Large Paintings for a Guest Room (page 4)

Showing 145 to 192 of 205 large paintings

A small child stands facing us on a sun-dappled path that runs up the center of a garden dominated by towering yellow and burnt-orange sunflowers in this loosely painted, vertical scene.

Claude Monet The Artist's Garden at Vétheuil, 1881 National Gallery of Art

Spring Flowers, Claude Monet, 1864, oil on canvas

Claude Monet Spring Flowers, 1864 Cleveland Museum of Art

Sunrise on the Matterhorn, Albert Bierstadt, after 1875, oil on canvas

Albert Bierstadt Sunrise on the Matterhorn, after 1875 The Met

We look slightly down across a sun-drenched plaza with people scattered among ruins, buildings, and around a free-standing column in this vertical landscape painting. The people we can see have light skin.

Canaletto English Landscape Capriccio with a Column, c. 1754 National Gallery of Art

Sun pours across a landscape with trees and plants growing around and on an arched stone ruin, a bridge and river, and, in the distance, buildings along a flat-topped hill carpeted with grass in this vertical painting.

Canaletto English Landscape Capriccio with a Palace, c. 1754 National Gallery of Art

Carmencita, William Merritt Chase, 1890, oil on canvas

William Merritt Chase Carmencita, 1890 The Met

Sheer, vertical, cliffs, brightly lit in cream white and rust orange by the low sun, tower over a band of people riding horses into the distance in this long, horizontal landscape painting.

Thomas Moran Green River Cliffs, Wyoming, 1881 National Gallery of Art

The Camp Meeting, Worthington Whittredge, 1874, oil on canvas

Worthington Whittredge The Camp Meeting, 1874 The Met

Shown from the knees up, a pale-skinned, bearded man dressed in black gazes at us in this vertical portrait painting. His body is angled to our left, and he looks at us from the corners of his hazel eyes under thick brows.

Jacopo Tintoretto Portrait of a Man with a Landscape View, 1552/1556 National Gallery of Art

The Beeches, Asher Brown Durand, 1845, oil on canvas

Asher Brown Durand The Beeches, 1845 The Met

A Gorge in the Mountains (Kauterskill Clove), Sanford Robinson Gifford, 1862, oil on canvas

Sanford Robinson Gifford A Gorge in the Mountains (Kauterskill Clove), 1862 The Met

Evening in the Woods, Worthington Whittredge, 1876, oil on canvas

Worthington Whittredge Evening in the Woods, 1876 The Met

A woman stands on a sun-dappled path, which runs past a bank of blooming flowers and back to a cottage in this vertical painting.

Gustave Caillebotte Dahlias, Garden at Petit Gennevilliers, 1893 National Gallery of Art

Portrait of Philip IV, Diego Velázquez, c. 1632, oil on canvas

Diego Velázquez Portrait of Philip IV, c. 1632 Art Institute of Chicago

We hover over the bottle-green surface of a river as it rushes toward a horseshoe-shaped waterfall that curves away from us in this horizontal landscape painting.

Frederic Edwin Church Niagara, 1857 National Gallery of Art

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and the Magus of Ascalon, c. 1742–45 Art Institute of Chicago

Irises, Claude Monet, 1914–17, oil on canvas

Claude Monet Irises, 1914–17 Art Institute of Chicago

Under the Trees (from "The Public Gardens"), Édouard Vuillard, 1894, distemper on fabric

Édouard Vuillard Under the Trees (from "The Public Gardens"), 1894 Cleveland Museum of Art

Evening: Landscape with an Aqueduct, Théodore Géricault, 1818, oil on canvas

Théodore Géricault Evening: Landscape with an Aqueduct, 1818 The Met

A man with pale white skin sits and a man with light brown skin stands in front of a cave-like, rocky outcropping in this vertical portrait painting.

Benjamin West Colonel Guy Johnson and Karonghyontye (Captain David Hill), 1776 National Gallery of Art

Mottled, geometric shapes painted in shades of peanut brown, beige, grass and spruce green, smoky gray, golden and buttercup yellow, and topaz and lapis blue are arranged across this wide, horizontal, abstract painting.

Roger de La Fresnaye The Watering Can (Emblems: The Garden), 1913 National Gallery of Art

From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape.

Thomas Gainsborough Seashore with Fishermen, c. 1781/1782 National Gallery of Art

Whalers, Joseph Mallord William Turner, ca. 1845, oil on canvas

Joseph Mallord William Turner Whalers, ca. 1845 The Met

Dance in a Subterranean Roundhouse at Clear Lake, California, Jules Tavernier, 1878, oil on canvas

Jules Tavernier Dance in a Subterranean Roundhouse at Clear Lake, California, 1878 The Met

Cottage Children (The Wood Gatherers), Thomas Gainsborough, 1787, oil on canvas

Thomas Gainsborough Cottage Children (The Wood Gatherers), 1787 The Met

We hover over a flax-yellow body of water lined with ships to our left and right, which are silhouetted against a moonlit, cloud-veiled sky in this horizontal landscape painting.

