Landscape Paintings for the Living Room (page 10)

Showing 433 to 480 of 630 landscape paintings

Monte Pincio, Rome, Camille Corot, 1840–50, oil on canvas

Camille Corot Monte Pincio, Rome, 1840–50 Art Institute of Chicago

Snow at Louveciennes, Camille Pissarro, c. 1870, oil on panel

Camille Pissarro Snow at Louveciennes, c. 1870 Art Institute of Chicago

Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.

Georges Seurat Oil Sketch for "A Sunday on La Grande Jatte — 1884", 1884 Art Institute of Chicago

Hampstead Heath, Looking Toward Harrow, John Constable, c. 1821, oil on paper, mounted on canvas

John Constable Hampstead Heath, Looking Toward Harrow, c. 1821 Cleveland Museum of Art

From Ávila, John Singer Sargent, ca. 1903, watercolor and gouache on white wove paper

John Singer Sargent From Ávila, ca. 1903 The Met

From Jerusalem, John Singer Sargent, 1905–6, watercolor, gouache, and graphite on off-white wove paper

John Singer Sargent From Jerusalem, 1905–6 The Met

Sellar Alp, Dolomites, John Singer Sargent, ca. 1913–14, watercolor and gouache on white wove paper

John Singer Sargent Sellar Alp, Dolomites, ca. 1913–14 The Met

Spanish Landscape, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Spanish Landscape, 1879–80 The Met

Sunset, John Singer Sargent, 1905–6, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Sunset, 1905–6 The Met

Clouds, Thomas Cole, ca. 1838, oil on paper laid down on canvas

Thomas Cole Clouds, ca. 1838 The Met

Stoke-by-Nayland, John Constable, ca. 1810–11, oil on canvas

John Constable Stoke-by-Nayland, ca. 1810–11 The Met

Honfleur: Calvary, Camille Corot, ca. 1830, oil on wood

Camille Corot Honfleur: Calvary, ca. 1830 The Met

Landscape at Saint-Ouen, Georges Seurat, 1878 or 1879, oil on wood, mounted on wood

Georges Seurat Landscape at Saint-Ouen, 1878 or 1879 The Met

View of the Seine, Georges Seurat, 1882–83, oil on wood

Georges Seurat View of the Seine, 1882–83 The Met

This painting depicts a vast landscape with a horizon line in the lower third of the painting. A range of dark brown and purple mountains or hills stretches across the width of the image.

Thomas Cole Study for "Catskill Creek", c. 1844/1845 National Gallery of Art

Two minuscule people stand in the center of an expansive, rugged landscape dusted with snow in this horizontal painting.

Caspar David Friedrich Northern Landscape, Spring, c. 1825 National Gallery of Art

This painting shows an expansive green and yellow grassland under a textured blue and white sky. The horizon line is high, separating the fields and clouds with a thin line of dark trees and small white buildings.

Georges Seurat A Summer Landscape, 1883 National Gallery of Art

This painting shows a scene with several people spaced out across a grassy expanse. The horizon is high in the painting, lined with white structures with red roofs and green trees.

Georges Seurat Figures in a Landscape, c. 1883 National Gallery of Art

This painting depicts a landscape with several haystacks in the center, arranged in a line that cuts diagonally across a green field from left to right.

Georges Seurat Haystacks, c. 1882 National Gallery of Art

The painting depicts a rural scene with a wide, cloudy blue sky over a riverbank. On the right there are tall, dark green trees that stretch up to the top of the painting.

Camille Corot River View, 1868/1872 National Gallery of Art

This horizontal landscape is painted with broad, visible strokes in shades of laurel, fern, and pine green, dark yellow, and ash brown.

Pierre-Auguste Renoir Landscape between Storms, 1874/1875 National Gallery of Art

Tall grasses lead back to a body of water and then perhaps a town in this loosely painted, horizontal landscape.

Pierre-Auguste Renoir Landscape at Vétheuil, c. 1890 National Gallery of Art

This painting depicts a while villa partially hidden by greenery. The villa has several buildings on different levels with small windows and reddish-brown roofs. The brushstrokes are loose and broad, giving the image a blurred effect.

Pierre-Auguste Renoir Maison de la Poste, Cagnes, 1906/1907 National Gallery of Art

This horizontal landscape is painted with dots and dashes in fresh green, shimmering blue, amethyst purple, shell pink, pale yellow, and cream white against the brown wood of the panel, which is visible throughout.

