Landscape Paintings for the Living Room (page 2)

Showing 49 to 96 of 630 landscape paintings

By the Seashore, Pierre-Auguste Renoir, 1883, oil on canvas

Pierre-Auguste Renoir By the Seashore, 1883 The Met

Early Morning, Tarpon Springs, George Inness, 1892, oil on canvas

George Inness Early Morning, Tarpon Springs, 1892 Art Institute of Chicago

Large painting of ancient arch ruins, statues, humans are small in comparison.

Hubert Robert The Fountains, 1787–88 Art Institute of Chicago

View of Toledo, El Greco, ca. 1599–1600, oil on canvas

El Greco View of Toledo, ca. 1599–1600 The Met

Painting of a pond seen up close spotted with thickly painted pink and white water lilies and a shadow across the top third of the picture.

Claude Monet Water Lilies, 1906 Art Institute of Chicago

We look across an expanse of a flat, grassy lawn at the towering spire of a stone church outlined against billowing clouds in this horizontal landscape painting.

John Constable Salisbury Cathedral from Lower Marsh Close, 1820 National Gallery of Art

A lone wheat stack, in shadow, rests on a field with traces of snow, the snow taking on reflected shades of pink, yellow, orange, and blue from the unseen setting sun. A line of pale yellow illuminates the horizon above the hills beyond.

Claude Monet Stack of Wheat (Thaw, Sunset), 1890–91 Art Institute of Chicago

Waterloo Bridge, Gray Weather, Claude Monet, 1900, oil on canvas

Claude Monet Waterloo Bridge, Gray Weather, 1900 Art Institute of Chicago

Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm, Joseph Mallord William Turner, 1836–37, oil on canvas

Joseph Mallord William Turner Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm, 1836–37 Art Institute of Chicago

The Crystal Palace, Camille Pissarro, 1871, oil on canvas

Camille Pissarro The Crystal Palace, 1871 Art Institute of Chicago

Te raau rahi (The Big Tree), Paul Gauguin, 1891, oil on jute canvas

Paul Gauguin Te raau rahi (The Big Tree), 1891 Art Institute of Chicago

A snowy landscape in cool tones featuring a prominent, snow-dusted haystack in reddish brown in front of a row of red-brown trees and low, blue mountains, all beheath a pink-gray strip of sky.

Claude Monet Stack of Wheat, 1890–91 Art Institute of Chicago

Peasants Bringing Home a Calf Born in the Fields, Jean-François Millet, 1864, oil on canvas

Jean-François Millet Peasants Bringing Home a Calf Born in the Fields, 1864 Art Institute of Chicago

Les Andelys, Côte d'Aval, Paul Signac, 1886, oil on canvas

Paul Signac Les Andelys, Côte d'Aval, 1886 Art Institute of Chicago

View of a village surrounded by hills, fields, and trees, shown from a vantage point above the scene. Subtly rolling hills recede into a bluish gray-ish sky punctuated by white clouds.

Paul Cézanne Auvers, Panoramic View, 1873–75 Art Institute of Chicago

Lush tall grasses with small white flowers foreground a grove of bushy trees of varying types and heights, their leaves ranging from deep green to golden.

Vincent van Gogh The Poet's Garden, 1888 Art Institute of Chicago

Painting of a cliff overlooking the sea. Two figures in long dresses, one with a parasol, stand on the cliff beneath blue sky.

Claude Monet Cliff Walk at Pourville, 1882 Art Institute of Chicago

Painting mostly in soft yellow, green, purple, blue, and pink of two wheatstacks, the right nearer than the left, in a country landscape at sunset.

Claude Monet Stacks of Wheat (End of Day, Autumn), 1890–91 Art Institute of Chicago

Venice, Palazzo Dario, Claude Monet, 1908, oil on canvas

Claude Monet Venice, Palazzo Dario, 1908 Art Institute of Chicago

Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant), Gustave Courbet, 1865, oil on canvas

Gustave Courbet Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant), 1865 Art Institute of Chicago

Rinaldo and Armida in Her Garden, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and Armida in Her Garden, c. 1742–45 Art Institute of Chicago

Armida Abandoned by Rinaldo, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Armida Abandoned by Rinaldo, c. 1742–45 Art Institute of Chicago

No te aha oe riri (Why Are You Angry?), Paul Gauguin, 1896, oil on jute canvas

Paul Gauguin No te aha oe riri (Why Are You Angry?), 1896 Art Institute of Chicago

The Customs House at Varengeville, Claude Monet, 1897, oil on canvas

Claude Monet The Customs House at Varengeville, 1897 Art Institute of Chicago

Among potted flowers and lush foliage, a tiny child in a white dress plays with a hoop. A woman peers at the child from an ivy-covered building at right.

