Landscape Paintings for a Guest Room (page 11)

Showing 481 to 528 of 557 landscape paintings

We hover over a flax-yellow body of water lined with ships to our left and right, which are silhouetted against a moonlit, cloud-veiled sky in this horizontal landscape painting.

Joseph Mallord William Turner Keelmen Heaving in Coals by Moonlight, 1835 National Gallery of Art

Matsuchiyama on the Sumida River, Utagawa Hiroshige, Edo period, 1856, hanging scroll; Ink and color on silk

Utagawa Hiroshige Matsuchiyama on the Sumida River, Edo period, 1856 Art Institute of Chicago

Early Morning After a Storm at Sea, Winslow Homer, 1900–1903, oil on canvas

Winslow Homer Early Morning After a Storm at Sea, 1900–1903 Cleveland Museum of Art

Pond at Ville-d'Avray, Camille Corot, late 1860s, oil on fabric

Camille Corot Pond at Ville-d'Avray, late 1860s Cleveland Museum of Art

The Brook, Paul Cézanne, c. 1895–1900, oil on fabric

Paul Cézanne The Brook, c. 1895–1900 Cleveland Museum of Art

Maine Coast, Winslow Homer, 1896, oil on canvas

Winslow Homer Maine Coast, 1896 The Met

Moonlight, Wood Island Light, Winslow Homer, 1894, oil on canvas

Winslow Homer Moonlight, Wood Island Light, 1894 The Met

Shooting the Rapids, Saguenay River, Winslow Homer, 1905–10, oil on canvas with chalk

Winslow Homer Shooting the Rapids, Saguenay River, 1905–10 The Met

Man and Pool, Florida, John Singer Sargent, 1917, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Man and Pool, Florida, 1917 The Met

The Sea, Gustave Courbet, 1865 or later, oil on canvas

Gustave Courbet The Sea, 1865 or later The Met

Barges at Pontoise, Camille Pissarro, 1876, oil on canvas

Camille Pissarro Barges at Pontoise, 1876 The Met

Steamboats in the Port of Rouen, Camille Pissarro, 1896, oil on canvas

Camille Pissarro Steamboats in the Port of Rouen, 1896 The Met

Allée of Chestnut Trees, Alfred Sisley, 1878, oil on canvas

Alfred Sisley Allée of Chestnut Trees, 1878 The Met

We stand on a beach lined with black rocks and boulders looking out onto the water below a brick-red sky that dominates this nearly square landscape painting.

Gustave Courbet The Black Rocks at Trouville, 1865/1866 National Gallery of Art

We look across a strip of tall grass and flowers at a river that winds into the distance in this loosely painted, horizontal landscape.

Claude Monet Banks of the Seine, Vétheuil, 1880 National Gallery of Art

The rounded, feathery canopies of trees are mirrored in the placid surface of a river in this horizontal landscape painting. The scene is loosely painted with visible dashes and strokes. The largest tree is to our right of center.

Claude Monet The Seine at Giverny, 1897 National Gallery of Art

A row of structures and a massive weeping willow tree line the clay-orange riverbank opposite us in this horizontal landscape painting. The scene is painted loosely with long, visible brushstrokes.

Paul Cézanne Banks of the Seine at Médan, c. 1885/1890 National Gallery of Art

A narrow strip of beach and then a vivid turquoise stretch of water give way to a towering, hazy sky in this square landscape painting.

Gustave Courbet Calm Sea, 1866 National Gallery of Art

From a high perspective, we look beyond two overlapping, emerald-green hills to a body of powder-blue water dotted with sailboats in this loosely painted horizontal landscape.

Claude Monet Cliffs at Pourville, 1882 National Gallery of Art

We look slightly down onto a silvery-gray beach nestled in a hilly, curving coastline to our right in this horizontal landscape painting. A flat expanse of beach stretches in front of us to meet the water to our left.

Claude Monet Sainte-Adresse, 1867 National Gallery of Art

We look across a rocky, grass-covered promontory at a crumbling, round brick tower overlooking topaz-blue water in this horizontal landscape painting.

Thomas Cole Italian Coast Scene with Ruined Tower, 1838 National Gallery of Art

A Pond in Picardy, Camille Corot, ca. 1867, oil on canvas

Camille Corot A Pond in Picardy, ca. 1867 The Met

We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a railing overlooking a boat-clogged waterway in this horizontal painting.

James McNeill Whistler Wapping, 1860-1864 National Gallery of Art

Marine: The Waterspout, Gustave Courbet, 1870, oil on canvas

Gustave Courbet Marine: The Waterspout, 1870 The Met

The Fishermen (Fantastic Scene), Paul Cézanne, ca. 1875, oil on canvas

Paul Cézanne The Fishermen (Fantastic Scene), ca. 1875 The Met

We look across churning waves at four sailing ships and a wooden rowboat with four men aboard in this horizontal painting. Dark, iron-gray and tawny-brown clouds approaching from the right fill the top two-thirds of the composition.

