Bathroom Paintings: Seascapes, Rivers and Botanicals (page 6)

Water, shoreline, sky and botanicals, sized for the wall above the tub or beside the mirror.

Showing 241 to 288 of 387 paintings

The Brook, Paul Cézanne, c. 1895–1900, oil on fabric

Paul Cézanne The Brook, c. 1895–1900 Cleveland Museum of Art

We look across a grassy expanse leading to a lake, with several women, tiny in scale, dancing under a grove of trees to our right in this horizontal landscape painting.

Camille Corot Dance under the Trees at the Edge of the Lake, 1865/1870 National Gallery of Art

The painting depicts a rural scene with a wide, cloudy blue sky over a riverbank. On the right there are tall, dark green trees that stretch up to the top of the painting.

Camille Corot River View, 1868/1872 National Gallery of Art

Pond at Ville-d'Avray, Camille Corot, late 1860s, oil on fabric

Camille Corot Pond at Ville-d'Avray, late 1860s Cleveland Museum of Art

The Fishing Boat, Gustave Courbet, 1865, oil on canvas

Gustave Courbet The Fishing Boat, 1865 The Met

Arion on a Sea Horse, William-Adolphe Bouguereau, 1855, oil on fabric

William-Adolphe Bouguereau Arion on a Sea Horse, 1855 Cleveland Museum of Art

Tivoli, Sanford Robinson Gifford, 1870, oil on canvas

Sanford Robinson Gifford Tivoli, 1870 The Met

At least one rowboat occupied by two people floats on a lake, which is surrounded by lush green vegetation in this vertical landscape painting.

Berthe Morisot Girl in a Boat with Geese, c. 1889 National Gallery of Art

Egyptians Raising Water from the Nile, John Singer Sargent, 1890–91, oil on canvas

John Singer Sargent Egyptians Raising Water from the Nile, 1890–91 The Met

Rushing Water, John Singer Sargent, ca. 1901–7, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Rushing Water, ca. 1901–7 The Met

Scene on the Mersey, James McNeill Whistler, 1869, watercolor and gouache on white wove paper

James McNeill Whistler Scene on the Mersey, 1869 The Met

This painting shows a waterfront with boats and buildings in the distance. The shadowy horizon line divides the composition between the gray sky and gray water. The distant shore features faint outlines of buildings.

James McNeill Whistler Grey and Silver: Chelsea Wharf, c. 1864/1868 National Gallery of Art

Two pale-skinned little girls sit back-to-back on a sandy beach, almost filling the width of this vertical painting. The girls wear matching pale, ice-blue pinafores over short sleeve, ocean-blue dresses.

Mary Cassatt Children Playing on the Beach, 1884 National Gallery of Art

The Dock of Deauville, Eugène Boudin, 1891, oil on wood panel

Eugène Boudin The Dock of Deauville, 1891 Cleveland Museum of Art

The Beach at Deauville, Eugène Boudin, 1864, oil on wood panel

Eugène Boudin The Beach at Deauville, 1864 Cleveland Museum of Art

Waterfall, John Henry Twachtman, ca. 1889–91, oil on canvas

John Henry Twachtman Waterfall, ca. 1889–91 The Met

In this painting, abstract shapes and bright colors give the impression of two tall people standing outdoors.

August Macke People by the Blue Lake, 1913 National Gallery of Art

This painting shows a harbor with sailing ships displaying countless colorful flags. The ships stretch across the painting horizontally, floating on clear, reflective water.

Eugène Boudin Yacht Basin at Trouville-Deauville, probably 1895/1896 National Gallery of Art

This painting shows a man in a yellow jacket standing on a small brown rowboat on a wide, pale green river. Behind him is a large mint-green sailboat, its tall mast bare, the sails folded on the deck.

Childe Hassam Oyster Sloop, Cos Cob, 1902 National Gallery of Art

This painting depicts a scene overlooking a calm body of water. A large sailing ship with two tall masts and a dark hull is anchored on the water, its sails tied up. On the left, there are two people in a small, dark rowboat.

Eugène Boudin Ship on the Touques, c. 1888/1895 National Gallery of Art

Allée of Chestnut Trees, Alfred Sisley, 1878, oil on canvas

Alfred Sisley Allée of Chestnut Trees, 1878 The Met

From a little above a dirt road, we look past a grove of trees to a broad plain and a lake at the foot of towering, hazy mountains in this horizontal landscape painting.