Claude Monet The Artist's House at Argenteuil, 1873 Art Institute of Chicago

A lone wheat stack, in shadow, rests on a snow-covered field that is rendered in shades of white, blue, yellow, and purple. A house can be seen in the distance on the right against the blue hills beyond.

Claude Monet Stack of Wheat (Snow Effect, Overcast Day), 1890–91 Art Institute of Chicago

Rabbit Warren at Pontoise, Snow, Camille Pissarro, 1879, oil on canvas

Camille Pissarro Rabbit Warren at Pontoise, Snow, 1879 Art Institute of Chicago

Rocks at Port-Goulphar, Belle-Île, Claude Monet, 1886, oil on canvas

Claude Monet Rocks at Port-Goulphar, Belle-Île, 1886 Art Institute of Chicago

The Rock of Hautepierre, Gustave Courbet, c. 1869, oil on canvas

Gustave Courbet The Rock of Hautepierre, c. 1869 Art Institute of Chicago

Watering Place at Marly, Alfred Sisley, 1875, oil on canvas

Alfred Sisley Watering Place at Marly, 1875 Art Institute of Chicago

The Keeper of the Flock, Jean-François Millet, 1871–74, oil on canvas

Jean-François Millet The Keeper of the Flock, 1871–74 Art Institute of Chicago

Painting composed of short, broad, linear brushstrokes suggesting green-leaved forest trees with light trunks on pale green grass.

Berthe Morisot Forêt de Compiègne, 1885 Art Institute of Chicago

Souvenir of the Environs of Lake Nemi, Camille Corot, 1865, oil on canvas

Camille Corot Souvenir of the Environs of Lake Nemi, 1865 Art Institute of Chicago

The Banks of the Marne in Winter, Camille Pissarro, 1866, oil on canvas

Camille Pissarro The Banks of the Marne in Winter, 1866 Art Institute of Chicago

The Loire, Alfred Sisley, 1896, oil on canvas

Alfred Sisley The Loire, 1896 Art Institute of Chicago

Mount Washington, Winslow Homer, 1869, oil on canvas

Winslow Homer Mount Washington, 1869 Art Institute of Chicago

Arleux-Palluel, The Bridge of Trysts, Camille Corot, 1871–72, oil on canvas

Camille Corot Arleux-Palluel, The Bridge of Trysts, 1871–72 Art Institute of Chicago

In the Auvergne, Jean-François Millet, c. 1866–69, oil on canvas

Jean-François Millet In the Auvergne, c. 1866–69 Art Institute of Chicago

The Races at Longchamp, Édouard Manet, 1866, oil on canvas

Édouard Manet The Races at Longchamp, 1866 Art Institute of Chicago

Sea View, Calm Weather (Vue de mer, temps calme), Édouard Manet, 1864, oil on canvas

Édouard Manet Sea View, Calm Weather (Vue de mer, temps calme), 1864 Art Institute of Chicago

Bright landscape painting featuring spindly trees with lush leaves surrounded by light-green foliage, a small town visible between the trees at center, and a calm blue sea in the background.

Claude Monet Bordighera, 1884 Art Institute of Chicago

Painting of woman in a striped dress seated on the bank of a river, beneath a full, leafy tree, a boat at the shore and a village visible across the river.

Claude Monet On the Bank of the Seine, Bennecourt, 1868 Art Institute of Chicago

Two haystacks, dusted with snow, in a hazy, snow-covered field at sunset. The snow is highlighted in purple tones, the sky a yellow and orange gradient.

Claude Monet Stacks of Wheat (Sunset, Snow Effect), 1890–91 Art Institute of Chicago

The Petite Creuse River, Claude Monet, 1889, oil on canvas

Claude Monet The Petite Creuse River, 1889 Art Institute of Chicago

Lunch at the Restaurant Fournaise (The Rowers' Lunch), Pierre-Auguste Renoir, 1875, oil on canvas

Pierre-Auguste Renoir Lunch at the Restaurant Fournaise (The Rowers' Lunch), 1875 Art Institute of Chicago

Street in Moret, Alfred Sisley, c. 1890, oil on canvas

Alfred Sisley Street in Moret, c. 1890 Art Institute of Chicago

Trouville (Grey and Green, the Silver Sea), James McNeill Whistler, 1865, oil on canvas

James McNeill Whistler Trouville (Grey and Green, the Silver Sea), 1865 Art Institute of Chicago

Grey and Silver: Old Battersea Reach, James McNeill Whistler, 1863, oil on canvas

James McNeill Whistler Grey and Silver: Old Battersea Reach, 1863 Art Institute of Chicago