Paintings for Powder Blue Walls (page 29)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,345 to 1,392 of 1,950.

Beggar with a Duffle Coat (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with a Duffle Coat (Philosopher), 1865–67 Art Institute of Chicago

George Washington, Gilbert Stuart, begun 1795, oil on canvas

Gilbert Stuart George Washington, begun 1795 The Met

Shown from the knees up, a pale-skinned, clean-shaven man stands looking off to our right in this vertical portrait painting.

Jean-François Millet Leconte de Lisle, c. 1840/1841 National Gallery of Art

The head and shoulders of a pale-skinned, clean-shaven man fills this vertical portrait painting. The man’s shoulders are angled to our left, and he looks off in that direction with light green eyes.

Giovanni Bellini Portrait of a Young Man, c. 1490 National Gallery of Art

This painting shows a slightly elevated viewpoint looking out across a green landscape towards a reflective body of water. In the green sky, the pale-yellow moon glows brightly, illuminating the scene.

Ralph Albert Blakelock Moonlight, 1886/1895 National Gallery of Art

Madame Roulin and Her Baby, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh Madame Roulin and Her Baby, 1888 The Met

We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting.

John Constable Wivenhoe Park, Essex, 1816 National Gallery of Art

Springtime, Théodore Rousseau, c. 1860, oil on panel

Théodore Rousseau Springtime, c. 1860 Art Institute of Chicago

Lucas van Uffel (died 1637), Anthony van Dyck, ca. 1622, oil on canvas

Anthony van Dyck Lucas van Uffel (died 1637), ca. 1622 The Met

Brooklyn Bridge, Henry Ward Ranger, 1899, oil on canvas

Henry Ward Ranger Brooklyn Bridge, 1899 Art Institute of Chicago

Woman and Child at the Well, Camille Pissarro, 1882, oil on canvas

Camille Pissarro Woman and Child at the Well, 1882 Art Institute of Chicago

This painting shows a woman sitting upright in a yellow-and-tan reclining chair, her body turned to the right, her face turned toward us. Her skin is pale, with shades of pale yellow and light pink, and shadows in a pale green shade.

Henri de Toulouse-Lautrec Lady with a Dog, 1891 National Gallery of Art

Approaching Storm from the Alban Hills, George Inness, 1871, oil on canvas

George Inness Approaching Storm from the Alban Hills, 1871 Cleveland Museum of Art

A young girl with medium skin wears a striking dress of black and white stripes with a short lace collar. Behind her is backdrop featuring symbols and native figures. Mangos sit beside her.

Paul Gauguin Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana), 1893 Art Institute of Chicago

Shown from about the hips up, a young, pale-skinned man with curly brown hair stands facing and looking at us, wearing a plum-purple coat under a golden yellow cape in this vertical portrait painting.

Anthony van Dyck Philip, Lord Wharton, 1632 National Gallery of Art

Portrait of General José Manuel Romero, Francisco de Goya, c. 1810, oil on canvas

Francisco de Goya Portrait of General José Manuel Romero, c. 1810 Art Institute of Chicago

Shown from about the waist up, a light-skinned man with sagging jowls and a double chin wears a fur garment and hat, a large teardrop pearl earring, and gold chains in this vertical painting.

Rembrandt van Rijn A Polish Nobleman, 1637 National Gallery of Art

We look down and across a canal filled with more than two dozen gondolas and sailing boats, and flanked by rows golden-yellow and parchment-white buildings connected by a wide, arched bridge in this horizontal landscape painting.

Francesco Guardi Grand Canal with the Rialto Bridge, Venice, probably c. 1780 National Gallery of Art

Potted Pansies, Henri Fantin-Latour, 1883, oil on canvas

Henri Fantin-Latour Potted Pansies, 1883 The Met

Salt Meadow in October, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Salt Meadow in October, 1872 The Met

Oedipus and the Sphinx, Gustave Moreau, 1864, oil on canvas

Gustave Moreau Oedipus and the Sphinx, 1864 The Met

In this painting, abstract shapes and bright colors give the impression of two tall people standing outdoors.

August Macke People by the Blue Lake, 1913 National Gallery of Art

Sailboats line a grassy riverbank in this loosely painted horizontal landscape. Vivid blue water stretches before us to meet a verdant bank along the left third of the horizon, which comes less than halfway up the composition.

Pierre-Auguste Renoir Regatta at Argenteuil, 1874 National Gallery of Art

The Garden of Palazzo Contarini dal Zaffo, Francesco Guardi, Late 1770s, oil on canvas

Francesco Guardi The Garden of Palazzo Contarini dal Zaffo, Late 1770s Art Institute of Chicago

This painting shows a woman standing, facing the right, her head slightly angled downward. She has pale skin and dark hair and is wearing a long, pale, blue-gray dress with wide sleeves adorned with black stripes.

