Vertical Paintings for the Hallway and Entryway (page 7)

Showing 289 to 336 of 416 vertical paintings

Friedrich III (1463–1525), the Wise, Elector of Saxony, Lucas Cranach the Elder, 1533, oil on beech, with letterpress-printed paper labels

Lucas Cranach the Elder Friedrich III (1463–1525), the Wise, Elector of Saxony, 1533 The Met

Johann I (1468–1532), the Constant, Elector of Saxony, Lucas Cranach the Elder, 1532–33, oil on beech, with letterpress-printed paper labels

Lucas Cranach the Elder Johann I (1468–1532), the Constant, Elector of Saxony, 1532–33 The Met

Johann I (1468–1532), the Constant, Elector of Saxony, Lucas Cranach the Elder, 1532–33, oil on canvas, transferred from wood, with letterpress-printed paper labels

Lucas Cranach the Elder Johann I (1468–1532), the Constant, Elector of Saxony, 1532–33 The Met

Still Life with Flowers and Fruit, Henri Fantin-Latour, 1866, oil on canvas

Henri Fantin-Latour Still Life with Flowers and Fruit, 1866 The Met

Alfred Dedreux (1810–1860) as a Child, Théodore Géricault, ca. 1819–20, oil on canvas

Théodore Géricault Alfred Dedreux (1810–1860) as a Child, ca. 1819–20 The Met

Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, Jean-Baptiste Greuze, 1763, oil on canvas

Jean-Baptiste Greuze Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, 1763 The Met

Head of a Young Woman, Jean-Baptiste Greuze, possibly 1780s, oil on canvas

Jean-Baptiste Greuze Head of a Young Woman, possibly 1780s The Met

Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817), Jean-Baptiste Greuze, late 1780s, oil on wood

Jean-Baptiste Greuze Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817), late 1780s The Met

Princess Varvara Nikolaevna Gagarina (1762–1802), Jean-Baptiste Greuze, ca. 1780–82, oil on canvas

Jean-Baptiste Greuze Princess Varvara Nikolaevna Gagarina (1762–1802), ca. 1780–82 The Met

Head of a Young Boy, Jean-Baptiste Greuze, 1763, oil on canvas

Jean-Baptiste Greuze Head of a Young Boy, 1763 The Met

John Julius Angerstein (1736–1823), Thomas Lawrence, 1810, oil on canvas

Thomas Lawrence John Julius Angerstein (1736–1823), 1810 The Met

Lady Maria Conyngham (died 1843), Thomas Lawrence, ca. 1824–25, oil on canvas

Thomas Lawrence Lady Maria Conyngham (died 1843), ca. 1824–25 The Met

Lucia, Frederic Leighton, possibly late 1870s, oil on canvas

Frederic Leighton Lucia, possibly late 1870s The Met

Portrait of an Old Man, Hans Memling, ca. 1475, oil on wood

Hans Memling Portrait of an Old Man, ca. 1475 The Met

James Johnston of Straiton (died 1841), Henry Raeburn, 1800, oil on canvas

Henry Raeburn James Johnston of Straiton (died 1841), 1800 The Met

Janet Law, Henry Raeburn, 1800, oil on canvas

Henry Raeburn Janet Law, 1800 The Met

William Forsyth (1749–1814), Henry Raeburn, ca. 1800, oil on canvas

Henry Raeburn William Forsyth (1749–1814), ca. 1800 The Met

Bouquet in a Chinese Vase, Odilon Redon, ca. 1912–14, oil on canvas

Odilon Redon Bouquet in a Chinese Vase, ca. 1912–14 The Met

Etruscan Vase with Flowers, Odilon Redon, 1900–1910, tempera on canvas

Odilon Redon Etruscan Vase with Flowers, 1900–1910 The Met

Vase of Flowers (Pink Background), Odilon Redon, ca. 1906, oil on canvas

Odilon Redon Vase of Flowers (Pink Background), ca. 1906 The Met

Georgiana Augusta Frederica Elliott (1782–1813), Later Lady Charles Bentinck, Joshua Reynolds, 1784, oil on canvas

Joshua Reynolds Georgiana Augusta Frederica Elliott (1782–1813), Later Lady Charles Bentinck, 1784 The Met

Madame Grand (Noël Catherine Vorlée, 1761–1835), Élisabeth Louise Vigée Le Brun, 1783, oil on canvas

Élisabeth Louise Vigée Le Brun Madame Grand (Noël Catherine Vorlée, 1761–1835), 1783 The Met

Alexandre Charles Emmanuel de Crussol-Florensac (1743–1815), Élisabeth Louise Vigée Le Brun, 1787, oil on wood

Élisabeth Louise Vigée Le Brun Alexandre Charles Emmanuel de Crussol-Florensac (1743–1815), 1787 The Met

Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), Anders Zorn, ca. 1900, oil on canvas

Anders Zorn Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), ca. 1900 The Met