Georges Seurat Study for "La Grande Jatte", 1884/1885 National Gallery of Art

We look slightly down onto a bare, gnarled tree near a gray, dirt path, which leads back to a hamlet in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes, so many details are indistinct.

Camille Pissarro The Fence, 1872 National Gallery of Art

The dark, forest-green canopies of trees to our right are silhouetted against a sky that warms from pale blue along the top edge of the composition to butter yellow along the horizon, which comes about a quarter of the way up this…

Jean-Honoré Fragonard Mountain Landscape at Sunset, c. 1765 National Gallery of Art

Marine, William Merritt Chase, c. 1888, oil on wood

William Merritt Chase Marine, c. 1888 Cleveland Museum of Art

Lake George, 1872, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, 1872, 1872 The Met

Lake George, A Reminiscence, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, A Reminiscence, 1872 The Met

Lake George, Free Study, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, Free Study, 1872 The Met

Venice: The Dogana and Santa Maria della Salute, Francesco Guardi, 1763, oil on wood

Francesco Guardi Venice: The Dogana and Santa Maria della Salute, 1763 The Met

Venice: The Rialto, Francesco Guardi, 1763, oil on wood

Francesco Guardi Venice: The Rialto, 1763 The Met

Valley of the River Loire, Jules Dupré, 1860, oil on wood

Jules Dupré Valley of the River Loire, 1860 The Met

Brace's Rock, Eastern Point, Gloucester, Fitz Henry Lane, c. 1864, oil on canvas

Fitz Henry Lane Brace's Rock, Eastern Point, Gloucester, c. 1864 National Gallery of Art

This painting depicts a coastal scene overlooking a quiet shore. At the bottom of the painting, an open sandy expanse leads to blue waters.

Odilon Redon Village by the Sea in Brittany, c. 1880 National Gallery of Art

The painting depicts a tranquil lake scene with a low horizon line showing a pale green hill in the background under a pale, cloudy sky. Closer to us, on the right, there is a large, textured rock surrounded by greenery and red flowers.

John Frederick Kensett Landing at Sabbath Day Point, c. 1853 National Gallery of Art

The painting features a sandy shore and a calm sea with sailing boats in the distance. At the bottom of the painting, people sit on the sand by the water.

Eugène Boudin Washerwoman near Trouville, c. 1872/1876 National Gallery of Art

A Roadside Tavern, Johan Barthold Jongkind, 1863, oil on canvas

Johan Barthold Jongkind A Roadside Tavern, 1863 Art Institute of Chicago

River Boat, Charles-François Daubigny, c. 1860, oil on board

Charles-François Daubigny River Boat, c. 1860 Art Institute of Chicago

Nocturnal landscape painting with lush trees and a large patch of sky with visible brushstrokes. Multiple small, seated figures line the foreground.

Narcisse Virgilio Díaz de la Peña Landscape with Figures, c. 1870 Art Institute of Chicago

Landscape, Théodore Rousseau, c. 1850, oil on panel

Théodore Rousseau Landscape, c. 1850 Art Institute of Chicago

Alpine Landscape: The Handegg, Switzerland, Jean-Léon Gérôme, 1850s, oil on fabric

Jean-Léon Gérôme Alpine Landscape: The Handegg, Switzerland, 1850s Cleveland Museum of Art

Across the Campagna, George Inness, 1872, watercolor, gouache, and graphite on off-white wove paper

George Inness Across the Campagna, 1872 The Met

Landscape, George Inness, 1884 or 1889, oil on canvas

George Inness Landscape, 1884 or 1889 The Met

Olive Trees at Tivoli, George Inness, 1873, gouache, watercolor, and graphite on blue wove paper with colored fibers

George Inness Olive Trees at Tivoli, 1873 The Met

Roman Landscape, Arnold Böcklin, ca. 1850–52, oil on canvas, several pieces joined

Arnold Böcklin Roman Landscape, ca. 1850–52 The Met

Landscape on a River, Charles-François Daubigny, 1863, oil on wood

Charles-François Daubigny Landscape on a River, 1863 The Met

Portejoie on the Seine, Charles-François Daubigny, 1858 or 1868, oil on wood

Charles-François Daubigny Portejoie on the Seine, 1858 or 1868 The Met