Paintings for Powder Blue Walls (page 8)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 337 to 384 of 1,950.

Petrus Scriverius (1576–1660), Frans Hals, 1626, oil on wood

Frans Hals Petrus Scriverius (1576–1660), 1626 The Met

The Third-Class Carriage, Honoré Daumier, 1864, oil on canvas

Honoré Daumier The Third-Class Carriage, 1864 The Met

This painting shows a rocky green ravine with a gray stream running through it, surrounded by thick foliage and large boulders. An arched stone bridge crosses over the stream in the center of the painting.

Théodore Rousseau Mountain Stream in the Auvergne, 1830 National Gallery of Art

A snowy street with a horse and carriage is flanked to each side by tall buildings in this vertical painting. The overcast scene is loosely painted with visible brushstrokes throughout, so some details are difficult to make out.

Robert Henri Snow in New York, 1902 National Gallery of Art

Garden View, Brooklyn, Fidelia Bridges, ca. 1867, watercolor and gouache, with traces of graphite underdrawing, on tan hot-pressed wove paper

Fidelia Bridges Garden View, Brooklyn, ca. 1867 The Met

Berthe Morisot with a Muff, Édouard Manet, c. 1871–72, oil on canvas

Édouard Manet Berthe Morisot with a Muff, c. 1871–72 Cleveland Museum of Art

Farm near Duivendrecht, Piet Mondrian, c. 1916, oil on canvas

Piet Mondrian Farm near Duivendrecht, c. 1916 Art Institute of Chicago

Wooded Landscape, Gustave Courbet, 1860–65, oil on canvas

Gustave Courbet Wooded Landscape, 1860–65 Art Institute of Chicago

Portrait of a light-skinned man in a long white wig and red-orange coat, holding a folded piece of paper and standing next to a desk, a large sailing ship off his left shoulder.

John Smibert Richard Bill, 1733 Art Institute of Chicago

Rocky, Wooded Landscape with a Dell and Weir, Thomas Gainsborough, c. 1782–1783, oil on canvas

Thomas Gainsborough Rocky, Wooded Landscape with a Dell and Weir, c. 1782–1783 Cleveland Museum of Art

The image shows three individuals against a natural background. On the left, a man is seated on the ground, his body wrapped in a beige cloth. He has long, dark hair and a solemn expression, holding a long pipe.

George Catlin Old Menomonie Chief with Two Young Beaux, 1861/1869 National Gallery of Art

Nine people are gathered in a landscape around the gaunt body of a young man being carried on a cloth in the lower half of this vertical painting. All the people have pale skin tinged with yellow, and all but one have shiny gold halos.

Fra Angelico The Entombment of Christ, c. 1450 National Gallery of Art

Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats.

Henri de Toulouse-Lautrec At the Moulin Rouge, 1892–95 Art Institute of Chicago

Stage Fort across Gloucester Harbor, Fitz Henry Lane, 1862, oil on canvas

Fitz Henry Lane Stage Fort across Gloucester Harbor, 1862 The Met

A Vista through Trees: Fontainebleau, Narcisse Virgilio Díaz de la Peña, 1873, oil on wood

Narcisse Virgilio Díaz de la Peña A Vista through Trees: Fontainebleau, 1873 The Met

A child and man stand facing away from us in this vertical painting. The scene is painted with visible dabs, stipples, and strokes of paint, and many details, especially in the distance, are indistinct.

Édouard Vuillard Child Wearing a Red Scarf, c. 1891 National Gallery of Art

Portrait of a Woman in Gray, Edgar Degas, ca. 1865, oil on canvas

Edgar Degas Portrait of a Woman in Gray, ca. 1865 The Met

A pale-skinned, clean-shaven man with a heavily lined, paunchy face sits against a green and red wall in this vertical portrait painting. The man sits in a wooden chair painted forest green and rests both hands on the closer arm.

John Singleton Copley Eleazer Tyng, 1772 National Gallery of Art

Four flowers and greenery create a loose bouquet in a clear glass in this vertical still life, which is painted with visible brushstrokes throughout. The glass has a tall, narrow, rounded bowl on a flaring foot like a drinking glass.

Berthe Morisot Peonies, c. 1869 National Gallery of Art

Garden Scene, Jean-François Millet, 1854, oil on canvas

Jean-François Millet Garden Scene, 1854 The Met

The Companions of Rinaldo, Nicolas Poussin, ca. 1633, oil on canvas

Nicolas Poussin The Companions of Rinaldo, ca. 1633 The Met

The Smoker, Frans Hals, ca. 1623–25, oil on wood

Frans Hals The Smoker, ca. 1623–25 The Met

The image shows four adults and one child seated on the ground within an oval frame. The child is on the far left, lying down with a bow and arrow.