Joseph Mallord William Turner Keelmen Heaving in Coals by Moonlight, 1835 National Gallery of Art

Early Morning After a Storm at Sea, Winslow Homer, 1900–1903, oil on canvas

Winslow Homer Early Morning After a Storm at Sea, 1900–1903 Cleveland Museum of Art

Maine Coast, Winslow Homer, 1896, oil on canvas

Winslow Homer Maine Coast, 1896 The Met

Moonlight, Wood Island Light, Winslow Homer, 1894, oil on canvas

Winslow Homer Moonlight, Wood Island Light, 1894 The Met

Shooting the Rapids, Saguenay River, Winslow Homer, 1905–10, oil on canvas with chalk

Winslow Homer Shooting the Rapids, Saguenay River, 1905–10 The Met

We look across a strip of tall grass and flowers at a river that winds into the distance in this loosely painted, horizontal landscape.

Claude Monet Banks of the Seine, Vétheuil, 1880 National Gallery of Art

The rounded, feathery canopies of trees are mirrored in the placid surface of a river in this horizontal landscape painting. The scene is loosely painted with visible dashes and strokes. The largest tree is to our right of center.

Claude Monet The Seine at Giverny, 1897 National Gallery of Art

From a high perspective, we look beyond two overlapping, emerald-green hills to a body of powder-blue water dotted with sailboats in this loosely painted horizontal landscape.

Claude Monet Cliffs at Pourville, 1882 National Gallery of Art

We look across a rocky, grass-covered promontory at a crumbling, round brick tower overlooking topaz-blue water in this horizontal landscape painting.

Thomas Cole Italian Coast Scene with Ruined Tower, 1838 National Gallery of Art

We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a railing overlooking a boat-clogged waterway in this horizontal painting.

James McNeill Whistler Wapping, 1860-1864 National Gallery of Art

We look across churning waves at four sailing ships and a wooden rowboat with four men aboard in this horizontal painting. Dark, iron-gray and tawny-brown clouds approaching from the right fill the top two-thirds of the composition.

Joseph Mallord William Turner The Junction of the Thames and the Medway, 1807 National Gallery of Art

A pair of arched cave openings yawn in a steep, rocky cliff face that fills this horizontal painting.

Gustave Courbet La Grotte de la Loue, 1864 National Gallery of Art

The Source of the Loue, Gustave Courbet, 1864, oil on canvas

Gustave Courbet The Source of the Loue, 1864 The Met

Four women and two children, all with pale skin, carry baskets as they walk along a beach under a brilliant blue sky in this horizontal painting. The scene is painted with visible dabs and blended strokes.

John Singer Sargent En route pour la pêche (Setting Out to Fish), 1878 National Gallery of Art

Farm near Duivendrecht, Piet Mondrian, c. 1916, oil on canvas

Piet Mondrian Farm near Duivendrecht, c. 1916 Art Institute of Chicago

Two Young Peasant Women, Camille Pissarro, 1891–92, oil on canvas

Camille Pissarro Two Young Peasant Women, 1891–92 The Met

A windmill stands on a promontory cutting into a waterway under a partially stormy sky in this square landcape painting.

Rembrandt van Rijn The Mill, 1645/1648 National Gallery of Art

The Forest Stream, Jacob van Ruisdael, ca. 1660, oil on canvas

Jacob van Ruisdael The Forest Stream, ca. 1660 The Met

A large, dark sailing ship to our left is stranded near the shore, angled dramatically away from us, in choppy waves under a periwinkle-blue sky streaked with gray and copper-colored clouds in this horizontal painting.

Asher Brown Durand The Stranded Ship, 1844 National Gallery of Art

A two-masted ship with sails furled has been pulled onto a beach as dozens of people bustle on and around it in this horizontal landscape painting. The scene is loosely painted and many details are indistinct throughout.

Eugène Boudin Return of the Terre-Neuvier, 1875 National Gallery of Art

This is a painting depicting several ships on a stretch of water. The horizon is situated in the lower third of the painting, creating a vast expanse of sky above.

Eugène Boudin Ships and Sailing Boats Leaving Le Havre, 1887 National Gallery of Art

Two ships and two sailboats, all with full sails, float on a gently rippling body of water in front of a pale pastel-shaded sky in this horizontal painting.

Fitz Henry Lane Becalmed off Halfway Rock, 1860 National Gallery of Art

This painting shows a green landscape from an elevated viewpoint. In the distance, light blue water meets a pale-yellow sky, and the sun casts a golden glow over the landscape.

George Inness Lake Albano, Sunset, c. 1874 National Gallery of Art