Paintings for Powder Blue Walls (page 9)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 385 to 432 of 1,950.

A pale-skinned woman with honey-blond hair reclines among wheat stalks and grape vines in this horizontal painting. She lies on her side with her head to our right and her body facing us. Her upper body is propped on her left elbow.

Jacopo Tintoretto Summer, c. 1546/1548 National Gallery of Art

Julie Le Brun (1780–1819) Looking in a Mirror, Élisabeth Louise Vigée Le Brun, 1787, oil on canvas

Élisabeth Louise Vigée Le Brun Julie Le Brun (1780–1819) Looking in a Mirror, 1787 The Met

A woman with pale, peachy skin and dark brown hair, wearing a long sleeved, floor-length white satin dress, stands facing and looking out at us in a room hung with shimmering, ivory-white drapery in this vertical portrait.

John Singer Sargent Margaret Stuyvesant Rutherfurd White (Mrs. Henry White), 1883 National Gallery of Art

An older, pale-skinned man wearing a richly brocaded robe and bishop’s mitre stands under a rounded arch in front of a deep landscape in this tall, narrow, vertical painting.

Gerard David The Saint Anne Altarpiece: Saint Nicholas [left panel], c. 1500/1520 National Gallery of Art

A Young Girl with Daisies, Pierre-Auguste Renoir, 1889, oil on canvas

Pierre-Auguste Renoir A Young Girl with Daisies, 1889 The Met

Alice Gerson in Prospect Park, William Merritt Chase, 1886, oil on panel

William Merritt Chase Alice Gerson in Prospect Park, 1886 The Met

Cardinal Fernando Niño de Guevara (1541–1609), El Greco, ca. 1600, oil on canvas

El Greco Cardinal Fernando Niño de Guevara (1541–1609), ca. 1600 The Met

Young Woman with Her Hand over Her Mouth, Edgar Degas, ca. 1875, oil colors freely mixed with turpentine on canvas

Edgar Degas Young Woman with Her Hand over Her Mouth, ca. 1875 The Met

Two women, a man, and three small children gather around a baby sleeping in a wicker cradle near an open window in this horizontal painting. The people all have pale skin with rosy cheeks.

Jean-Honoré Fragonard The Visit to the Nursery, c. 1775 National Gallery of Art

Trees on a Rocky Hillside, Asher Brown Durand, c. 1849, oil on canvas

Asher Brown Durand Trees on a Rocky Hillside, c. 1849 Cleveland Museum of Art

October in the Marshes, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett October in the Marshes, 1872 The Met

The Adoration of the Magi, Giotto di Bondone, possibly ca. 1320, tempera on wood, gold ground

Giotto di Bondone The Adoration of the Magi, possibly ca. 1320 The Met

Sunset, John Singer Sargent, 1905–6, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Sunset, 1905–6 The Met

A seated woman with an infant on her lap and three children are clustered on a terrace overlooking green hills and a body of water in this square painting. They all have pale skin with flushed cheeks.

Peter Paul Rubens Deborah Kip, Wife of Sir Balthasar Gerbier, and Her Children, 1629/1630, reworked probably mid 1640s National Gallery of Art

A white dog spotted with caramel-brown and with long, floppy ears sits in a garden setting near a green park bench in this loosely painted vertical portrait.

Henri de Toulouse-Lautrec The Artist's Dog Flèche, c. 1881 National Gallery of Art

John Johnstone, Betty Johnstone, and Miss Wedderburn, Henry Raeburn, c. 1790/1795, oil on canvas

Henry Raeburn John Johnstone, Betty Johnstone, and Miss Wedderburn, c. 1790/1795 National Gallery of Art

This painting depicts three individuals in a room. An elderly man is seated on a wooden chair, reading a newspaper, with a child standing beside him. The man has balding gray hair, round spectacles, and is dressed in a black suit.

Eastman Johnson The Brown Family, 1869 National Gallery of Art

Madonna and Child, Duccio di Buoninsegna, ca. 1290–1300, tempera and gold on wood

Duccio di Buoninsegna Madonna and Child, ca. 1290–1300 The Met

Gold folded tall screen with red flowers, green maize plants.

Unknown artist Maize and Cockscombs, mid 17th century Art Institute of Chicago

This painting displays soft, rounded shapes and fragmented lines, creating an abstract portrayal of two people seated at a dark yellow table.

Édouard Vuillard Two Women Drinking Coffee, c. 1893 National Gallery of Art

The Camp Meeting, Worthington Whittredge, 1874, oil on canvas

Worthington Whittredge The Camp Meeting, 1874 The Met

The Burning of the Houses of Lords and Commons, 16 October 1834, Joseph Mallord William Turner, 1835, oil on canvas

Joseph Mallord William Turner The Burning of the Houses of Lords and Commons, 16 October 1834, 1835 Cleveland Museum of Art

The Artist in His Studio, James McNeill Whistler, 1865–66, oil on paper mounted on panel

James McNeill Whistler The Artist in His Studio, 1865–66 Art Institute of Chicago

We look up through an opening surrounded by a stone ledge, with clusters of people and clouds swirling into a blue sky up and away from us in this vertical, rectangular painting.