George Catlin The Sioux Chief with Several Indians, 1861/1869 National Gallery of Art

Judith Leyster Young Boy in Profile, c. 1630 National Gallery of Art

Saint Ursula and Her Maidens, Fra Angelico, ca. 1410, tempera and gold on wood

Fra Angelico Saint Ursula and Her Maidens, ca. 1410 The Met

The painting depicts a serene village scene near a body of water with trees and thatched structures on the horizon.

George Catlin Painting the Lengua Chief, 1854/1869 National Gallery of Art

Shown from the hips up, a pale-skinned young girl wearing an ink-black garment with a cream-white collar and a coral-red sash and necklaces holds a terrier dog as she looks at us in this vertical portrait painting.

John Singer Sargent Miss Beatrice Townsend, 1882 National Gallery of Art

Venice: The Rialto, Francesco Guardi, 1763, oil on wood

Francesco Guardi Venice: The Rialto, 1763 The Met

Café Wepler, Édouard Vuillard, c. 1908–10, reworked in 1912, oil on fabric

Édouard Vuillard Café Wepler, c. 1908–10, reworked in 1912 Cleveland Museum of Art

This painting shows a woodland scene with dense trees on the right side, their white and brown trunks twisting upwards and their leaves in shades of dark green, yellow ochre, and rusty orange.

Narcisse Virgilio Díaz de la Peña The Edge of the Forest at Les Monts-Girard, Fontainebleau, 1868 National Gallery of Art

Woman with a Water Pitcher, and a Man by a Bed, Pieter de Hooch, ca. 1667–70, oil on canvas

Pieter de Hooch Woman with a Water Pitcher, and a Man by a Bed, ca. 1667–70 The Met

The Annunciation, Hans Memling, 1480–89, oil on panel, transferred to canvas

Hans Memling The Annunciation, 1480–89 The Met

Women Working in a Field, Winslow Homer, 1867, oil on wood

Winslow Homer Women Working in a Field, 1867 Cleveland Museum of Art

Diana and Her Nymphs Departing for the Hunt, Peter Paul Rubens, c. 1615, oil on canvas

Peter Paul Rubens Diana and Her Nymphs Departing for the Hunt, c. 1615 Cleveland Museum of Art

Shown from the waist up, a woman with pale skin and brown hair, wearing a dark corset and white fabric over her shoulders, looks down at needlework in her hands in this vertical painting.

Diego Velázquez The Needlewoman, c. 1640/1650 National Gallery of Art

Bouquet in a Chinese Vase, Odilon Redon, ca. 1912–14, oil on canvas

Odilon Redon Bouquet in a Chinese Vase, ca. 1912–14 The Met

We look slightly down onto a panorama with dozens of pale-skinned men, women, and children skating and standing on a frozen river in this horizontal landscape painting.

Hendrick Avercamp A Scene on the Ice, c. 1625 National Gallery of Art

The image is a portrait of a young child shown from the waist up. The child is seated and facing forward. The child has dark hair that is styled smoothly and parted down the middle.

Sturtevant J. Hamblin Little Girl with Pet Rabbit, c. 1845 National Gallery of Art

Large painting of soldier asleep outdoors surrounded by two women and a cupid.

Giovanni Battista Tiepolo Armida Encounters the Sleeping Rinaldo, c. 1742–45 Art Institute of Chicago

A woman holding a baby stands near a young boy who perches in the tipped-up end of a rowboat that has been pulled onto a sandy beach in this horizontal painting. All the people have light skin.

Winslow Homer Dad's Coming!, 1873 National Gallery of Art

Child with Blond Hair, Pierre-Auguste Renoir, 1895/1900, oil on canvas

Pierre-Auguste Renoir Child with Blond Hair, 1895/1900 National Gallery of Art

Shown from the knees up, an older man sits in a rustic wooden chair and holds up a pocket watch for a young child who stands at his knees in this vertical portrait painting. They both have pale, peachy skin with flushed cheeks.

Henry Raeburn John Tait and His Grandson, c. 1793, with additions c. 1800 National Gallery of Art

Study of Two Bedouins, John Singer Sargent, 1905–6, oil on canvas

John Singer Sargent Study of Two Bedouins, 1905–6 Art Institute of Chicago

The Wedding of Stephen Beckingham and Mary Cox, William Hogarth, 1729, oil on canvas

William Hogarth The Wedding of Stephen Beckingham and Mary Cox, 1729 The Met

Carmencita, William Merritt Chase, 1890, oil on canvas

William Merritt Chase Carmencita, 1890 The Met

Three apples and two pears sit next to a knife and a luminous, white mug on a tan, stone surface before a muted, olive-green background in this horizontal still life painting.

Jean-Baptiste-Siméon Chardin Still Life with a White Mug, c. 1764 National Gallery of Art

Painting of bearded, ruddy-faced man in eighteenth century style clothing.

Jean-Honoré Fragonard Portrait of a Man in Costume, c. 1767–68 Art Institute of Chicago

Calling the Cows Home, Jean-François Millet, ca. 1872, oil on wood

Jean-François Millet Calling the Cows Home, ca. 1872 The Met

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