Home Gym Paintings: Dancers, Horses, Sails and Storms (page 3)

Movement and nerve: dancers, horses, sails and storms in bold color.

Showing 97 to 144 of 149 paintings

Bullfight, Édouard Manet, 1865–66, oil on canvas

Édouard Manet Bullfight, 1865–66 Art Institute of Chicago

The Fishing Boat, Gustave Courbet, 1865, oil on canvas

Gustave Courbet The Fishing Boat, 1865 The Met

Dancers, Pink and Green, Edgar Degas, ca. 1890, oil on canvas

Edgar Degas Dancers, Pink and Green, ca. 1890 The Met

Sunset on the Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset on the Sea, 1872 The Met

This painting shows a view from above, looking down a path on the left where several people walk away from us towards a house in the distance surrounded by lush green vegetation.

Pierre-Auguste Renoir The Mussel Harvest, 1879 National Gallery of Art

Wolf and Fox Hunt, Peter Paul Rubens, ca. 1616, oil on canvas

Peter Paul Rubens Wolf and Fox Hunt, ca. 1616 The Met

A dimly lit ballet studio is filled with about two dozen young dancers tying on their shoes, stretching, or practicing en pointe in this horizontal painting.

Edgar Degas The Dance Class, c. 1873 National Gallery of Art

Louis-Marie, Vicomte de Noailles, Gilbert Stuart, 1798, oil on canvas

Gilbert Stuart Louis-Marie, Vicomte de Noailles, 1798 The Met

Porte de la Reine at Aigues-Mortes, Frédéric Bazille, 1867, oil on canvas

Frédéric Bazille Porte de la Reine at Aigues-Mortes, 1867 The Met

This horizontal landscape is painted with broad, visible strokes in shades of laurel, fern, and pine green, dark yellow, and ash brown.

Pierre-Auguste Renoir Landscape between Storms, 1874/1875 National Gallery of Art

Two men with pale skin, wearing white sleeveless shirts and royal-blue caps, row in unison in a long, narrow boat on a placid blue river in this horizontal landscape painting.

Thomas Eakins The Biglin Brothers Racing, 1872 National Gallery of Art

Passing off of the Storm, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Passing off of the Storm, 1872 The Met

Storm in the Mountains, Frederic Edwin Church, 1847, oil on canvas

Frederic Edwin Church Storm in the Mountains, 1847 Cleveland Museum of Art

Dancers Practicing at the Barre, Edgar Degas, 1877, mixed media on canvas

Edgar Degas Dancers Practicing at the Barre, 1877 The Met

Close to us, a young man and three boys sit or recline in a small sailboat that tips to our left on a choppy dark green sea in this horizontal painting.

Winslow Homer Breezing Up (A Fair Wind), 1873-1876 National Gallery of Art

The Forest in Winter at Sunset, Théodore Rousseau, ca. 1846–67, oil on canvas

Théodore Rousseau The Forest in Winter at Sunset, ca. 1846–67 The Met

Painting of three male figures, two older men in top hats and a younger man with red hair, standing outdoors around a wooden table with a pitcher on it, drinking from glasses.

Vincent van Gogh The Drinkers, 1890 Art Institute of Chicago

Close to us, a young man and four boys sit or recline in a small sailboat that tips to our left on a choppy dark green sea fringed with white foam in this horizontal painting.

Winslow Homer The Flirt, 1874 National Gallery of Art

This painting shows a rowing competition with a large crowd along the riverbank. Tall trees and distant, hazy hills are visible on the horizon. The sky above is a soft, muted gray-blue color.

Émile Lévy Rowing Scene: Crowds Watching from the River Banks, late 19th century National Gallery of Art

Frieze of Dancers, Edgar Degas, c. 1895, oil on fabric

Edgar Degas Frieze of Dancers, c. 1895 Cleveland Museum of Art

On the Beach at Trouville, Eugène Boudin, 1863, oil on wood

Eugène Boudin On the Beach at Trouville, 1863 The Met

Horsewoman, Théodore Géricault, 1820 or later, oil on canvas

Théodore Géricault Horsewoman, 1820 or later The Met

Four light-skinned ballerinas with russet-orange hair tied back in buns adjust the straps of their bodices as they gather close together, their bodies and wide, knee-length tutus taking up the left half of this horizontal painting.

Edgar Degas Four Dancers, c. 1899 National Gallery of Art

Tall, billowing, lavender-purple and shell-pink clouds line the distant horizon over a vast plain of flat grassy land in this horizontal landscape painting.

Martin Johnson Heade Sunlight and Shadow: The Newbury Marshes, c. 1871/1875 National Gallery of Art

At the Circus: The Bareback Rider (Au Cirque: Écuyère), Henri de Toulouse-Lautrec, 1888, oil on vellum

Henri de Toulouse-Lautrec At the Circus: The Bareback Rider (Au Cirque: Écuyère), 1888 Art Institute of Chicago

Sailboats line a grassy riverbank in this loosely painted horizontal landscape. Vivid blue water stretches before us to meet a verdant bank along the left third of the horizon, which comes less than halfway up the composition.