Joseph Mallord William Turner The Junction of the Thames and the Medway, 1807 National Gallery of Art

Lormes: Goat-Girl Sitting Beside a Stream in a Forest, Camille Corot, 1842, oil on fabric

Camille Corot Lormes: Goat-Girl Sitting Beside a Stream in a Forest, 1842 Cleveland Museum of Art

A pair of arched cave openings yawn in a steep, rocky cliff face that fills this horizontal painting.

Gustave Courbet La Grotte de la Loue, 1864 National Gallery of Art

The Source of the Loue, Gustave Courbet, 1864, oil on canvas

Gustave Courbet The Source of the Loue, 1864 The Met

The Pond at the Entrance of the Woods, Camille Corot, c. 1860–75, oil on fabric

Camille Corot The Pond at the Entrance of the Woods, c. 1860–75 Cleveland Museum of Art

We look across a grassy expanse leading to a lake, with several women, tiny in scale, dancing under a grove of trees to our right in this horizontal landscape painting.

Camille Corot Dance under the Trees at the Edge of the Lake, 1865/1870 National Gallery of Art

Barks Fleeing Before the Storm, Jules Dupré, 1870–75, oil on canvas

Jules Dupré Barks Fleeing Before the Storm, 1870–75 Art Institute of Chicago

Sunset on the River Oise, Charles-François Daubigny, 1866, oil on wood panel

Charles-François Daubigny Sunset on the River Oise, 1866 Cleveland Museum of Art

The Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett The Sea, 1872 The Met

Sunset, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset, 1872 The Met

Boats on the Seacoast at Etaples, Charles-François Daubigny, 1871, oil on wood

Charles-François Daubigny Boats on the Seacoast at Etaples, 1871 The Met

The Forest Stream, Jacob van Ruisdael, ca. 1660, oil on canvas

Jacob van Ruisdael The Forest Stream, ca. 1660 The Met

A large, dark sailing ship to our left is stranded near the shore, angled dramatically away from us, in choppy waves under a periwinkle-blue sky streaked with gray and copper-colored clouds in this horizontal painting.

Asher Brown Durand The Stranded Ship, 1844 National Gallery of Art

We look across a channel of choppy water at three masted ships, a sailboat, at least one steamer, and three rowboats in this horizontal seascape painting.

Eugène Boudin Le Havre, 1883 National Gallery of Art

A two-masted ship with sails furled has been pulled onto a beach as dozens of people bustle on and around it in this horizontal landscape painting. The scene is loosely painted and many details are indistinct throughout.

Eugène Boudin Return of the Terre-Neuvier, 1875 National Gallery of Art

A stream meanders back through snowbanks in this wooded landscape, which is created entirely with cool, pale tones of white, gray, blue, lilac, and golden beige in this nearly square painting.

John Henry Twachtman Winter Harmony, c. 1890/1900 National Gallery of Art

Near the center of the painting, a masted wooden ship floats against a vibrant sunset that fades from lilac purple to carnation pink along the horizon line, which comes about a quarter of the way up this horizontal landscape.

Fitz Henry Lane Lumber Schooners at Evening on Penobscot Bay, 1863 National Gallery of Art

This is a painting depicting several ships on a stretch of water. The horizon is situated in the lower third of the painting, creating a vast expanse of sky above.

Eugène Boudin Ships and Sailing Boats Leaving Le Havre, 1887 National Gallery of Art

The painting depicts a seascape. The horizon is visible in the bottom third of the composition, with several ships floating on the water, including a large sailing ship to the left of center.

Eugène Boudin Coast of Brittany, 1870 National Gallery of Art

Two ships and two sailboats, all with full sails, float on a gently rippling body of water in front of a pale pastel-shaded sky in this horizontal painting.

Fitz Henry Lane Becalmed off Halfway Rock, 1860 National Gallery of Art

The Banks of the Oise, Charles-François Daubigny, 1863, oil on wood

Charles-François Daubigny The Banks of the Oise, 1863 The Met

This painting shows a green landscape from an elevated viewpoint. In the distance, light blue water meets a pale-yellow sky, and the sun casts a golden glow over the landscape.

George Inness Lake Albano, Sunset, c. 1874 National Gallery of Art

We look out across a band of broad, craggy boulders at an ocean bay dotted with boats in this horizontal landscape painting. The tops of the flat boulders are caramel brown in the sunlight and darker, rust-brown shadows down the sides.

William Stanley Haseltine Narragansett Bay, 1864 National Gallery of Art