Landscape Paintings for the Living Room (page 4)

Showing 145 to 192 of 630 landscape paintings

A Cowherd at Valhermeil, Auvers-sur-Oise, Camille Pissarro, 1874, oil on canvas

Camille Pissarro A Cowherd at Valhermeil, Auvers-sur-Oise, 1874 The Met

Morning, An Overcast Day, Rouen, Camille Pissarro, 1896, oil on canvas

Camille Pissarro Morning, An Overcast Day, Rouen, 1896 The Met

View of the Seacoast near Wargemont in Normandy, Pierre-Auguste Renoir, 1880, oil on canvas

Pierre-Auguste Renoir View of the Seacoast near Wargemont in Normandy, 1880 The Met

Hills around the Bay of Moulin Huet, Guernsey, Pierre-Auguste Renoir, 1883, oil on canvas

Pierre-Auguste Renoir Hills around the Bay of Moulin Huet, Guernsey, 1883 The Met

The Bridge at Villeneuve-la-Garenne, Alfred Sisley, 1872, oil on canvas

Alfred Sisley The Bridge at Villeneuve-la-Garenne, 1872 The Met

View of Marly-le-Roi from Coeur-Volant, Alfred Sisley, 1876, oil on canvas

Alfred Sisley View of Marly-le-Roi from Coeur-Volant, 1876 The Met

Sahurs Meadows in Morning Sun, Alfred Sisley, 1894, oil on canvas

Alfred Sisley Sahurs Meadows in Morning Sun, 1894 The Met

The Road from Versailles to Louveciennes, Alfred Sisley, probably 1879, oil on canvas

Alfred Sisley The Road from Versailles to Louveciennes, probably 1879 The Met

Olive Trees, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Olive Trees, 1889 The Met

Gray Weather, Grande Jatte, Georges Seurat, ca. 1886–88, oil on canvas

Georges Seurat Gray Weather, Grande Jatte, ca. 1886–88 The Met

The Grand Canal, Venice, Looking South toward the Rialto Bridge, Canaletto, 1730s, oil on canvas

Canaletto The Grand Canal, Venice, Looking South toward the Rialto Bridge, 1730s The Met

The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, Canaletto, 1730s, oil on canvas

Canaletto The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, 1730s The Met

Warwick Castle, Canaletto, 1748, oil on canvas

Canaletto Warwick Castle, 1748 The Met

Haystacks, Morning, Eragny, Camille Pissarro, 1899, oil on canvas

Camille Pissarro Haystacks, Morning, Eragny, 1899 The Met

View of Saint-Valéry-sur-Somme, Edgar Degas, 1896–98, oil on canvas

Edgar Degas View of Saint-Valéry-sur-Somme, 1896–98 The Met

Sea and Cliffs, Pierre-Auguste Renoir, ca. 1885, oil on canvas

Pierre-Auguste Renoir Sea and Cliffs, ca. 1885 The Met

The Seine at Bougival, Alfred Sisley, 1876, oil on canvas

Alfred Sisley The Seine at Bougival, 1876 The Met

A river winds through forest-green trees and vegetation between rolling hills and mountains extending into the deep distance under a pale, orchid-purple sky in this nearly square landscape painting.

Thomas Gainsborough Mountain Landscape with Bridge, c. 1783/1784 National Gallery of Art

Painted in golden tones of butter and harvest yellow, tawny brown, and olive green, this horizontal landscape painting has a low wall stretching diagonally from the lower right corner off to our left, dividing a river to our right from a…

Joseph Mallord William Turner Mortlake Terrace, 1827 National Gallery of Art

A band of indigenous Americans ride horses toward and through a herd of buffalo, which spreads along a river that winds through plains to mountains in the deep distance in this horizontal landscape painting.

Albert Bierstadt The Last of the Buffalo, 1888-1889 National Gallery of Art

Newport Mountain, Mount Desert, Frederic Edwin Church, 1851, oil on canvas

Frederic Edwin Church Newport Mountain, Mount Desert, 1851 National Gallery of Art

We stand on a beach lined with black rocks and boulders looking out onto the water below a brick-red sky that dominates this nearly square landscape painting.

Gustave Courbet The Black Rocks at Trouville, 1865/1866 National Gallery of Art

Verdant green fields roll in undulating waves back alongside a road in this horizontal landscape painting.

Vincent van Gogh Green Wheat Fields, Auvers, 1890 National Gallery of Art

A man and woman stand in a sunny field near a line of cone-shaped haystacks under a massive blue sky in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes throughout.

Camille Pissarro Landscape, Ile-de-France, 1873 National Gallery of Art

We look slightly down onto two girls or young women with light skin sitting close to us in a green, grassy field in this square landscape painting.

Camille Pissarro Young Peasant Girls Resting in the Fields near Pontoise, 1882 National Gallery of Art

The top three-quarters of this horizontal landscape painting is filled with roiling, deeply shadowed clouds that tower over a line of buffalo crossing a grassy meadow below.

