Impressionist Paintings for the Living Room (page 3)

Showing 97 to 144 of 258 Impressionist paintings

A small complex of white buildings with red-tile roofs are engulfed in a patchwork of lush, green farm fields over rolling hills in this nearly square painting.

Camille Pissarro Landscape at Les Pâtis, Pontoise, 1868 National Gallery of Art

A pale turquoise footbridge arching over a pond lined with tall grasses and filled with petal-pink and butter-yellow waterlilies spans this horizontal landscape painting. The scene is loosely painted with touches of vibrant color.

Claude Monet The Japanese Footbridge, 1899 National Gallery of Art

La Corniche near Monaco, Claude Monet, 1884, oil on canvas

Claude Monet La Corniche near Monaco, 1884 Rijksmuseum

Mill of Pont Maupuit, Armand Guillaumin, c. 1900, oil on canvas

Armand Guillaumin Mill of Pont Maupuit, c. 1900 Art Institute of Chicago

Approaching Storm, Eugène Boudin, 1864, oil on cradled panel

Eugène Boudin Approaching Storm, 1864 Art Institute of Chicago

Entrance to the Port of Honfleur, Johan Barthold Jongkind, 1863–64, oil on canvas

Johan Barthold Jongkind Entrance to the Port of Honfleur, 1863–64 Art Institute of Chicago

The Old Road to the Sea, William Merritt Chase, c. 1893, oil on canvas

William Merritt Chase The Old Road to the Sea, c. 1893 Cleveland Museum of Art

Valley of the Sédelle at Pont Charraud: White Frost, Armand Guillaumin, c.1903–1911, oil on fabric

Armand Guillaumin Valley of the Sédelle at Pont Charraud: White Frost, c.1903–1911 Cleveland Museum of Art

View of Bordeaux, from the Quai des Chartrons, Eugène Boudin, 1874, oil on fabric

Eugène Boudin View of Bordeaux, from the Quai des Chartrons, 1874 Cleveland Museum of Art

View of the Port of Saint-Valéry-sur-Somme, Eugène Boudin, 1891, oil on canvas

Eugène Boudin View of the Port of Saint-Valéry-sur-Somme, 1891 Cleveland Museum of Art

Arques-la-Bataille, John Henry Twachtman, 1885, oil on canvas

John Henry Twachtman Arques-la-Bataille, 1885 The Met

The Red Bridge, Julian Alden Weir, 1895, oil on canvas

Julian Alden Weir The Red Bridge, 1895 The Met

Arques-la-Bataille, John Henry Twachtman, ca. 1884, oil on canvas

John Henry Twachtman Arques-la-Bataille, ca. 1884 The Met

The Pont Neuf, Johan Barthold Jongkind, 1849–50, oil on canvas

Johan Barthold Jongkind The Pont Neuf, 1849–50 The Met

View from the Quai d'Orsay, Johan Barthold Jongkind, 1854, oil on canvas, mounted on wood

Johan Barthold Jongkind View from the Quai d'Orsay, 1854 The Met

We look across a profusion of vivid red, blush-pink, and white flowers lining a stony shoreline in this almost square landscape painting.

Childe Hassam Poppies, Isles of Shoals, 1891 National Gallery of Art

A rocky shoreline juts into a vivid, aquamarine-blue body of water in this loosely painted, nearly square landscape.

Childe Hassam A North East Headland, 1901 National Gallery of Art

The painting shows a bright-green landscape with rolling hills in the distance.

Julian Alden Weir Obweebetuck, c. 1908 National Gallery of Art

We look across a channel of choppy water at three masted ships, a sailboat, at least one steamer, and three rowboats in this horizontal seascape painting.

Eugène Boudin Le Havre, 1883 National Gallery of Art

The image features a seascape scene with a beach, ocean, and sailboats. The horizon is high in the image, separating the sea from the sky, where sailboats are present.

Eugène Boudin Low Tide at Scheveningen, 1875 National Gallery of Art

A two-masted ship with sails furled has been pulled onto a beach as dozens of people bustle on and around it in this horizontal landscape painting. The scene is loosely painted and many details are indistinct throughout.

Eugène Boudin Return of the Terre-Neuvier, 1875 National Gallery of Art

This is a painting depicting several ships on a stretch of water. The horizon is situated in the lower third of the painting, creating a vast expanse of sky above.

Eugène Boudin Ships and Sailing Boats Leaving Le Havre, 1887 National Gallery of Art

The painting depicts a seascape. The horizon is visible in the bottom third of the composition, with several ships floating on the water, including a large sailing ship to the left of center.

