. 1838 The Met

Stoke-by-Nayland, John Constable, ca. 1810–11, oil on canvas

John Constable Stoke-by-Nayland, ca. 1810–11 The Met

Study for "The Destruction of Sodom", Camille Corot, 1843, oil on canvas

Camille Corot Study for "The Destruction of Sodom", 1843 The Met

Garden Scene, Jean-François Millet, 1854, oil on canvas

Jean-François Millet Garden Scene, 1854 The Met

View of the Seine, Georges Seurat, 1882–83, oil on wood

Georges Seurat View of the Seine, 1882–83 The Met

Study for "A Sunday on La Grande Jatte", Georges Seurat, 1884, oil on wood

Georges Seurat Study for "A Sunday on La Grande Jatte", 1884 The Met

This painting depicts a vast landscape with a horizon line in the lower third of the painting. A range of dark brown and purple mountains or hills stretches across the width of the image.

Thomas Cole Study for "Catskill Creek", c. 1844/1845 National Gallery of Art

Two minuscule people stand in the center of an expansive, rugged landscape dusted with snow in this horizontal painting.

Caspar David Friedrich Northern Landscape, Spring, c. 1825 National Gallery of Art

This painting shows an expansive green and yellow grassland under a textured blue and white sky. The horizon line is high, separating the fields and clouds with a thin line of dark trees and small white buildings.

Georges Seurat A Summer Landscape, 1883 National Gallery of Art

This painting shows a scene with several people spaced out across a grassy expanse. The horizon is high in the painting, lined with white structures with red roofs and green trees.

Georges Seurat Figures in a Landscape, c. 1883 National Gallery of Art

This painting depicts a landscape with several haystacks in the center, arranged in a line that cuts diagonally across a green field from left to right.

Georges Seurat Haystacks, c. 1882 National Gallery of Art

The painting depicts a rural scene with a wide, cloudy blue sky over a riverbank. On the right there are tall, dark green trees that stretch up to the top of the painting.

Camille Corot River View, 1868/1872 National Gallery of Art

This horizontal landscape is painted with broad, visible strokes in shades of laurel, fern, and pine green, dark yellow, and ash brown.

Pierre-Auguste Renoir Landscape between Storms, 1874/1875 National Gallery of Art

Tall grasses lead back to a body of water and then perhaps a town in this loosely painted, horizontal landscape.

Pierre-Auguste Renoir Landscape at Vétheuil, c. 1890 National Gallery of Art

This painting depicts a while villa partially hidden by greenery. The villa has several buildings on different levels with small windows and reddish-brown roofs. The brushstrokes are loose and broad, giving the image a blurred effect.

Pierre-Auguste Renoir Maison de la Poste, Cagnes, 1906/1907 National Gallery of Art

This horizontal landscape is painted with dots and dashes in fresh green, shimmering blue, amethyst purple, shell pink, pale yellow, and cream white against the brown wood of the panel, which is visible throughout.

Georges Seurat Study for "La Grande Jatte", 1884/1885 National Gallery of Art

We look slightly down onto a bare, gnarled tree near a gray, dirt path, which leads back to a hamlet in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes, so many details are indistinct.

Camille Pissarro The Fence, 1872 National Gallery of Art

The dark, forest-green canopies of trees to our right are silhouetted against a sky that warms from pale blue along the top edge of the composition to butter yellow along the horizon, which comes about a quarter of the way up this…

Jean-Honoré Fragonard Mountain Landscape at Sunset, c. 1765 National Gallery of Art

The Valley of Wyoming, Jasper Francis Cropsey, 1865, oil on canvas

Jasper Francis Cropsey The Valley of Wyoming, 1865 The Met

Peace and Plenty, George Inness, 1865, oil on canvas

George Inness Peace and Plenty, 1865 The Met

Pine Grove of the Barberini Villa, George Inness, 1876, oil on canvas

George Inness Pine Grove of the Barberini Villa, 1876 The Met

Lake George, 1872, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, 1872, 1872 The Met

Lake George, A Reminiscence, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, A Reminiscence, 1872 The Met

Lake George, Free Study, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, Free Study, 1872 The Met

Arques-la-Bataille, John Henry Twachtman, 1885, oil on canvas

John Henry Twachtman Arques-la-Bataille, 1885 The Met

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

Valley of the River Loire, Jules Dupré, 1860, oil on wood

Jules Dupré Valley of the River Loire, 1860 The Met

Brace's Rock, Eastern Point, Gloucester, Fitz Henry Lane, c. 1864, oil on canvas

Fitz Henry Lane Brace's Rock, Eastern Point, Gloucester, c. 1864 National Gallery of Art

This painting shows a landscape with tall, blue, snow-capped mountains in the distance. There are blue and purple clouds in the yellow sky.

Jasper Francis Cropsey View of Mt. Washington, 1881 National Gallery of Art

This painting shows a brown jug filled with pink roses and green leaves on a brown surface that looks like a suitcase on its side. To the right of the jug are some stacked books, which are a light green color.

Édouard Vuillard The Artist's Paint Box and Moss Roses, 1898 National Gallery of Art

Hummingbird and Apple Blossoms, Martin Johnson Heade, 1875, oil on canvas

Martin Johnson Heade Hummingbird and Apple Blossoms, 1875 The Met

This painting shows a rocky green ravine with a gray stream running through it, surrounded by thick foliage and large boulders. An arched stone bridge crosses over the stream in the center of the painting.

Théodore Rousseau Mountain Stream in the Auvergne, 1830 National Gallery of Art

Orchard, Édouard Vuillard, 1897, oil on board

Édouard Vuillard Orchard, 1897 Cleveland Museum of Art

A shaft of warm light from our left pierces a dark wood filled with tall trees in this horizontal landscape painting. The light falls on a stout white trunk and a portion of the moss-green forest floor near the center of the composition.

George Inness Sunset in the Woods, 1891 National Gallery of Art

A Roadside Tavern, Johan Barthold Jongkind, 1863, oil on canvas

Johan Barthold Jongkind A Roadside Tavern, 1863 Art Institute of Chicago

Roses in a Bowl, Henri Fantin-Latour, 1881, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1881 Art Institute of Chicago

Nocturnal landscape painting with lush trees and a large patch of sky with visible brushstrokes. Multiple small, seated figures line the foreground.

Narcisse Virgilio Díaz de la Peña Landscape with Figures, c. 1870 Art Institute of Chicago

The Cottage by the Roadside, Stormy Sky, Jules Dupré, c. 1860, oil on canvas

Jules Dupré The Cottage by the Roadside, Stormy Sky, c. 1860 Art Institute of Chicago

Landscape, Théodore Rousseau, c. 1850, oil on panel

Théodore Rousseau Landscape, c. 1850 Art Institute of Chicago

Alpine Landscape: The Handegg, Switzerland, Jean-Léon Gérôme, 1850s, oil on fabric

Jean-Léon Gérôme Alpine Landscape: The Handegg, Switzerland, 1850s Cleveland Museum of Art

Alice Gerson in Prospect Park, William Merritt Chase, 1886, oil on panel

William Merritt Chase Alice Gerson in Prospect Park, 1886 The Met

Across the Campagna, George Inness, 1872, watercolor, gouache, and graphite on off-white wove paper

George Inness Across the Campagna, 1872 The Met

Landscape, George Inness, 1884 or 1889, oil on canvas

George Inness Landscape, 1884 or 1889 The Met

Olive Trees at Tivoli, George Inness, 1873, gouache, watercolor, and graphite on blue wove paper with colored fibers

George Inness Olive Trees at Tivoli, 1873 The Met