Pierre-Auguste Renoir Regatta at Argenteuil, 1874 National Gallery of Art

White Mare, Winslow Homer, c. 1868, oil on panel

Winslow Homer White Mare, c. 1868 Cleveland Museum of Art

A large, dark sailing ship to our left is stranded near the shore, angled dramatically away from us, in choppy waves under a periwinkle-blue sky streaked with gray and copper-colored clouds in this horizontal painting.

Asher Brown Durand The Stranded Ship, 1844 National Gallery of Art

We find ourselves on an emerald-green, grassy racetrack as a dusty cluster of horses and their jockeys bear directly down on us in this loosely painted horizontal landscape.

Édouard Manet At the Races, c. 1875 National Gallery of Art

Green hills roll back to a turquoise-blue sea in this almost square painting. The scene is built with layers of small dots in lavender, lilac, cool blue, warm green, yellow, and peach.

Georges Seurat Seascape at Port-en-Bessin, Normandy, 1888 National Gallery of Art

A woman holding a baby stands near a young boy who perches in the tipped-up end of a rowboat that has been pulled onto a sandy beach in this horizontal painting. All the people have light skin.

Winslow Homer Dad's Coming!, 1873 National Gallery of Art

Saltash with the Water Ferry, Cornwall, Joseph Mallord William Turner, 1811, oil on canvas

Joseph Mallord William Turner Saltash with the Water Ferry, Cornwall, 1811 The Met

Through a golden haze and across an expanse of gently rippling water dotted with boats, ghostly ivory and parchment-white buildings rise along a distant shore in this loosely painted horizontal landscape.

Joseph Mallord William Turner The Dogana and Santa Maria della Salute, Venice, 1843 National Gallery of Art

In this painting, a person appears to pull a long brown-and-green canoe out of the water and onto a grassy stretch of land. The person wears a hat and a green shirt with brown trousers, and their face is indistinct.

Winslow Homer Sunset, c. 1875 National Gallery of Art

Two ships and two sailboats, all with full sails, float on a gently rippling body of water in front of a pale pastel-shaded sky in this horizontal painting.

Fitz Henry Lane Becalmed off Halfway Rock, 1860 National Gallery of Art

Stage Fort across Gloucester Harbor, Fitz Henry Lane, 1862, oil on canvas

Fitz Henry Lane Stage Fort across Gloucester Harbor, 1862 The Met

Leaving the Forest, Fontainebleau: Setting Sun, Théodore Rousseau, 1851, oil on fabric

Théodore Rousseau Leaving the Forest, Fontainebleau: Setting Sun, 1851 Cleveland Museum of Art

This painting shows a maritime scene from the water, with a coastline in the distance marked by small, colorful buildings and distant green hills.

A. Hashagen Ship "Arkansas" Leaving Havana, 1847 National Gallery of Art

Ship in Full Sail, T. Davies, 1827, oil on canvas

T. Davies Ship in Full Sail, 1827 National Gallery of Art

The image shows three full-body figures standing together. On the left is a female figure holding a feather, in a decorated dress. In the center is a male figure with long, ornamented hair and a beaded robe, holding a fur piece and shield.

George Catlin Three Minatarree Indians, 1861 National Gallery of Art

We stand on a beach lined with black rocks and boulders looking out onto the water below a brick-red sky that dominates this nearly square landscape painting.

Gustave Courbet The Black Rocks at Trouville, 1865/1866 National Gallery of Art

Across a short stretch of sand in front of us, waves of bottle-green water break over two boulders on the shoreline, with sailboats in the water beyond, in this wide, horizontal painting.

Martin Johnson Heade Rio de Janeiro Bay, 1864 National Gallery of Art

Ruin by the Sea, Arnold Böcklin, 1881, oil on fabric

Arnold Böcklin Ruin by the Sea, 1881 Cleveland Museum of Art

This painting depicts a scene overlooking a calm body of water. A large sailing ship with two tall masts and a dark hull is anchored on the water, its sails tied up. On the left, there are two people in a small, dark rowboat.

Eugène Boudin Ship on the Touques, c. 1888/1895 National Gallery of Art

This painting shows a harbor with sailing ships displaying countless colorful flags. The ships stretch across the painting horizontally, floating on clear, reflective water.

Eugène Boudin Yacht Basin at Trouville-Deauville, probably 1895/1896 National Gallery of Art

We look across a glittering waterway lined with long, low boats and sailboats at an ivory-white church in the distance to our right in this horizontal landscape painting.

Joseph Mallord William Turner Venice: The Dogana and San Giorgio Maggiore, 1834 National Gallery of Art

Copy after Delacroix's "Bark of Dante", Édouard Manet, ca. 1859, oil on canvas

Édouard Manet Copy after Delacroix's "Bark of Dante", ca. 1859 The Met

Alice Gerson in Prospect Park, William Merritt Chase, 1886, oil on panel

William Merritt Chase Alice Gerson in Prospect Park, 1886 The Met