Eugène Boudin Coast of Brittany, 1870 National Gallery of Art

Windmills near Rotterdam, Johan Barthold Jongkind, 1857, oil on canvas

Johan Barthold Jongkind Windmills near Rotterdam, 1857 Rijksmuseum

Shinnecock Hills, William Merritt Chase, ca. 1895, oil on canvas

William Merritt Chase Shinnecock Hills, ca. 1895 Smithsonian American Art Museum

Spring, Navesink Highlands, Childe Hassam, 1908, oil on canvas

Childe Hassam Spring, Navesink Highlands, 1908 Smithsonian American Art Museum

End of Winter, John Henry Twachtman, after 1889, oil on canvas

John Henry Twachtman End of Winter, after 1889 Smithsonian American Art Museum

The Torrent, John Henry Twachtman, ca. 1900, oil on canvas

John Henry Twachtman The Torrent, ca. 1900 Smithsonian American Art Museum

Upland Pasture, Julian Alden Weir, ca. 1905, oil on canvas

Julian Alden Weir Upland Pasture, ca. 1905 Smithsonian American Art Museum

Fishing Boats at Gloucester, John Henry Twachtman, 1901, oil on canvas

John Henry Twachtman Fishing Boats at Gloucester, 1901 Smithsonian American Art Museum

Hemlock Pool, John Henry Twachtman, ca. 1890-1900, oil on canvas

John Henry Twachtman Hemlock Pool, ca. 1890-1900 Smithsonian American Art Museum

Misty May Morn, John Henry Twachtman, 1899, oil on canvas

John Henry Twachtman Misty May Morn, 1899 Smithsonian American Art Museum

On the Terrace, John Henry Twachtman, ca. 1890-1900, oil on canvas

John Henry Twachtman On the Terrace, ca. 1890-1900 Smithsonian American Art Museum

The Brook, Greenwich, Connecticut, John Henry Twachtman, ca. 1890-1900, oil on canvas

John Henry Twachtman The Brook, Greenwich, Connecticut, ca. 1890-1900 Smithsonian American Art Museum

Ponte Santa Trinità, Childe Hassam, 1897, oil on canvas

Childe Hassam Ponte Santa Trinità, 1897 Smithsonian American Art Museum

Painting of a young woman outdoors in a light purple dress and head covering with a wooden yoke around her neck suspending large bundles of brightly colored flowers.

George Hitchcock Flower Girl in Holland, 1887 Art Institute of Chicago

Brooklyn Bridge, Henry Ward Ranger, 1899, oil on canvas

Henry Ward Ranger Brooklyn Bridge, 1899 Art Institute of Chicago

From atop a high hill, we look across a broad valley leading to a winding river in this loosely painted horizontal landscape. The scene is created entirely with visible brushstrokes in fresh and vibrant green and shimmering and smoky blues.

Theodore Robinson The Valley of the Seine, from the Hills of Giverny, 1892 National Gallery of Art

A nearly square landscape with a bridge to our right and a person walking at the lower center is painted loosely in tones of pine, spruce, and sage green with a few touches of yellow, black, and brown.

Ernest Lawson High Bridge at Night, New York City, c. 1910/1920 National Gallery of Art

A tree with emerald-green leaves and laden with white blossoms grows in a dirt field, and is silhouetted against a vibrant blue sky in this horizontal landscape painting. The scene is loosely painted with visible dabs and strokes.

Camille Pissarro Orchard in Bloom, Louveciennes, 1872 National Gallery of Art

Beaulieu: The Bay of Fourmis, Eugène Boudin, 1892, oil on canvas

Eugène Boudin Beaulieu: The Bay of Fourmis, 1892 The Met

This is a painting of a park filled with tall trees and people in colorful clothes. Some people are seated on chairs, while others are walking or standing on the tan ground.

William Glackens Luxembourg Gardens, 1906 National Gallery of Art

An arched bridge faintly materializes in a haze of soft turquoise blue and mint green in this horizontal landscape painting. The bridge has four arches under a flat deck, and it extends off each side of the canvas.

Claude Monet Waterloo Bridge, London, at Dusk, 1904 National Gallery of Art

We look down on a few dozen people walking along the sidewalks of a wide, sunlit bridge in this almost square painting. The scene is loosely painted, which gives it a hazy, sun-dappled look and makes some details indistinct.

Pierre-Auguste Renoir Pont Neuf, Paris, 1872 National Gallery of Art

Appledore No. 2, Childe Hassam, 1912, watercolor on paper

Childe Hassam Appledore No. 2, 1912 Smithsonian American Art Museum

Horizontal oil painting in shades of pale purple, pink, and light blue of a bridge composed of multiple linked archways over water, engulfed in hazy fog.

Claude Monet Waterloo Bridge, Sunlight Effect, 1903 Art Institute of Chicago

The South Ledges, Appledore, Childe Hassam, 1913, oil on canvas

Childe Hassam The South Ledges, Appledore, 1913 Smithsonian American Art Museum

Violet and Silver—The Deep Sea, James McNeill Whistler, 1893, oil on canvas

James McNeill Whistler Violet and Silver—The Deep Sea, 1893 Art Institute of Chicago