Giovanni Battista Tiepolo Wealth and Benefits of the Spanish Monarchy under Charles III, 1762 National Gallery of Art

Roses in a Bowl, Henri Fantin-Latour, 1883, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1883 The Met

Sketch for The Copley Family, John Singleton Copley, 1776, oil on canvas

John Singleton Copley Sketch for The Copley Family, 1776 National Gallery of Art

Apple Blossoms, Martin Johnson Heade, 1873, oil on canvas

Martin Johnson Heade Apple Blossoms, 1873 Cleveland Museum of Art

Market Place, John Singer Sargent, 1890s, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Market Place, 1890s The Met

Allegory of Autumn, François Boucher, 1753, oil on canvas

François Boucher Allegory of Autumn, 1753 The Met

The painting depicts a forest floor under tall trees, with a grassy path leading into the distance. The sky is obscured by dense green foliage and tree limbs.

Narcisse Virgilio Díaz de la Peña Forest Scene, 1874 National Gallery of Art

Orchard, Édouard Vuillard, 1897, oil on board

Édouard Vuillard Orchard, 1897 Cleveland Museum of Art

About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting.

Sandro Botticelli The Adoration of the Magi, c. 1478/1482 National Gallery of Art

Queen Henrietta Maria, Anthony van Dyck, 1636, oil on canvas

Anthony van Dyck Queen Henrietta Maria, 1636 The Met

We look across the tops of trees down onto the roofs of a cluster of buildings and then a grassy expanse, a body of water, and rolling hills in this notably wide landscape painting. The trees are painted with shades of pine and olive green.

Théodore Rousseau Panoramic Landscape near the River Moselle, c. 1830 National Gallery of Art

Dr. James Stuart; Mary Campbell Stuart, Gilbert Stuart, c. 1815, oil on wood

Gilbert Stuart Dr. James Stuart; Mary Campbell Stuart, c. 1815 Cleveland Museum of Art

Shown from the knees up, a young woman with pale skin and flushed cheeks looks at us, wearing a long, shimmering white dress partially draped with powder-blue fabric in this vertical portrait painting.

John Singer Sargent Mary Crowninshield Endicott Chamberlain (Mrs. Joseph Chamberlain), 1902 National Gallery of Art

This painting features a woman from the waist up, her body angled slightly to the right, looking out at us. She has pale skin with rosy cheeks, blue eyes, arched gray eyebrows, and pink lips that are slightly upturned.

Gilbert Stuart Henrietta Marchant Liston (Mrs. Robert Liston), 1800 National Gallery of Art

Bouquet of Chrysanthemums, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Bouquet of Chrysanthemums, 1881 The Met

Virgin and Child, Hans Memling, c. 1485, oil on panel

Hans Memling Virgin and Child, c. 1485 Art Institute of Chicago

Shown under an ornately carved stone arch, a young woman holds a baby on her lap as she sits on a curving gold chair flanked by two kneeling angels in this vertical painting. All of the people have pale skin.

Hans Memling Madonna and Child with Angels, after 1479 National Gallery of Art

Self-Portrait, Rembrandt van Rijn, 1660, oil on canvas

Rembrandt van Rijn Self-Portrait, 1660 The Met

Shown from the knees up, a young pale-skinned woman sits looking at us in this vertical portrait painting. Her body is angled to our right, but she turns her face to gaze out with large brown eyes under dark brows.

Henri Fantin-Latour Portrait of Sonia, 1890 National Gallery of Art

The Holy Family with Saint John the Baptist, Nicolas Poussin, ca. 1627, oil on canvas

Nicolas Poussin The Holy Family with Saint John the Baptist, ca. 1627 The Met

Portrait of an Old Man, Hans Memling, ca. 1475, oil on wood

Hans Memling Portrait of an Old Man, ca. 1475 The Met

This painting shows a man seated in a wooden chair, facing slightly to the right with his hands resting on his lap. He has pale, wrinkled skin, a large nose, prominent cheekbones, a thin, closed mouth, and short dark hair.

Thomas Eakins Archbishop Diomede Falconio, 1905 National Gallery of Art

Joseph Gerrish, John Singleton Copley, 1770, oil on canvas

John Singleton Copley Joseph Gerrish, 1770 Art Institute of Chicago

Painting of four figures in blue, red, brown dresses playing croquet.

Winslow Homer Croquet Scene, 1866 Art Institute of Chicago

Asters and Fruit on a Table, Henri Fantin-Latour, 1868, oil on canvas

Henri Fantin-Latour Asters and Fruit on a Table, 1868 The Met

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