Paintings for Powder Blue Walls (page 31)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,441 to 1,488 of 1,950.

Nine oranges and lemons sit in a shallow basket with dark green, spiky branches behind and a pair of cobalt-blue gloves in front in this horizontal still life painting.

Vincent van Gogh Still Life of Oranges and Lemons with Blue Gloves, 1889 National Gallery of Art

Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.

Georges Seurat Oil Sketch for "A Sunday on La Grande Jatte — 1884", 1884 Art Institute of Chicago

Dense green vegetation surrounds a band of sun-dappled boulders that arc shallowly across this horizontal landscape painting. Just to our left of center and on our side of the boulders are several slender tree trunks.

Camille Corot Rocks in the Forest of Fontainebleau, 1860/1865 National Gallery of Art

Shown from the hips up, a young man with pale skin and wearing black clothing sits with his body angled to our right as he turns to look at us in this vertical portrait painting. He looks out with green eyes under hooded lids.

Rembrandt van Rijn A Young Man Seated at a Table (possibly Govaert Flinck), c. 1660 National Gallery of Art

We look down at the end of a narrow table at a white plate, pot, knife, and spoon set on the white tablecloth in this horizontal still life painting.

Henri Fantin-Latour Still Life with Mustard Pot, 1860 National Gallery of Art

Aretino in the Studio of Tintoretto, Jean-Auguste-Dominique Ingres, 1848, oil on canvas

Jean-Auguste-Dominique Ingres Aretino in the Studio of Tintoretto, 1848 The Met

Clouds hunker over a water-logged street that separates us from the end of a row of buildings in this horizontal painting. The scene is loosely painted, especially in the sky and water.

Alfred Sisley Flood at Port-Marly, 1872 National Gallery of Art

The Silver Tureen, Jean-Baptiste-Siméon Chardin, ca. 1728–30, oil on canvas

Jean-Baptiste-Siméon Chardin The Silver Tureen, ca. 1728–30 The Met

Shown from about the waist up, a young woman wearing white sits in an armchair cuddling a brown and black striped cat in this vertical painting. The scene is painted with blended brushstrokes, giving it a soft look.

Pierre-Auguste Renoir Woman with a Cat, c. 1875 National Gallery of Art

Fruit, Julian Alden Weir, ca. 1888, oil on canvas

Julian Alden Weir Fruit, ca. 1888 The Met

Majas on a Balcony, Francisco de Goya, ca. 1800–1810, oil on canvas

Francisco de Goya Majas on a Balcony, ca. 1800–1810 The Met

A young woman peers out to the right from from a Dutch door whose bottom half is closed. She wears a brown dress with a corset and a red beaded necklace.

Rembrandt van Rijn Young Woman at an Open Half-Door, 1645 Art Institute of Chicago

Lake George, 1872, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, 1872, 1872 The Met

Johann (1498–1537), Duke of Saxony, Lucas Cranach the Elder, ca. 1534–37, oil on beech

Lucas Cranach the Elder Johann (1498–1537), Duke of Saxony, ca. 1534–37 The Met

We look across a river at a long, flat bridge that runs parallel to a hazy, city skyline in the distance in this horizontal painting.

Camille Pissarro Charing Cross Bridge, London, 1890 National Gallery of Art

A Washerwoman at Eragny, Camille Pissarro, 1893, oil on canvas

Camille Pissarro A Washerwoman at Eragny, 1893 The Met

Copy after Delacroix's "Bark of Dante", Édouard Manet, ca. 1859, oil on canvas

Édouard Manet Copy after Delacroix's "Bark of Dante", ca. 1859 The Met

The Standard Bearer (probably Floris Soop, 1604–1657), Rembrandt van Rijn, 1654, oil on canvas

Rembrandt van Rijn The Standard Bearer (probably Floris Soop, 1604–1657), 1654 The Met

A six-story, narrow building stands alone in an otherwise unoccupied lot under the deck of a high bridge, with a river and cityscape in the background in this horizontal painting.

George Bellows The Lone Tenement, 1909 National Gallery of Art

James DeLancey, Gilbert Stuart, ca. 1785, oil on canvas

Gilbert Stuart James DeLancey, ca. 1785 The Met

The Triumph of Marius, Giovanni Battista Tiepolo, 1729, oil on canvas

Giovanni Battista Tiepolo The Triumph of Marius, 1729 The Met

The painting depicts an elevated viewpoint of a grand waterfall surrounded by a landscape filled with people and canoes. The horizon is high in the composition, marked by a line of trees and the flowing waterfall.

George Catlin Portage Around the Falls of Niagara at Table Rock, 1847/1848 National Gallery of Art

About a dozen ruby-red and bright pink peonies in a gold and green vase sit on a rumpled cloth in this loosely painted, horizontal still life.