Roses and Lilies, Henri Fantin-Latour, 1888, oil on canvas

Henri Fantin-Latour Roses and Lilies, 1888 The Met

Horsewoman, Théodore Géricault, 1820 or later, oil on canvas

Théodore Géricault Horsewoman, 1820 or later The Met

Julie Le Brun (1780–1819) Looking in a Mirror, Élisabeth Louise Vigée Le Brun, 1787, oil on canvas

Élisabeth Louise Vigée Le Brun Julie Le Brun (1780–1819) Looking in a Mirror, 1787 The Met

An Egyptian in a Doorway, Lawrence Alma-Tadema, 1865, oil on wood

Lawrence Alma-Tadema An Egyptian in a Doorway, 1865 The Met

Portrait of a Young Man, Hans Memling, ca. 1472–75, oil on oak panel

Hans Memling Portrait of a Young Man, ca. 1472–75 The Met

William Fraser of Reelig (1784–1835), Henry Raeburn, 1801, oil on canvas

Henry Raeburn William Fraser of Reelig (1784–1835), 1801 The Met

Bashi-Bazouk, Jean-Léon Gérôme, ca. 1868–69, oil on canvas

Jean-Léon Gérôme Bashi-Bazouk, ca. 1868–69 The Met

Woman at a Balcony, Jean-Léon Gérôme, 1887–88, oil on canvas

Jean-Léon Gérôme Woman at a Balcony, 1887–88 The Met

Rachel Ruysch (1664–1750), Rachel Ruysch, 1692, oil on canvas

Rachel Ruysch Rachel Ruysch (1664–1750), 1692 The Met

Shown from the hips up, a pale-skinned woman wearing white sits facing us against a golden-toned landscape background in this vertical portrait painting.

Henry Raeburn Miss Eleanor Urquhart, c. 1793 National Gallery of Art

This is a painting of a woman depicted from the waist up. She is seated in a red armchair with gold details, slightly turned to the right, with her hands resting in her lap.

Gilbert Stuart Catherine Yates Pollock (Mrs. George Pollock), 1793/1794 National Gallery of Art

This painting depicts the upper half of a woman's body. She is turned slightly to the left and faces us, with pale skin, soft, rosy cheeks, dark brown eyes, and a neutral expression.

Gilbert Stuart Ann Calvert Stuart Robinson (Mrs. William Robinson), c. 1804 National Gallery of Art

Anna Maria Brodeau Thornton (Mrs. William Thornton), Gilbert Stuart, 1804, oil on canvas

Gilbert Stuart Anna Maria Brodeau Thornton (Mrs. William Thornton), 1804 National Gallery of Art

Shown from the chest up, an older man with pale, peachy skin, wearing a high-collared black coat and a cream-white, ruffled collar, is shown against a deep wine-red background in this vertical portrait painting.

Gilbert Stuart George Washington (Vaughan portrait), 1795 National Gallery of Art

This painting is a portrait of a man from his chest up. He is positioned slightly angled to the left and looks directly at us.

Gilbert Stuart George Washington, c. 1803 National Gallery of Art

This is a painting of a woman reaching to pick a water lily from a pond. She is crouching atop a fallen log, leaning over to submerge her right hand in the water.

Eastman Johnson Gathering Lilies, 1865 National Gallery of Art

Sarah Shippen Lea (Mrs. Thomas Lea), Gilbert Stuart, c. 1798, oil on canvas

Gilbert Stuart Sarah Shippen Lea (Mrs. Thomas Lea), c. 1798 National Gallery of Art

The painting shows a woman's figure from the waist up, seated, and her body is turned slightly to our left. Her head is turned to face the viewer.

Charles Willson Peale Rebecca Bryan White (Mrs. John White), 1788 National Gallery of Art

This painting depicts a man from the waist up, facing us. He has light skin with a curled white mustache and pointed beard, and gray, wavy hair.

William Merritt Chase Self-Portrait, 1915 National Gallery of Art

Edouard Delessert, Jean-Léon Gérôme, 1864, oil on panel

Jean-Léon Gérôme Edouard Delessert, 1864 National Gallery of Art

Charlotte Morton Dexter (Mrs. Andrew Dexter), Gilbert Stuart, 1808/c. 1825, oil on wood

Gilbert Stuart Charlotte Morton Dexter (Mrs. Andrew Dexter), 1808/c. 1825 National Gallery of Art

The image shows a portrait of a man with a soft, round face, a slightly double chin, small eyes, and a neutral expression. He has gray, voluminous hair styled in the fashion of the 18th century.

Joseph Wright of Derby Portrait of a Gentleman, c. 1760 National Gallery of Art

Shown from about the waist up, a woman with smooth, pale skin sits in a chair facing our right in front of a canvas on an easel in this vertical portrait. She leans onto her right elbow, which rests on the seat back.

Judith Leyster Self-Portrait, c. 1630 National Gallery of Art

This painting shows a portrait of a man. His head is turned to the left. He has light skin, a straight nose, a soft jawline, and pale lips in a neutral expression. He has closely cropped brown hair mostly covered by a black cap.

Andrea Mantegna Portrait of a Man, c. 1470 National Gallery of Art