Impressionist Paintings for the Living Room (page 4)

Showing 145 to 192 of 258 Impressionist paintings

Coast of Maine, Winslow Homer, 1893, oil on canvas

Winslow Homer Coast of Maine, 1893 Art Institute of Chicago

Houses of Parliament, London, Claude Monet, 1900–1, oil on canvas

Claude Monet Houses of Parliament, London, 1900–1 Art Institute of Chicago

This painting shows a riverside with a cream-colored bridge cutting horizontally across the scene in front of a bustling city. The bridge is decorated with flags that have stripes of red, white, and blue.

Armand Guillaumin The Bridge of Louis Philippe, 1875 National Gallery of Art

Poppy Field (Giverny), Claude Monet, 1890–91, oil on canvas

Claude Monet Poppy Field (Giverny), 1890–91 Art Institute of Chicago

Vivid, lush view of rolling waves in purple, white, blue, and green against a bright blue sky with a watercolor-like blending of blues and purples. Sea and sky nearly become one.

Pierre-Auguste Renoir Seascape, 1879 Art Institute of Chicago

Noon above Newburgh, Childe Hassam, 1916, watercolor on paper

Childe Hassam Noon above Newburgh, 1916 Smithsonian American Art Museum

Painted almost entirely in tones of topaz, lapis, and sky blue, the façade of a building abutting a waterway fills this horizontal painting. Brushstrokes are visible throughout and they blend to make the scene appear hazy.

Claude Monet Palazzo da Mula, Venice, 1908 National Gallery of Art

Two dark-skinned women stand facing each other on a dirt path that runs beside a body of water in this horizontal painting. One woman faces us and balances a flat tray loaded with white cloths on her head.

Camille Pissarro Two Women Chatting by the Sea, St. Thomas, 1856 National Gallery of Art

Two horses, one dark brown and one cream white, stand together to our right against a landscape with rolling, sage-green hills and a river or canal in this horizontal painting.

Edgar Degas Horses in a Meadow, 1871 National Gallery of Art

Snow at Louveciennes, Camille Pissarro, c. 1870, oil on panel

Camille Pissarro Snow at Louveciennes, c. 1870 Art Institute of Chicago

This painting shows an expansive green and yellow grassland under a textured blue and white sky. The horizon line is high, separating the fields and clouds with a thin line of dark trees and small white buildings.

Georges Seurat A Summer Landscape, 1883 National Gallery of Art

This painting shows a scene with several people spaced out across a grassy expanse. The horizon is high in the painting, lined with white structures with red roofs and green trees.

Georges Seurat Figures in a Landscape, c. 1883 National Gallery of Art

This horizontal landscape is painted with broad, visible strokes in shades of laurel, fern, and pine green, dark yellow, and ash brown.

Pierre-Auguste Renoir Landscape between Storms, 1874/1875 National Gallery of Art

Tall grasses lead back to a body of water and then perhaps a town in this loosely painted, horizontal landscape.

Pierre-Auguste Renoir Landscape at Vétheuil, c. 1890 National Gallery of Art

This painting depicts a while villa partially hidden by greenery. The villa has several buildings on different levels with small windows and reddish-brown roofs. The brushstrokes are loose and broad, giving the image a blurred effect.

Pierre-Auguste Renoir Maison de la Poste, Cagnes, 1906/1907 National Gallery of Art

We look slightly down onto a bare, gnarled tree near a gray, dirt path, which leads back to a hamlet in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes, so many details are indistinct.

Camille Pissarro The Fence, 1872 National Gallery of Art

Marine, William Merritt Chase, c. 1888, oil on wood

William Merritt Chase Marine, c. 1888 Cleveland Museum of Art

This painting depicts a coastal scene overlooking a quiet shore. At the bottom of the painting, an open sandy expanse leads to blue waters.

Odilon Redon Village by the Sea in Brittany, c. 1880 National Gallery of Art

The painting features a sandy shore and a calm sea with sailing boats in the distance. At the bottom of the painting, people sit on the sand by the water.

Eugène Boudin Washerwoman near Trouville, c. 1872/1876 National Gallery of Art

Houses on a Waterway near Crooswijk, Johan Barthold Jongkind, 1874, oil on canvas

Johan Barthold Jongkind Houses on a Waterway near Crooswijk, 1874 Rijksmuseum

Rotterdam in the Moonlight, Johan Barthold Jongkind, 1881, oil on canvas

Johan Barthold Jongkind Rotterdam in the Moonlight, 1881 Rijksmuseum

A Roadside Tavern, Johan Barthold Jongkind, 1863, oil on canvas

Johan Barthold Jongkind A Roadside Tavern, 1863 Art Institute of Chicago

Rue Notre-Dame, Paris, Johan Barthold Jongkind, 1866, oil on canvas

Johan Barthold Jongkind Rue Notre-Dame, Paris, 1866 Rijksmuseum

Alice Gerson in Prospect Park, William Merritt Chase, 1886, oil on panel

William Merritt Chase Alice Gerson in Prospect Park, 1886 The Met

Vétheuil, Claude Monet, 1901, oil on canvas

Claude Monet Vétheuil, 1901 Art Institute of Chicago

Painting of softly rendered shapes in pale blue, green, and white. A textured green mass at left resembles foliage. Blue and white cloud-like forms fill the rest of the frame.