Albert Bierstadt Lake Lucerne, 1858 National Gallery of Art

Landscape, Théodore Rousseau, c. 1850, oil on panel

Théodore Rousseau Landscape, c. 1850 Art Institute of Chicago

Canadian Rockies (Lake Louise), Albert Bierstadt, ca. 1889, oil on paper mounted to board

Albert Bierstadt Canadian Rockies (Lake Louise), ca. 1889 The Met

Sunset on the River Oise, Charles-François Daubigny, 1866, oil on wood panel

Charles-François Daubigny Sunset on the River Oise, 1866 Cleveland Museum of Art

Sheer, vertical, cliffs, brightly lit in cream white and rust orange by the low sun, tower over a band of people riding horses into the distance in this long, horizontal landscape painting.

Thomas Moran Green River Cliffs, Wyoming, 1881 National Gallery of Art

We are eye-level on a beach with half a dozen ships in view, sitting on the ground against a gray sky in this vertical landscape oil painting created with broad, unblended strokes.

Eugène Boudin Low Tide, Sailboats Run Aground, 1885-1890 National Gallery of Art

Horseneck Falls, John Henry Twachtman, ca. 1889–1900, oil on canvas

John Henry Twachtman Horseneck Falls, ca. 1889–1900 The Met

This is a landscape painting depicting a body of water surrounded by greenery, with tall green and purple mountains in the background under a sky full of dark pink clouds and a strip of bright blue-green.

John La Farge The Entrance to the Tautira River, Tahiti. Fisherman Spearing a Fish, c. 1895 National Gallery of Art

A young woman with flushed, peachy skin stands on a rocky shoreline with a fishing net slung over one shoulder in this horizontal painting. Her body faces us, and she looks off and down to our right.

Winslow Homer A Light on the Sea, 1897 National Gallery of Art

We look out onto a sweeping, panoramic view with trees, their leaves fiery orange and red, framing a view of a distant body of water under a sun-streaked sky in this long, horizontal landscape painting.

Jasper Francis Cropsey Autumn - On the Hudson River, 1860 National Gallery of Art

Boatman among the Reeds, Camille Corot, ca. 1865, oil on canvas

Camille Corot Boatman among the Reeds, ca. 1865 The Met

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

We hover over the bottle-green surface of a river as it rushes toward a horseshoe-shaped waterfall that curves away from us in this horizontal landscape painting.

Frederic Edwin Church Niagara, 1857 National Gallery of Art

Violet and Silver—The Deep Sea, James McNeill Whistler, 1893, oil on canvas

James McNeill Whistler Violet and Silver—The Deep Sea, 1893 Art Institute of Chicago

Venetian Passageway, John Singer Sargent, ca. 1905, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Venetian Passageway, ca. 1905 The Met

Delaware Water Gap, George Inness, 1861, oil on canvas

George Inness Delaware Water Gap, 1861 The Met

We stand on a beach lined with black rocks and boulders looking out onto the water below a brick-red sky that dominates this nearly square landscape painting.

Gustave Courbet The Black Rocks at Trouville, 1865/1866 National Gallery of Art

This painting depicts a harbor scene with brown arches and towers on the right, along with tall columns that look like ruins. At the bottom of the painting, people are engaged in various activities along the water's edge.

Francesco Guardi Capriccio of a Harbor, c. 1760/1770 National Gallery of Art

Lush tall grasses with small white flowers foreground a grove of bushy trees of varying types and heights, their leaves ranging from deep green to golden.

Vincent van Gogh The Poet's Garden, 1888 Art Institute of Chicago

The Falls of Niagara, Edward Hicks, ca. 1825, oil on canvas

Edward Hicks The Falls of Niagara, ca. 1825 The Met

Hudson River Scene, John Frederick Kensett, 1857, oil on canvas

John Frederick Kensett Hudson River Scene, 1857 The Met

The Pond (La Mare), Théodore Rousseau, 1855, oil on wood

Théodore Rousseau The Pond (La Mare), 1855 The Met

Path Near the Pond of Vipers, Fontainebleau Forest, Narcisse Virgilio Díaz de la Peña, c. 1860s, oil on wood panel

Narcisse Virgilio Díaz de la Peña Path Near the Pond of Vipers, Fontainebleau Forest, c. 1860s Cleveland Museum of Art

This painting shows a young woman lying on her stomach on a brown, rocky surface near the water's edge, looking towards the sea.

Jules Breton The Cliff (La Falaise), 1874 National Gallery of Art

Water Lily Pond, Claude Monet, 1917–19, oil on canvas

Claude Monet Water Lily Pond, 1917–19 Art Institute of Chicago

Saltash with the Water Ferry, Cornwall, Joseph Mallord William Turner, 1811, oil on canvas

Joseph Mallord William Turner Saltash with the Water Ferry, Cornwall, 1811 The Met

The Pont Neuf, Johan Barthold Jongkind, 1849–50, oil on canvas

Johan Barthold Jongkind The Pont Neuf, 1849–50 The Met