Post-Impressionist Paintings for a Home Office

Here are 31 Post-Impressionist paintings for a home office, painted between 1866 and 1911, with works by Paul Cézanne, Vincent van Gogh and Georges Seurat; the subjects they return to most are landscapes, and cityscapes. An office painting should settle you rather than distract you, and it will often sit behind you on video calls, so it should also read well at a glance.

All 691 paintings for a home office

Every Post-Impressionist painting, for any room

The Bay of Marseille, Seen from L'Estaque, Paul Cézanne 16 × 20 in landscape print (41 × 51 cm), centered 47¼ in from the floor, 8 in above the desk. Drawn to scale on a 12 × 8 ft wall.

Try your wall color

Default greige

31 Post-Impressionist paintings

Impressionist sea landscape, tan houses, blue ocean, distant mountains.

Paul Cézanne The Bay of Marseille, Seen from L'Estaque, c. 1885 Art Institute of Chicago

Large painting of people in a crowded park, brushstrokes are dots.

Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89 Art Institute of Chicago

Dense and varied landscape with open fields, groves of bushy trees, and a row of thin conifers. A light-blue river tranverses the canvas, and a church steeple emerges from the trees at left of center.

Édouard Vuillard Landscape: Window Overlooking the Woods, 1899 Art Institute of Chicago

Painting in short strokes of pale blue, green, white, yellow, and pink, of a fisherman in one of two small boats on a river, a tree-lined bank and a bridge in the background.

Vincent van Gogh Fishing in Spring, the Pont de Clichy (Asnières), 1887 Art Institute of Chicago

Te raau rahi (The Big Tree), Paul Gauguin, 1891, oil on jute canvas

Paul Gauguin Te raau rahi (The Big Tree), 1891 Art Institute of Chicago

Les Andelys, Côte d'Aval, Paul Signac, 1886, oil on canvas

Paul Signac Les Andelys, Côte d'Aval, 1886 Art Institute of Chicago

View of a village surrounded by hills, fields, and trees, shown from a vantage point above the scene. Subtly rolling hills recede into a bluish gray-ish sky punctuated by white clouds.

Paul Cézanne Auvers, Panoramic View, 1873–75 Art Institute of Chicago

No te aha oe riri (Why Are You Angry?), Paul Gauguin, 1896, oil on jute canvas

Paul Gauguin No te aha oe riri (Why Are You Angry?), 1896 Art Institute of Chicago

Te burao (The Hibiscus Tree), Paul Gauguin, 1892, oil on canvas

Paul Gauguin Te burao (The Hibiscus Tree), 1892 Art Institute of Chicago

The Pigeon Tower at Bellevue, Paul Cézanne, 1890, oil on fabric

Paul Cézanne The Pigeon Tower at Bellevue, 1890 Cleveland Museum of Art

Mont Sainte-Victoire and the Viaduct of the Arc River Valley, Paul Cézanne, 1882–85, oil on canvas

Paul Cézanne Mont Sainte-Victoire and the Viaduct of the Arc River Valley, 1882–85 The Met

Oleanders, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh Oleanders, 1888 The Met

We look across a forested ravine painted in deep greens and blues at a terracotta-orange building at the top of a hill at the center of this nearly square, loosely painted landscape.

Paul Cézanne Château Noir, 1900/1904 National Gallery of Art

Across a grassy field, a row of buildings and two trees line the horizon, which comes about halfway up this nearly square landscape painting.

Paul Cézanne Landscape near Paris, c. 1876 National Gallery of Art

Farming Village at Twilight, Vincent van Gogh, 1884, oil on canvas

Vincent van Gogh Farming Village at Twilight, 1884 Rijksmuseum

Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.

Georges Seurat Oil Sketch for "A Sunday on La Grande Jatte — 1884", 1884 Art Institute of Chicago

The Singel near the Lutheran Church in Amsterdam, Vincent van Gogh, 1885

Vincent van Gogh The Singel near the Lutheran Church in Amsterdam, 1885 Rijksmuseum

A screen made up of five tall, rectangular panels, set side by side and each surrounded by a gold frame, is painted as a single scene showing a tree-lined sidewalk curving around a park in a city.

Édouard Vuillard Place Vintimille, 1911 National Gallery of Art

L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911), Vincent van Gogh, 1888–89, oil on canvas

Vincent van Gogh L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911), 1888–89 The Met

Woman and Child at the Well, Camille Pissarro, 1882, oil on canvas

Camille Pissarro Woman and Child at the Well, 1882 Art Institute of Chicago

Gardanne, Paul Cézanne, 1885–86, oil on canvas

Paul Cézanne Gardanne, 1885–86 The Met

Self-portrait, Émile Bernard, 1897, oil on canvas

Émile Bernard Self-portrait, 1897 Rijksmuseum

Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre, Vincent van Gogh, Early 1887, oil on canvas, mounted on pressboard

Vincent van Gogh Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre, Early 1887 Art Institute of Chicago

Vincent van Gogh Self-portrait, 1887 Rijksmuseum

A man sitting in a tall, upholstered armchair reads a newspaper in this vertical portrait painting. The man and the room in which he sits is loosely painted with bold, visible strokes throughout.

Paul Cézanne The Artist's Father, Reading "L'Événement", 1866 National Gallery of Art

Painting of bedroom, blue walls, green window, tan bed, red bedding.

Vincent van Gogh The Bedroom, 1889 Art Institute of Chicago

Loosely painted scene of a brown-haired girl in her nightgown standing in a dark room, gazing out a window into a brighter night, her face unseen and her hand drawing back the pale curtain.

Edvard Munch The Girl by the Window, 1893 Art Institute of Chicago

Mont Sainte-Victoire, Paul Cézanne, ca. 1902–6, oil on canvas

Paul Cézanne Mont Sainte-Victoire, ca. 1902–6 The Met

View of the Domaine Saint-Joseph, Paul Cézanne, late 1880s, oil on canvas

Paul Cézanne View of the Domaine Saint-Joseph, late 1880s The Met

Pale beige, angular houses cluster at the center of the horizontal landscape painting. The hilly, rocky landscape around and below the houses is painted with cool blues and greens, and warm ivory and caramel brown beneath a pale blue sky.

Paul Cézanne Houses in Provence: The Riaux Valley near L'Estaque, c. 1883 National Gallery of Art

Painted entirely with small dots of pure color mostly in slate and azure blue, olive green, and cream white, this scene shows a sandy beach stretching to a lighthouse at the center and a four-story building to our right in this horizontal…

Post-Impressionist Paintings for a Home Office

More for a home office

Other styles for a home office

Guides

More for a home office

Other styles for a home office

Guides

Rooms that share paintings