Claude Monet Branch of the Seine near Giverny (Mist), 1897 Art Institute of Chicago

Vétheuil, Claude Monet, 1901, oil on canvas

Claude Monet Vétheuil, 1901 Art Institute of Chicago

Poplars, Eragny, Camille Pissarro, 1895, oil on canvas

Camille Pissarro Poplars, Eragny, 1895 The Met

A pale-skinned young man with a carrot-red beard and hair faces us, straddling a green chair in a sunny outdoor setting in this vertical painting. The scene is loosely painted so his features are indistinct.

Édouard Manet George Moore in the Artist's Garden, c. 1879 National Gallery of Art

Woman in a Garden, Berthe Morisot, 1882–83, oil on canvas

Berthe Morisot Woman in a Garden, 1882–83 Art Institute of Chicago

A small child stands facing us on a sun-dappled path that runs up the center of a garden dominated by towering yellow and burnt-orange sunflowers in this loosely painted, vertical scene.

Claude Monet The Artist's Garden at Vétheuil, 1881 National Gallery of Art

Irises, Claude Monet, 1914–17, oil on canvas

Claude Monet Irises, 1914–17 Art Institute of Chicago

Rue de l'Epicerie, Rouen (Effect of Sunlight), Camille Pissarro, 1898, oil on canvas

Camille Pissarro Rue de l'Epicerie, Rouen (Effect of Sunlight), 1898 The Met

Côte des Grouettes, near Pontoise, Camille Pissarro, probably 1878, oil on canvas

Camille Pissarro Côte des Grouettes, near Pontoise, probably 1878 The Met

Young Woman with Ibis, Edgar Degas, 1857–58; reworked 1860–62, oil on canvas

Edgar Degas Young Woman with Ibis, 1857–58; reworked 1860–62 The Met

A woman sits among loosely painted, crescent-shape blades of emerald and lemon-lime green grass, under tall trees in this vertical scene. The brushstrokes are unconnected and visible, so many of the details difficult to make out.

Claude Monet Woman Seated under the Willows, 1880 National Gallery of Art

Shown from the knees up, a young woman wearing a white gown and bonnet sits in front of a balcony railing on a sunny day, holding a small dog on her lap in this vertical portrait painting.

Mary Cassatt Young Girl at a Window, c. 1883-1884 National Gallery of Art

A seascape painted in pastel tones, light-colored houses with red chimneys and light-green shutters in the foreground. The scene is set on a rocky, green hillside overlooking a blue sea with small sailboats.

Childe Hassam New England Headlands, 1899 Art Institute of Chicago

Tanagra (The Builders, New York), Childe Hassam, 1918, oil on canvas

Childe Hassam Tanagra (The Builders, New York), 1918 Smithsonian American Art Museum

Marjorie and Little Edmund, Edmund Charles Tarbell, 1928, oil on canvas

Edmund Charles Tarbell Marjorie and Little Edmund, 1928 Smithsonian American Art Museum

Marshal Ferdinand Foch, Edmund Charles Tarbell, 1920, oil on canvas

Edmund Charles Tarbell Marshal Ferdinand Foch, 1920 Smithsonian American Art Museum

Shown from the knees up, a woman wearing an ice- and teal-blue dress and shawl sits in front of a window in this vertical painting. The scene is painted loosely with brushstrokes especially evident in the clothing and background.

Childe Hassam The New York Window, 1912 National Gallery of Art

This painting shows a cluster of trees against a bright sky in shades of pale yellow and pale seafoam green. Closest to us, a green-gray path stretches horizontally next to tall teal and blue grasses.

Julian Alden Weir Moonlight, c. 1905 National Gallery of Art

This painting shows a man in a yellow jacket standing on a small brown rowboat on a wide, pale green river. Behind him is a large mint-green sailboat, its tall mast bare, the sails folded on the deck.

Childe Hassam Oyster Sloop, Cos Cob, 1902 National Gallery of Art

Niagara Falls, John Henry Twachtman, ca. 1894, oil on canvas

John Henry Twachtman Niagara Falls, ca. 1894 Smithsonian American Art Museum

(Landscape), Julian Alden Weir, after 1900, oil on wood

Julian Alden Weir (Landscape), after 1900 Smithsonian American Art Museum

A woman stands on a sun-dappled path, which runs past a bank of blooming flowers and back to a cottage in this vertical painting.

Gustave Caillebotte Dahlias, Garden at Petit Gennevilliers, 1893 National Gallery of Art

Round Hill Road, John Henry Twachtman, ca. 1890-1900, oil on canvas

John Henry Twachtman Round Hill Road, ca. 1890-1900 Smithsonian American Art Museum