Albert Bierstadt Buffalo Trail: The Impending Storm, 1869 National Gallery of Art

We look across the gleaming, forest-green surface of a lake at the foot of tall, jagged mountains in this horizontal landscape painting.

Albert Bierstadt Mount Corcoran, c. 1876-1877 National Gallery of Art

We hover over the bottle-green surface of a river as it rushes toward a horseshoe-shaped waterfall that curves away from us in this horizontal landscape painting.

Frederic Edwin Church Niagara, 1857 National Gallery of Art

We look across a palm-tree lined river winding into the distance before a monumental, snow-covered mountain at the center of the composition in this horizontal landscape.

Frederic Edwin Church Tamaca Palms, 1854 National Gallery of Art

Honey-gold sunlight from low along the horizon to our left falls across the copper and bronze-colored canopies of trees that frame our view of a stone church with stained glass windows and ornate spires in this horizontal landscape…

Thomas Cole The Return, 1837 National Gallery of Art

In a verdant green landscape, a stone castle sits on a tree-lined hill in the distance in front of a high, craggy mountain peak while eighteen armored knights ride toward us along a bridge and path in this horizontal painting.

Thomas Cole The Departure, 1837 National Gallery of Art

From a low vantage point, we look up a steep, rocky mountainside at a towering mountain peak in the distance in this nearly square landscape painting.

John Singer Sargent Simplon Pass, 1911 National Gallery of Art

A young woman with flushed, peachy skin stands on a rocky shoreline with a fishing net slung over one shoulder in this horizontal painting. Her body faces us, and she looks off and down to our right.

Winslow Homer A Light on the Sea, 1897 National Gallery of Art

Between us and a river lined with buildings on the far bank in the distance, tall willow trees nearly span the height of this horizontal landscape.

Claude Monet The Willows, 1880 National Gallery of Art

Lush treetops give way to a body of water and a hill in this loosely painted horizontal landscape.

Pierre-Auguste Renoir View of Monte Carlo from Cap Martin, c. 1884 National Gallery of Art

Landscape, Camille Corot, c. 1870/1875, oil on canvas

Camille Corot Landscape, c. 1870/1875 National Gallery of Art

This painting displays an outdoor scene with a large tree to the left and a low horizon with a few buildings and what look like boats floating on blue water on the right.

Camille Corot Souvenir of Terracina, 1864, reworked slightly later National Gallery of Art

We look across a lush landscape of olive-green forests lining a glimmering, silvery-blue lake with hills in the deep distance under a pale blue sky in this horizontal landscape painting.

Camille Corot The Moored Boatman: Souvenir of an Italian Lake, 1861 National Gallery of Art

Four people wearing earthy brown gather near a stream that runs through a lush forest carpeted and filled with moss, pine, and sage green trees and undergrowth, interlaced with thin, willowy tree trunks in this horizontal landscape…

Camille Corot The Eel Gatherers, 1860/1865 National Gallery of Art

We look slightly down onto a port-side town along a canal, with a church across the water from us in this horizontal landscape painting. A bright blue sky with billowing white, pink, and gray clouds fills the top two-thirds of the painting.

Canaletto Entrance to the Grand Canal from the Molo, Venice, 1742/1744 National Gallery of Art

We look slightly down onto a group of people gathered along the bank of a river that winds around a copse of tall trees to our left, past a hill to our right, and into the deep distance in this horizontal landscape painting.

Claude Lorrain Landscape with Merchants, c. 1629 National Gallery of Art

Towering, sheer cliffs loom to our left, over a sunny beach scattered with boats in this horizontal landscape painting.

Gustave Courbet Beach in Normandy, c. 1872/1875 National Gallery of Art

Across a grassy field, a row of buildings and two trees line the horizon, which comes about halfway up this nearly square landscape painting.

Paul Cézanne Landscape near Paris, c. 1876 National Gallery of Art

We look slightly down onto a man riding a white horse away from us on a dirt road winding through a sun-drenched, rocky landscape in this horizontal painting.

Camille Corot A View near Volterra, 1838 National Gallery of Art

A waterway flanked by low banks curves away from us in front of a band of rolling hills in this loosely painted horizontal landscape. The water is created with wide strokes of white, ice blue, or the muted jewel tones of the hills.

Paul Gauguin Brittany Landscape, 1888 National Gallery of Art

This painting depicts a scene where a winding path on the bottom left leads into a wooded area.

Alfred Sisley The Road in the Woods, 1879 National Gallery of Art

We look across a wide, low clearing at a mountain rising beyond rocky hills, which are mostly covered in pines and blazing red and orange autumn trees, in this horizontal landscape painting.

Thomas Cole A View of the Mountain Pass Called the Notch of the White Mountains (Crawford Notch), 1839 National Gallery of Art

We look across a glimmering river toward docks, about a dozen small boats, and a mustard-brown, boxy building under a bridge that crosses the width of the canvas in this horizontal landscape painting.

Claude Monet Bridge at Argenteuil on a Gray Day, c. 1876 National Gallery of Art