Pierre-Auguste Renoir Woman in a Park, 1866 National Gallery of Art

The painting displays the upper torso, head, and shoulders of a person wrapped in a light-colored fabric that covers their body and forms a hood around their head. The person appears to be seated, facing slightly towards the right.

Robert Henri Indian Girl in White Blanket, 1917 National Gallery of Art

Shown from the waist up in front of a black background, a young woman with pale white skin and curly brown hair looks directly out at us over her shoulder with her body angled to our left in this vertical portrait.

Francisco de Goya Señora Sabasa Garcia, c. 1806/1811 National Gallery of Art

Small painting of woman in pink and black sitting on park bench.

William Merritt Chase A City Park, c. 1887 Art Institute of Chicago

Mrs. Samuel Mifflin and Her Granddaughter Rebecca Mifflin Francis, Charles Willson Peale, 1777–80, oil on canvas

Charles Willson Peale Mrs. Samuel Mifflin and Her Granddaughter Rebecca Mifflin Francis, 1777–80 The Met

Madonna Adoring the Child, Sandro Botticelli, ca. 1490–95, tempera and gold on wood

Sandro Botticelli Madonna Adoring the Child, ca. 1490–95 The Met

High Point: Shandaken Mountains, Asher Brown Durand, 1853, oil on canvas

Asher Brown Durand High Point: Shandaken Mountains, 1853 The Met

James McNeill Whistler Mother of Pearl and Silver: The Andalusian, 1888(?)-1900 National Gallery of Art

Henry G. Marquand, John Singer Sargent, 1897, oil on canvas

John Singer Sargent Henry G. Marquand, 1897 The Met

Wooded Landscape with Cottage and Horseman, Meindert Hobbema, 1663, oil on canvas

Meindert Hobbema Wooded Landscape with Cottage and Horseman, 1663 Art Institute of Chicago

Charlotte Morton Dexter (Mrs. Andrew Dexter), Gilbert Stuart, 1808/c. 1825, oil on wood

Gilbert Stuart Charlotte Morton Dexter (Mrs. Andrew Dexter), 1808/c. 1825 National Gallery of Art

Study of Two Heads, Peter Paul Rubens, ca. 1609, oil on wood

Peter Paul Rubens Study of Two Heads, ca. 1609 The Met

The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), Berthe Morisot, ca. 1870, oil on canvas

Berthe Morisot The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), ca. 1870 The Met

This painting is a portrait of a woman, her torso facing slightly to the left, her face looking directly at us. The woman has fair skin, rosy cheeks, and red lips in a subtle smile.

Thomas Gainsborough Miss Catherine Tatton, 1786 National Gallery of Art

Shown from the knees up, a young woman with pale skin, wearing a short wine-red jacket over an ivory-white gown, gazes out at us from this vertical portrait painting.

Élisabeth Louise Vigée Le Brun Madame d'Aguesseau de Fresnes, 1789 National Gallery of Art

A man with sparse brown facial hair stands in a full-length black robe on a multicolored tiled floor, a white and brown dog behind him.

Giovanni Battista Moroni Gian Lodovico Madruzzo, 1551–52 Art Institute of Chicago

Shown from the thighs up, a man with pale, peachy skin, wearing a black suit, cape, and hat, stands with one hand on his hip against an elephant-gray background in this vertical portrait painting.

Frans Hals Portrait of a Gentleman, 1650/1652 National Gallery of Art

This painting shows a woman from the chest up, with her head slightly turned to the right. She has fair skin, red lips, and brown hair in an updo.

Paul Gauguin Madame Alexandre Kohler, 1887/1888 National Gallery of Art

A fleet of ships gathers in a river lined by trees and buildings in this horizontal painting.

Aelbert Cuyp The Maas at Dordrecht, c. 1650 National Gallery of Art

Still Life with Jar, Cup, and Apples, Paul Cézanne, ca. 1877, oil on canvas

Paul Cézanne Still Life with Jar, Cup, and Apples, ca. 1877 The Met

Lukas Spielhausen, Lucas Cranach the Elder, 1532, oil and gold on beech

Lucas Cranach the Elder Lukas Spielhausen, 1532 The Met

The painting depicts a rocky coastline dotted with color. The horizon is high in the scene, and a strip of pale-yellow sky is visible at the very top of the painting.

Henry Golden Dearth Flecks of Foam, c. 1911/1912 National Gallery of Art

This painting shows an expansive green and yellow grassland under a textured blue and white sky. The horizon line is high, separating the fields and clouds with a thin line of dark trees and small white buildings.

Georges Seurat A Summer Landscape, 1883 National Gallery of Art

We look out across a band of broad, craggy boulders at an ocean bay dotted with boats in this horizontal landscape painting. The tops of the flat boulders are caramel brown in the sunlight and darker, rust-brown shadows down the sides.

William Stanley Haseltine Narragansett Bay, 1864 National Gallery of Art

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