Paul Gauguin Still Life with Peonies, 1884 National Gallery of Art

Two loosely painted people stand side by side in a field as they rake with their backs to us in this horizontal painting. The brushstrokes are soft and textured, and the details are loosely rendered, giving the scene a hazy appearance.

Georges Seurat Haymakers at Montfermeil, c. 1882 National Gallery of Art

The image depicts a man from the waist up, positioned in a three-quarter view as he looks to his left. He has a fair complexion, a reddish-brown close-cropped beard, and medium brown hair cut at ear length.

Barthel Bruyn the Elder Portrait of a Man, c. 1530/1540 National Gallery of Art

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891, oil on canvas

Paul Gauguin Ia Orana Maria (Hail Mary), 1891 The Met

Pansies, Henri Fantin-Latour, 1903, oil on canvas

Henri Fantin-Latour Pansies, 1903 The Met

A young woman with flushed, peachy skin stands on a rocky shoreline with a fishing net slung over one shoulder in this horizontal painting. Her body faces us, and she looks off and down to our right.

Winslow Homer A Light on the Sea, 1897 National Gallery of Art

This painting is a portrait of a man from his chest up. He is positioned slightly angled to the left and looks directly at us.

Gilbert Stuart George Washington, c. 1803 National Gallery of Art

Landscape, Distant Village, Charles-François Daubigny, c. 1870/1875, oil on wood

Charles-François Daubigny Landscape, Distant Village, c. 1870/1875 National Gallery of Art

Self-Portrait, Anthony van Dyck, ca. 1620–21, oil on canvas

Anthony van Dyck Self-Portrait, ca. 1620–21 The Met

Shown from the thighs up, an older, balding man with a long white beard stands wearing a full suit of armor draped in a burgundy-red cloak in this vertical portrait painting.

Titian Vincenzo Cappello, c. 1550/1560 National Gallery of Art

Aristotle with a Bust of Homer, Rembrandt van Rijn, 1653, oil on canvas

Rembrandt van Rijn Aristotle with a Bust of Homer, 1653 The Met

Painted entirely with small dots of pure color mostly in slate and azure blue, olive green, and cream white, this scene shows a sandy beach stretching to a lighthouse at the center and a four-story building to our right in this horizontal…

Georges Seurat The Lighthouse at Honfleur, 1886 National Gallery of Art

José Costa y Bonells (died l870), Called Pepito, Francisco de Goya, ca. 1810, oil on canvas

Francisco de Goya José Costa y Bonells (died l870), Called Pepito, ca. 1810 The Met

Wheat Fields, Jacob van Ruisdael, ca. 1670, oil on canvas

Jacob van Ruisdael Wheat Fields, ca. 1670 The Met

Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling, ca. 1470, oil on oak

Hans Memling Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), ca. 1470 The Met

Hendrickje Stoffels (1626–1663), Rembrandt van Rijn, mid-1650s, oil on canvas

Rembrandt van Rijn Hendrickje Stoffels (1626–1663), mid-1650s The Met

Facing away from us, a light-skinned woman blowing a silver horn stands in a grassy landscape in this vertical painting. The woman is lit brightly from the upper right, making her ankle-length, white dress glow.

Winslow Homer The Dinner Horn (Blowing the Horn at Seaside), 1870 National Gallery of Art

Still Life: A Banqueting Scene, Jan Davidsz de Heem, ca. 1640–41, oil on canvas

Jan Davidsz de Heem Still Life: A Banqueting Scene, ca. 1640–41 The Met

Portrait of a Man, Titian, ca. 1515, oil on canvas

Titian Portrait of a Man, ca. 1515 The Met

Jupiter, in the Guise of Diana, and Callisto, François Boucher, 1763, oil on canvas

François Boucher Jupiter, in the Guise of Diana, and Callisto, 1763 The Met

Portrait of Gerard de Lairesse, Rembrandt van Rijn, 1665–67, oil on canvas

Rembrandt van Rijn Portrait of Gerard de Lairesse, 1665–67 The Met

Oleanders, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh Oleanders, 1888 The Met

Côte des Grouettes, near Pontoise, Camille Pissarro, probably 1878, oil on canvas

Camille Pissarro Côte des Grouettes, near Pontoise, probably 1878 The Met

Horsewoman, Théodore Géricault, 1820 or later, oil on canvas

Théodore Géricault Horsewoman, 1820 or later The Met

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques-Louis David, 1788, oil on canvas

Jacques-Louis David Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), 1788 The Met

Shown from the knees up against a dark gray background, a young woman with peachy skin stands with her body angled to our left and she looks at us with brown eyes in this vertical portrait painting.

Francisco de Goya Young Lady Wearing a Mantilla and Basquina, c. 1800/1805 National Gallery of Art

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